At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

All that we are seeing on the screen is happening with real people, real action sequences in the background, forcing the eye to watch as if we were there.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

THE HI-JACKERS is an efficient and entertaining British B-picture which ticks most of the right boxes when it comes to film-making. As a film about truck drivers it's not a patch on the excellent HELL DRIVERS but as a low budget B-movie it's a pleasing timewaster with some good action and an incident-packed plot line to recommend it. Director Jim O'Connolly later helmed the excellent horror flick TOWER OF EVIL.A youthful Anthony Booth stars as a trucker who finds himself the victim of a gang of hi-jackers who take his truck as well as his load. He swears vengeance on the crew, and the rest of the film is a back-and-forth game between the villains and everyone else pitted against them. The cast is populated by some pretty good character actors who give engaging performances, although the likable Booth gives the best turn. The inclusion of a love interest for the hero drags the pace down a little but for the most part this works well and proves a nice time capsule of the early '60s.

This is the sort of film that would turn up on the bottom half of a double bill at your local ABC cinema in the 1960s.It is all fairly routine.However it is rather spoiled by plot contrivances.Firstly there is the coincidence that Jacquleine Ellis's ex husband just happens to be a criminal who is banged up in prison.Then the fact that he can not only identify the gang member but can provide his address.Then like all true B movie heroines,instead of informing the police,she goes straight over to Carter's house,peeks in the window sees him,thinks she has made her getaway and is promptly caught by a gang member.Then Booths partner who has given inside information to the gang is caught and spills the beans,and hey presto the gang is caught on the job.Quite a pleasant way to spend an hour.

Couldn't agree more, with Daniel. This seemed to wane, as you said only when the obligatory love interest came in (which thankfully, there wasn't a lot of). An independent lorry driver (a young Tony 'scouse git' Booth)finds he has been set-up by his co-partner in the business for a hi-jacking. The love interest Jacqueline Ellis, someone he picked up on her way to London, in his lorry, becomes also involved in cracking the gang that too hijacked Booth's lorry and are onto countless others. Watch carefully, when Booth goes to confront his chum, of an old location of 'Lion Wharf' Isleworth in Middlesex, close to Twickenham studios where the studio work was done. Some good character actors, Harold Goodwin, Glynn Edwards and Patrick Cargill as a sarky article cop make it watchable.However, a basic but good plot, fine acting especially from Tony Blair's son-in-law. Fairly recently released with Reknown Pictures

Yet another late night treat from ITV. Rather above the British second feature norm (no difficult task), it boasts a likeable lead performance from Anthony (father-in-law of Tony Blair) Booth, genuine location footage and a witty villain. Even Vauxhall police-cars make a change from the usual Wolseleys.I wonder if the PM screens this epic at Downing Street functions?