i know i wasted 90 mins of my life.

Easily the biggest piece of Right wing non sense propaganda I ever saw.

Close shines in drama with strong language, adult themes.

Worth seeing just to witness how winsome it is.

I really wanted to like the new doctor and I hope with time I will. This however was not the way to introduce him. A heavy handed story with all the wrong elements. Let's start with the weak villains that could have been so cool. We did steam punk robots before and they were scary, these were laughable. I was continually jarred by CGI that was horrific and clunky, case in point the Dinosaur. Then there were the obvious continuity issues throughout the episode. At Demons Run Madame Vastra, Jenny and Strax were good fighters. Here, they look pathetic. We even had to have manufactured side drama between Jenny and Vastra just to bloat the run time. The same thing with Strax and Clara. Clara continues to be a weak and wooden character. This troubling trend of one-dimensional assistants has been going on for while though Clara is by fare the worst. I blame the writer(s) and director(s) for this. I really hope this is not an indicator of the quality of the show but I am worried.

The 11th Doctor is dead. Long live the 12th Doctor! That's not the way Clara sees it though: She's upset that the young man Matt Smith that she'd been best friends with had vanished and been replaced with the older Scottish fellow Peter Capaldi and that's understandable.The main complaint people had about the casting decision of the 12th Doctor had been his age (had people forgotten William Hartnell's 1st Doctor or John Hurt's war Doctor?) and it seems Clara is present to help people with this issue make the transition. Madame Vastra is on hand to address the complaint head-on: Did you think he was young?! She asks it with an air of condemnation upon all who had a problem with the age difference and Neve Mackintosh delivers it well, but that's to be expected if her past appearances are anything to go by.It takes all of about five seconds to believe Peter Capaldi is the Doctor; I'm not sure what it is about him but whatever it is he has it. He plays the part as if he was younger and more youthful than he actually appears and comes across as if he were a naughty child who knows he'll be in trouble later but does what he wants anyway while he still can. This is a bold move but it works well thanks to the combination of the excellent writing and acting by all involved. His Doctor is much less trustworthy too: At one point he leaves Clara trapped in a room of evil robots with not even a hint of advice for her except something he said earlier, leaving her to her own devices.But it's here we see that we can still trust him as he arrives in time to save her. Ben Wheatley's direction is superb here and cannot be flawed as he calls upon his past experience to create a real sense of horror that goes on long enough that you'll probably cross the edge of your seat and fall onto the floor. His direction is great throughout actually and he may be the best director Doctor Who had ever had at this point.Moffat's script is a good one too, with dinosaurs and robots showing up in Victorian London to wreck havoc and generally be nasty and unpleasant. He works in the new Doctor in no time at all and sets up for the series 8 story arc nicely with a brilliant tease to end the episode all while allowing for Clara to actually become a proper character. While it's not perfect it does come pretty darn close and Matt Smith's closing cameo is a nice way to end, totally what the 11th Doctor would do. 9/10

