Sadly Over-hyped

A brilliant film that helped define a genre

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Cash strapped actor Warren McCloud (a likable portrayal by Jason Lively) and his struggling filmmaker buddy Fred (the equally engaging Tim McDaniel) find themselves in possession of a pawn ticket left to Warren by his grandfather. Said pawn ticket sends the duo on a wild ghost chase through Hollywood. Moreover, Warren and Fred are assisted by the wizened little old man ghost of the grandfather's Brit-accented butler Lewis. Director/co-writer Roland Emmerich relates the entertainingly goofy story at a steady pace and maintains an amiable lightweight tone throughout. The ever-adorable Jill Whitlow perks things up considerably with her cute and radiant turn as spunky actress Laurie. Paul Gleason does well as mean jerk studio head Stan Gordon and Leonard Lansink contributes a funny turn as Gordon's bumbling flunky Karl. Popping up in nifty bits are Chuck "Porky" Mitchell as huffy diner owner Mr. Rosenbaum and veteran character actor Larry Pennell as a booze-sodden bum. Karl Walter Lindenlaub's slick cinematography gives this picture a nice glossy look. The bouncy soundtrack and the groovy-bumpin' score by Joel Wachbrit and Hubert Bartholomae keep things bubbling along. Moreover, there's a good-natured easy'n'breezy quality to this movie that's impossible to either resist or dislike. The special effects are pretty cool as well. A pleasant diversion.

Re. Ghost Chase (or, Hollywood Monster).I had the pleasure of seeing the film on video today. And survived it.A principal problem -- perhaps part and parcel of severe budget problems -- is that the principal ghost figure, Louis, looks like a big rubber doll and the trick with his British accent is no fun at all.All the characters play in three speeds: frantic, more frantic, most frantic, and we never see them functioning as real people (as one of your responders mentions). The ending is hysterical and hyperactive and without much head or tail to it. Why didn't they die in the next to last shot? A principal loss suggested above is that the sympathy which makes one forget many flaws in a story is missing, as the characters, good or bad or indifferent, are not three dimensional in any way. The girl's workplace is a sole exception.Best, demedici

I was over at the local used book/CD/movie store the other day when my friend came up to me showing me this movie for sale for $2.50. He told me he was going to buy it because it looked really bad. "NO!" I said. "I'm the one who collects bad movies, I should be the one buying it!" He with held from my torment for a while, until I showed him where the Godzilla movies were. THEN he gave it up in favor of Godzilla vs. Mothra. "Haha!" I exclaimed, holding the movie over my head. "I have won!" Little did I know that this movie was the one who REALLY won.If you are reading this, it probably means you have rented or bought this movie, and you should be ashamed of yourself. How dare you support this movie with your hard earned money! The basis of this movie should have told you right away that this movie was a piece of crap. A group of film makers are struggling with production, when one of the kids (I mean "kids" literally, because these actors look as if they were only 17 or 18-years-old. None of them should be living on their own, making movies. They should be in high school.) gets called to the reading of a family will. He gets a bunch of junk left to him by his great grandfather. One piece of junk was an old clock that turns out to be housing the spirit of an old servant of the kid's great grandfather. And every time the clock struck 1:00 am, the spirit left the clock to roam his surrounding area. What I didn't get was why this spirit didn't do the same all of the other hundreds of nights he was locked away in that trunk. Well, the director of the films sees the ghost, and immediately after he wakes up, begins to construct a bunch of things that resemble what he saw when the spirit came into his room. He makes puppet about two feet tall, a scale model of a huge house, and writes a script for a movie based on his vision. My question, where did he get the money, and the know-how to make such detailed objects. The puppet is shown to have radio controlled eyes. What kind of a technological high school drop wizard is this guy who knows how to rig up remote sensor appendages? I don't know... On to the next "important" thing!Across town, another film maker (this one in his 30's) hears about the will reading, and orders a spy to steal the clock. The ghost appears again, scaring away the spy, and this time, he inhabits the puppet made by the director guy. This leads the ghost (I think his name is Lewis) to speak of the great grandfather and how he had lots of money, but he never gave it to anybody, rather put it in the basement of some house. So the kids spend the night roaming Hollywood in search of some house, trying to jog Lewis's memory along the way, because Lewis is a moron and can't remember where the house was.Well, they finally find the house after a girl recognizes the house in one of the older movie maker's movies, only to find out that the older guy is going to blow it up for the grand finale of some movie. They sneak into the closed set, end up in the basement of the house and are about to break into a wall, when the ghost of the great grandfather shows up, inhibits a suit of armor, and begins battling the kids. One blow and the armor falls apart though, but it somehow reassembles itself, and begins to exact it's revenge. It puts the director kid on a bed of spikes, entraps the great grandson behind bars, and does something to Lewis, but Lewis can still talk, and he tells the director kid that the only way to defeat the great grandfather's ghost is to destroy the clock. So he does it and the house blows up with the kids inside it. They find the fortune, the director kid is upset because he lost Lewis, the old director is bankrupted because the kids exploit a fraud he committed back a few years ago, and to end the movie, they drive away in a limo with guess who driving?... Awww... it's Lewis... Everybody with me, Awwwww... Lewis is still alive. DAMN YOU LEWIS!!! Damn you back to the pits of despair you came from!!! And as you're on your way down, don't hang onto me for support, because I'm not giving any! Lewis doesn't deserve it!! This movie doesn't deserve it! The actors don't deserve it! Nobody related to this movie deserves it!All in all, this movie wasn't all that bad. The ending was what killed it though. I never liked Lewis. I wanted him to stay dead, and when I saw him driving that limo, I wanted to punch a hole through a wall. By far, the WORST ending I have ever seen. That is my opinion, and I'm sticking to it. Good day gentlemen...

this movie exemplifies the captivating adventure a ridiculous ghost/beast to can add to a somewhat atrocious plot. this ghost is a recipe for fun and comedy as jason lively and friends search for the MILLIONS. as this high-tailed hilarity becomes almost unbearable, this fun loving ghost materializes and just about makes you choke on your own laughter. fun for children and senior citizens, but not middle aged soccer moms. what makes this even better.....jason lively is the pompous idiot from european vacation, only now he has a mullet! pure casting genius! amen.