The Craft
The Craft
R | 03 May 1996 (USA)
The Craft Trailers

A Catholic school newcomer falls in with a clique of teen witches who wield their powers against all who dare to cross them -- be they teachers, rivals or meddlesome parents.

Reviews
Bluebell Alcock

Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

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Brennan Camacho

Mostly, the movie is committed to the value of a good time.

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Raymond Sierra

The film may be flawed, but its message is not.

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Janis

One of the most extraordinary films you will see this year. Take that as you want.

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jimthor-13847

Lots of hotties and action in this witch movie. I rated it a 9/10 due to it has great actresses in it and overall movie was well done. As far as Witch movies go, this one is one of my favorites. There are others out there that are good, but this one is right up there with them. IMHO.Like I mentioned, the four actresses are very good. The plot is good. It's about a girl who makes friends and soon they discover they are Witches. They use their powers for good and bad. Some can handle it and some can't. Conflict arises, as expected, and fights ensue. Good overall movie. Worth a watch. Jim W

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bonniebabyblu

I watched this simply because I read negative reviews on another film that claimed to rip this one off? Well I quite liked this film too. This is an American movie bunch of sexual teenage girls who discover they have special powers and turn into witches. 'The Coven' is a British film about a bunch of terrified young tweenies sneaking into the woods for a sleepover and is not in any way shape or form similar to 'The Craft'! Go figure! I digress, The Craft is entertaining and obviously had some money on the spfx. It's fun, even though it's a bit dated now. This is more like Sabrina the teenage witch with a bit more oomph.

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GL84

Arriving at a new school, a teen meets up with a group of social outcasts who offer her entrance into their coven of witches, and after they grow stronger the power-mad coven are soon inciting retribution against their classmates as she tries to put an end to their reign of terror.There isn't much to the film. One of its' better features is the fact that this follows a lot of the real witch's spells and ceremonies which gives it a touch of realism as the chanting and special spells are quite realistic that allows for a touch of believability for many of those scenes. The many different spells, both good and evil are what really keep the film afloat since they start harmless and soon start affecting others. From the simple and harmless ramifications of their easier spells to the later ones that actually focus on supernatural powers are all fun to witness and believably done. The big action scene here, the final confrontation with the coven-members inside a large mansion, is quite entertaining and does offer up some big excitement along with the extraordinarily creepy sequence where almost everything in the house is covered with thousands of snakes or insects that must be crossed before heading to the final destination, is creepy, ingenious and really comes the closest to out-and-out horror. Otherwise, that's all that pretty much all that work for the film as there really isn't a whole lot to it. The only real flaw the film has is that it's really hard to feel threatened by the witches. Most of the spells are pretty much nonthreatening to others, and by removing the fact that they never really harm anyone physically, even at the end, it's really hard to feel fear of them. As the spells themselves aren't dangerous or evil, even the really dangerous ones that are performed do nothing harmful to others even when they're trying, and it makes it really hard to feel threatened by these. That becomes even worse since it spends all it's time on them, and therefore the opportunities are never there to feel that there's much to be feared of in here as simple avoidance makes for a more satisfying hindrance to their plans. It makes it really hard to supposedly be scared of witches seeking revenge when the most dangerous thing that they do is cause a person's hair to fall out. It's a big problem, and the main one in the film.Rated R: Graphic Language, Violence and attempted Rape.

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michael-3204

I wanted to like The Craft more than I do. It has lots of appealing ingredients, including a pretty solid main cast and a story with lots of potential that puts young women front and center. I think my issues with it come down to tone and pacing. There are plenty of scenes that feel very natural and organic, especially those that feature the four main girls together; and then there are jarring scenes (for example, the vagrant with the snake) that seem to come from a different movie. Many of the adults (or, at least, the older actors playing adult roles, as opposed to the adult actors playing teenagers) are somewhat off, including Tunney's father and Assumpta Serna as the owner of the Wicca shop. Helen Shaver, as Fairuza Balk's trashy mother, gives the only performance that meshes well with what the teenagers are doing. Balk herself, though she excels at bringing menacing tension and unpredictability to her performance as the most unhinged of the four main girls, sometimes goes overboard with the histrionics, such as the bedroom scene with Skeet Ulrich at the party. The other girls' -- Robin Tunney, Neve Campbell and Rachel True -- performances stay more grounded through the movie, even as the increasingly unnatural events unfold. (Campbell and Ulrich, who would co-star as high school paramours in a film, Scream, that overshadowed this movie, don't have much interaction here, but I thought Ulrich was actually better -- and certainly funnier -- here as the bewitched, bothered and bewildered wanna-be boyfriend of Tunney.)All in all, the film feels like it wasn't thought through as thoroughly as it could have been. There are intriguing, post-Carrie ideas here about witchcraft and paganism as metaphors for girls' sexual development, but they don't really go anywhere even as the girls become more sexualized (and their skirts get shorter) as they become more confident in their craft. There are elements that feel forced or blunt -- such as the over-the-top overt racism shoved in True's character's face -- when a subtler approach would have been more effective and believable. There are the jarring tonal shifts that make me feel like director Andrew Fleming didn't have complete mastery of his own material. (Fleming also co-wrote the screenplay.) This is still a reasonably entertaining film with some effective scenes, memorable imagery and good performances. In more skillful hands or with more time and money, it could have been much more than that.

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