For over a year now, when we first learned that Matt Smith would soon be leaving Doctor Who and that Scottish actor Peter Capaldi would be his replacement, fans have been waiting to see a new Doctor in action. With the Series Eight premiere episode Deep Breath, that wish has been granted. So does Capaldi's Twelfth Doctor live up to expectations and what about the episode itself?Much of the attention being focused on the episode was in regards to Capaldi's new Doctor. What would this older Doctor be like? Would fans and the public accept him after the two younger Doctors that proceeded him? If Deep Breath is anything to judge by, any worries were unfounded. Capaldi's Doctor does something essential for any successful Doctor: calling back to the old while also being something new as well. There's a strong sense of familiarity to this Doctor who, with his occasional irascibility and physicality, brings to mind Jon Pertwee's Third Doctor in particular. There's also a cerebral quality to him as well but also a darker edge at times, with a sense of uncertainty regarding how far this Doctor might go. Despite that darker edge, there is still a warm and friendly side to this Doctor as well. What the episode presents us with isn't just the beginning of Capaldi's Doctor but the sheer range he has as well.Jenna Coleman's Clara, having been freed from the "impossible girl" element that so dominated the character during Series Seven, is given quite a bit of development in this single episode. Clara firmly becomes the audience identification figure here with her uncertainty and questioned faith in the Doctor presumably reflecting that of the audience. Coleman and Capaldi share some excellent chemistry together that indicates a friendship that gradually builds between them and will presumably continue to do as this season progresses. Elsewhere, Deep Breath might well be the episode where Coleman really comes into her own as Clara as demonstrated by her confrontation with the Half-Face Man about two-thirds of the way through the episode. As a result, this might well be Coleman and Clara's best episode to date.The supporting cast is strong as well. The Paternoster Gang of Madame Vastra (Neve McIntosh), Jenny (Catrin Stewart), and Strax (Dan Starkey) makes a welcomed return with Strax continuing with his obligatory scene stealing. Peter Ferdinando's Half-Face Man, the episode's villain, is wonderfully sinister and menacing while also finding sympathy towards the episode's end as well. Rounding off the supporting cast for mostly comedic purposes are Paul Hickey's Inspector Gregson, Tony Way's Alf and Brian Miller (the actor husband of the late Elisabeth Sladen) in a delightful scene as a tramp that the Doctor encounters.What about the rest of the episode though? Well of particular note is the excellent direction of Ben Wheatley who brings strong sense of atmosphere and tension to some of the best scenes and moments of the episode. There's of course the strong sense of period settings and costumes which is a hallmark of the BBC. The score from Murray Gold introduces some new musical themes for the new Doctor as well as a new arrangement of the show's iconic theme tune of which I for one am still undecided about (though the new credit sequence it accompanies is perhaps the best we've had since the show returned nearly a decade ago). So in terms of production values then, the episode is fairly strong as well.What the episode builds from though is the script by show-runner Steven Moffat. Having already deftly handled Matt Smith's debut in The Eleventh Hour, Moffat does things differently here. While of course handling the introduction of the new Doctor, it also tries to be a fairly traditional Doctor Who story as well. The results on the whole are fantastic with some wonderful scenes, often between just the Doctor and Clara effectively having to become friends all over again (something meant perhaps to be symbolic of the show's audience with the series itself). The episode contains some nice ties back to the show's past both in its dialogue (with one moment calling back to the exit and entrance of two iconic Doctors four decades ago) and in terms of plot elements as well. Where the script, and by extension the episode itself, falters a bit is in striking the balance between the introduction, the scenes that tie into that and the more traditional plot with does mean that the episode is at times oddly paced. On the whole though, Moffat's script works though it isn't his best or worst by means.So while perhaps being a more traditional story does mean that isn't as original or as brilliant as some previous Doctor entrances, Deep Breath stands up rather nicely. Capaldi's Doctor hits the ground running, Clara gets a new direction, the supporting cast is good while the production values and script support the entire production on the whole. Twelve's hour has come and the clock is running...

As this episode opens one could be forgiven for thinking you were watching an episode of 'Primeval' as we see a tyrannosaurus rex rampaging through London… that is until it becomes apparent that this is Victorian London and it coughs up the Tardis! The Doctor who emerges from it is quite a bit older than the one in the previous series and he is having difficulty with the names of people he should know and with his new appearance. The Doctor and Clara are taken to Madame Vastra's house but the Doctor wanders off. It looks as if he and Clara are to be separated but she spots an advert in The Times which could only have come from The Doctor; it leads her to a restaurant where they are reunited and he tells her how he found her advert! Clearly it was a trap; they are in a room full of creepy automata and it would appear they are on the menu!.The first episode of a new Doctor is always a little difficult to judge; the character is familiar yet also unfamiliar; both for the viewer and the characters who know him. Much of the first half of the episode was given over to getting Clara, and through her the audience, to accept the change… then the real action started. The villain of the story was suitably creepy without showing us what he did in any detail… a family show can't show organ harvesting robots who have made a balloon from human skin! It isn't all scares though; we get a few laughs too, mostly from Strax.Peter Capaldi got off to a fine start in his first full episode as The Doctor; it certainly looks as though he will be quite different when compared to the other 'new-series' Doctors. He is still somewhat manic, so much so that I feared he'd end up in Bedlam as he wandered around London in a nightshirt! Jenna Coleman continues as assistant Clara Oswald so we don't need to get used to two new protagonists as we did when Matt Smith took over and the presence of Madame Vastra, her wife Jenny and Strax provide more familiar faces. The episode is almost double the usual length but at no point did I think the story was dragging. Overall I found this to be a fairly enjoyable episode and have a feeling I'll like this new Doctor.