Good , But It Is Overrated By Some

brilliant actors, brilliant editing

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

This is a bizarre, uneven film. I watched through it though for the awesome '6os Chicago film locations. There are many outdoor scenes including an alley on Diversey Ave just west of Clark St, Lake Shore Drive, Belmont Harbor, the River View amusement park, and the Prudential Building skydeck. River View closed in the 60s and now the Prudential Building, which was the the tallest building in Chicago at 40 stories, has been dwarfed by many other buildings

Knowing that Philip Kaufman directed movies like "The Right Stuff", it blows the mind that he once directed the cornball "Fearless Frank". Jon Voight plays a drifter who gets murdered and then reanimated as a superhero. With cartoonish action and speech that sounds like a recording of a recording, it's impossible not to laugh at this. It's going to be hard to find a copy, though. I suspect that Kaufman's too embarrassed about this movie to release it.As for the rest of the cast, Monique van Vooren apparently is best known for appearances in Andy Warhol movies. Severn Darden was a character actor over a number of years (I best remember him from "The President's Analyst" and "Saturday the 14th"). Nelson Algren (Needles) was the author of "The Man with the Golden Arm", and Ken Nordine (the narrator) was a jazz vocalist.

Fearless Frank is a genuinely odd early work by Philip Kaufman, featuring an early performance by Jon Voight as a flawed superhero. It attempts to recreate the feel and atmosphere of a comic book, particularly in its first half. Ultimately, it is a mixed bag that will have difficulty appealing either to children or to fans of experimental film.If you watch only the first half hour, Fearless Frank appears to be intended as a children's film. The characters seem straight out of a Dick Tracy comic, complete with bizarrely disfigured criminals. There is a definite camp element to this section of the film, with comic narration provided by a mysterious, and melodramatic, on screen narrator with a typewriter. Similarly, a scientist's patented evil detector gives the proceedings the feel of a sixties children's matinée. Only the plot line, which revolves around a young farm boy resurrected from the dead to become a superhero suggests anythingHowever, the film gets increasingly odd as it goes along. A clone of the hero is introduced, and the plot shifts from a straight superhero story to one of a character corrupted by success. From here the film becomes increasingly surreal and inaccessible. In the end, it becomes more of a film for Kaufman completists than a film one would watch for enjoyment.

I first saw this film when I was 11 years old (on the KTLA 'Movies Til Dawn' at 2:00 am), and I didn't realize the impact it had on me until I saw it again a few months ago (17 years later). I found two scenes between Frank and False Frank had really affected me, SPOILER WARNING: One was when Frank, after he has fallen from grace, tries to fly and falls to his destruction on the pavement below and fades away. It affected me that the 'hero' of the film should die that way, the hero believing in his own abilities and dying because of his own failings. Second, when the False Frank is crying in the boat at the end of the film. I was again bothered by the image of the new 'hero' losing emotional control like that. Possibly these images don't mean anything to the vast majority of people who saw the film, but they had a profound effect on me. I am surprised at how few people have voted/commented on this film. I feel it is an undiscovered gem of film-making, waiting for a re-appraisal.