Thanks for the memories!

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

The film never slows down or bores, plunging from one harrowing sequence to the next.

The acting in this movie is really good.

Just the name of the picture makes you want to see if this is a BOMB or an interesting story! As I watched the beginning of the picture and watched Christian Slater,(Julian Po),"Mindhunters",'04, stroll down this very old town that looked like it was from the Dark Ages, it started to capture my interest. Julian Po picks this town to sort of destroy himself and runs into all kinds of situations, meeting a minister, barber, hotel owner and lots of women for warm romantic SEX! Po meets Robin Tunney,(Sarah),"Paparazzi",'04 who arranges all kinds of candles around his bed and falls madly in love with him. Christian Slater and Robin Tunney gave outstanding performances in a rather difficult character role. You can possibly laugh and cry with this film.

A truly tender tale and one that makes a person to reflect on life and its for a handicapped person The acting is superb showing that Christian Slater can really handle a demanding role with skill; I note that the commentator who hides behind the name of "anonymous" says that "it could have been been better but does not say how it could have been so.. My feeling is someone of that irk might say "Casablanca" or "Gone with the Wind" "could have been better." Ha!

I've only seen this movie once, so my interpretation might be a little off, but it seemed to me to be an allegory of the price of fame, how famous people, in American popular culture in particular, are often driven to suicide. Of course there are a few holes in my theory: Julian never sought fame himself, but the relentless media attention (the group of children who followed him around), the riches and free stuff he received, and the boredom of a small town (representing America in general) has nothing better to do than make a celebrity out of an ordinary person. And finally, the callousness of the people when they drive him to suicide sums up the allegory.Forgive my interpretation if it's wrong... but those were just my ideas.

I can't believe the tone of the external reviews linked to this entry...these guys didn't get this film at all!!! What in god's name did the bozos expect from a film adapted from a novel in French by an author of obvious Eastern European descent? "Julian Po" is a fable, folks, about life and death and all the states in between. It's funny and sad and bewildering and tragicomic in the way good European fiction can be and even good American fiction rarely is. It's beautifully cast with people from some of my favorite TV series, from "West Wing" to "Homicide" to "Remember WENN" and from some damn good films such as "Fargo" and "Kill Bill". It also has Christian Slater's best performance since "Heathers" and manages to be "quirky" in a way different from those generic indie films that equate quirkiness with quality. It IS a little slow, because it moves at the pace of life, but this allows it time to fill each moment with the stuff of life. It misses being great because it doesn't have the final twist that takes it beyond our expectations, but it is nonetheless the best surprise I've come across in several years -- a genuine small, unheralded, lost gem. Please don't read too much about it before you see it. Judge for yourself, with your heart and your head. This film should appeal to both parts of your anatomy.