This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

Close shines in drama with strong language, adult themes.

One of the worst ways to make a cult movie is to set out to make a cult movie.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Bizarrely funny comedy that keeps the viewers on their toes as a bevy of characters flit all over town chasing an illusive 900 dollar payoff, but not for exactly what each supposes. Good dialogue and hilarious situations make for a snappy, fast paced film which appears to be going much more slowly.

I kind of liked this flic'. It's one of those movies that you catch whilst flicking through the movie channels and you see and actor you like and say, I'll give this a chance.This is a movie that involves lies, gambling debt, abortion, gunpoint muggings and heartbreak, but not at one point will you become exited, mainly because the film is flat. Every shot is one dimensional and maybe the writer, who is also the director should stick to just writing.I am sure that this is a really good screenplay to read because I enjoyed the dialogue very much. I would also think that this is the reason that there was such a well known cast. It would have made a great piece for radio. Out of ten I would have to go with a five.

Hi-life is a complicated tale of friends and acquaintances trying to outwit and bamboozle each other over a gambling debt only a few are privy to. Each of the finely scripted characters gets drawn into the conspiracy for their own reasons, being deceived by the previous conspirator yet remaining unaware of the others. Taking place one evening in a nondescript New York neighborhood, it's the tale of ordinary people living mundane lives complicated by love, hate, ego, and chicanery, yet each are a charming mixture of goodness and banality much like every one of us. The complicated plot comes together at closing time in the Hi-Life Bar where all the characters meet and their deceptions are revealed. The script is witty, the acting is first rate, and one hates to see the story end.

This has to be, to my knowledge, the only christmas/abortion comedy ever made. Featuring splendid performances by Charles Durning as a hen-pecked love lorn bar owner, Eric Stoltz as the self-absorbed actor, and Campbell Scott as the bitter ex of Daryl Hannah, this film continually surprised and delighted me. Filmed in New York City by John Thomas (of Whit Stillman and "Sex in the City" fame) the city has never looked crisper or more inviting. The plot is wacky- a subplot involving two wacky ambulance drivers is particularly silly- but also has a wandering tone that careers from touching to bizarre, in the way that all good independent films do. Featuring the angriest Jewish santa clause ever filmed, rousingly played by Dean Cameron of "Ski School" fame. Worth a look!