It's entirely possible that sending the audience out feeling lousy was intentional

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Could it be the return of genuine Cat III madness? When I first heard about this film it certainly sounded like it, considering the involvement of director Herman Yau ("Ebola Syndrome", "The Untold Story") and the listing of several themes & keywords that are customary for this sub genre's certification. After seeing the film at the Fantasy and Horror Festival in Belgium, I must admit it's not a total throwback to the outrageous films of the early nineties, but a successful mixture between Cat III nastiness and a far more sophisticated kind of film-making. "Gong Tau" isn't as sickeningly gore and doesn't contain any absurd humor, but to compensate for all this, the script is actually coherent for once and even introduces some effective and plausible dramatic story lines. Next to the voodoo horror plot, there's a very engaging domestic drama sub plot, which honestly makes the horror far more intense, grim and disturbing. The titular term refers to the most nightmarish type of oriental voodoo that black magic artists inflict onto people for reasons of either love or revenge. The harsh Hong Kong copper Rockman Cheung loses his baby son and almost his wife when someone targets him for Gong Tau terror. The main and only suspect is a criminal Lam Chiu, who Rockman shot in the head ten years ago, but he survived and mysteriously vanished. But when the real culprit and motives come to the surface, Rockman actually depends on Lam Chiu's knowledge of the occult for survival. "Gong Tau" is reasonably nauseating and surely doesn't bother to avoid the most shocking taboo subjects (dead babies, bug vomiting, mutilation…) but the violence is never fully gratuitous and Herman Yau largely remains focused on story building and atmosphere instead of sickness. The Gong Tau characteristics may sound a little over the top, as it involves heads separating from the body and antidotes that require a hodgepodge of insect venom, sperm and grease of a human corpse. The special effects and make-up are fabulous and the set pieces are marvelously sinister. Yau's direction is still as stable and reliable as it was over ten years ago, but his cast members definitely improve. Especially Mark Cheng as Rockman and Maggie Siu as his emotionally wrecked wife deliver stellar performances. The climax is insanely gory and even provides a neat (albeit illogical) twist. See this thing if you crave for the good old days of horror cinema to return. After "Dog Bite Dog" last year, this is another modest triumph in the Asian horror industry!

Gong Tau The news of a new HK Cat 3 movie directed by Cat 3 legend director Herman Yau was big news for me. Even though I have a stack of that genre I haven't even watched yet, I still get excited when a new one is announced. This is all about Chinese Black Magic, and a curse being put on a policeman's family killing their baby with hundreds of needle holes, and inflicting his wife with severe pain. Also, other cops are dying for no reason and no cause of death, so the suspicion is GONG TAU. In the case of the baby Needle Gong Tau, but what is the most feared Gong Tau of all, yes, you got it, Flying Head Gong Tau. And when you see the guy sending out these Gong Tau spells, and his head and everything attached to it, you know you are in Cat 3 territory. The main theme of the movie, is the detective trying to find someone that can purge Gong Tau from his Wife, and then find out who and why somebody is casting these nasty curses. This is actually a pretty good movie, I enjoyed it immensely, and even though the nastiness is not quite as nasty as previous Cat 3 movies I've seen, this one still delivers the blood and gore in buckets. The ending is a little funny I thought, but still effective. This is still my favorite Asian genre, and this one does not disappoint. It's better than the last recent Cat 3 movie I bought, "Dog Bite Dog" released in 2006, but then again, I still liked that one too. For fans of extreme Asian Cinema, you definitely want your dose of GONG TAU.

I'm gonna comment on this one for the same reason someone else here did. It's odd that the majority of the small number of comments are negative, and they always show up on the main page whenever I check this film. So the first user comment is usually "terrible" or along those lines, and this movie is certainly far from terrible. As a fan of the Black Magic movies of the seventies and eighties, and I'd include "The Devil" in there too, Gong Tau is a great film in the franchise. Gory and shocking, with interesting characters and a good plot that puts the black magic curse in a modern police setting. Without giving away too much, there are a lot of interesting and gruesome scenes and images for the adventurous viewer and it is a nice return to Cat III film-making for the awesome Herman Yau. Every frame of this film bleeds atmosphere, it comes as no surprise that Yau was a cinematographer before becoming a director. A must watch for horror fans and fans of the bizarre and it's no small wonder that extreme horror novelist Edward Lee cites this as being his favourite horror film of 2007.

This Category III effort from Herman Yau, the director of "The Ebola Syndrome" and "The Untold Story", is not a terrible movie, but it isn't a great movie, either. "Gong Tau" is a type of voodoo which is visited upon the wife of a cop (Mark Cheng) who betrayed a woman in Thailand. Cheng and the dependable Suet Lam spend much of the movie on the trail of a criminal who is sending bad voodoo curses to Cheng's wife and making her life unpleasant. Director Yau is expected to deliver grisly violence and messy gore in his Cat III work, so the presence of crawling centipedes, a baby stabbing, blood vomiting, and brutal beatings is not surprising or unwelcome. The film is beautifully shot, but it is dramatically schizophrenic and unfocused. It is more of a police procedural than a horror film, with too much time devoted to people standing in offices talking. Yau always manages to push a few buttons and up the shock value in his movies, but he doesn't go quite far enough in "Gong Tau", so the audience loses.