What makes it different from others?

Good , But It Is Overrated By Some

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

One of the most extraordinary films you will see this year. Take that as you want.

I have loved this episode since the day it came out and have watched it countless times. I myself am a very big fan of doctor who, it is a show full of hundreds of remarkable episodes thanks to the show's outstanding soundtrack and brilliant casting particularly from 2005-2011, my favourite period of Doctor Who. Before this episode it was hard to imagine David Tennart becoming even more entertaining to watch and along with the new ensemble of castmembers especially the actress who plays Adelaide Brooke who is stunning, specifically her scene at the end of the episode when she confronts the Doctor for his reckless actions and abusing his power to distort even locked moments in time. This scene is perfectly ended with the death of Adelaide which displays to the viewer how serious she is about the subject. When the Doctor is walking away from the Mars base, the screams of terror from the crew fill his mind. He keeps trying to remind himself to not save them in order to not ruin later important events in time. Eventually he does go back for them anyway which begins the best sequence in Doctor Who history. He finally realises that he is the last time lord and can manipulate time however much he wants which contrasts brilliantly with the very next episode where this is shown to not be true. Overall the monsters in this episodes are a great threat and in my opinion this is an amazing episode that anyone should watch even if there not a fan of the show as a whole even just for the amazing climax at the end.

The Doctor lands on the red planet, Mars 2059. He stumbles across the first Space Colony led by the charismatic bud domineering Adelaide Brooke, Bowie Base One. On site they have a massive garden on board, their very own Eden. One of the gardeners is quickly infected with something, and becomes quickly disfigured. A worried Doctor tries to escape but is encouraged to stay and help. Another gardener, Maggie, is discovered unconscious and placed in isolation, soon after something happens to her and she too becomes infected, as does yet another member, Tarak. Water begins streaming out of all of them and their skin becomes disfigured. The crew try to take off back to Earth, but the infected humans have other ideas. The Doctor has two choices, to leave the crew to their intended fate of death, or to intercede.I have to mention Lindsay Duncan, as a huge fan of hers from her many Stephen Poliakoff dramas i was overjoyed to see her guest in Doctor Who, she did not disappoint, she was fantastic. I enjoyed her discussion about seeing a Dalek.After the nightmare that was Planet of the Dead, this was a much better episode. The hour long format is good, it allows a great development of story and characters. A far more scary episode, this time there is real menace from the infected beings, the scene of Andy infecting Tarak is quite a nasty one. Much faster paced and more dramatic, there's a real feeling of danger and threat. A slightly sour ending, the Doctor's getting a little cocky, he's starting to play God. 7/10 (on the right day maybe an 8)

Could be. If not as an episode (although it's right up there with the best, IMHO), then at least as a performance. Knowing for quite some time at that point that these would be his last few performances as Doctor Who, Tennant takes the character to new places in this episode - an episode that delves more deeply than any of those that preceded it into what it means to be the Last of the Time Lords, the unbearable burden and the unimaginable power. There is one line in particular, near the end, which I would nominate as the single most exhilarating and at the same time scary moment of the series so far: "The laws of time are mine, and they will OBEY me!". But apart from all that, "Waters Of Mars" is also a riveting, suspenseful stand-alone episode, in the tradition of "The Satan Pit" and "42" (both among my favorites as well), while the enemy - the water - is reminiscent of brilliantly simple ideas such as "the shadows" of "Silence In The Library". The supporting cast is excellent, and when the Doctor steps out of the Tardis at the start you really do feel like you're on Mars! There is one incident near the end, also involving the Tardis, which could have been better timed, but that hardly alters the essence of the story. ***1/2 out of 4.

Well, after a seven month wait that seemed longer than the nine years between the TVM and 'Rose', we have the most ambitious and expensive looking DW episode ever. And was it an improvement on Planet Of The Dead, the last special? Well, yes, because...almost anything would have been better than Planet Of The Dead. But let's get down to specifics. What we have here is a solid, exciting, genuinely disturbing first half hour of classic Dr Who that shares with the instant-classic episode "Blink" a monster that would actually scare young children. To date, Russell Davies' creatures have usually been more laughable than frightening, and it is as of he's trying to make up for lost opportunities and mistakes like the Slitheen. I say 'first half hour' because things go a bit pear-shaped in the second half. The tension and claustrophobia of the story gets largely thrown out in favour of 'cosmic angst', lengthy flashbacks, and incredibly clumsy foreshadowing. Yes, we all know that there is one thing Russell D can't manage, and that is subtlety. The story's sets are phenomenal, as are the simple but effective CG-treated Mars surface shots. I do wonder about the scale and the engineering wisdom of the base in the CG shots, however - the dialogue states that the designers scrimped on every kilo, yet decided to make pointlessly long and ludicrously huge dome connector tunnels made of very heavy steel that don't seem to serve any function other than being long metal box-tubes. But that's nitpicking. As for the plot, it's not exactly original. John Carpenter's late 80s horror movie Prince Of Darkness is, in effect, stolen wholesale here, and the director's later film Ghosts Of Mars is also mined. Throw in obvious pinches from 28 Days/Weeks Later, and you don't have a great deal of new stuff here. It's only when the Infected plot basically slams to a halt and we get the 15 minutes of angsting that we see any new material. And what new material! We have a galaxy-weary Doctor more or less becoming the Master here, with his self-imposed rules about not messing with 'fixed' Time being thrown out. Davies and Ford do not give Tennant enough of a chance to do more than yell a lot in this, so the chilling implications of a rogue Doctor are undermined somewhat. But the writing for those scenes is very good, and Tennant himself is never anything less than superb. The acting in general in 'Waters' is good, with "that guy from Neighbours" (as I think we all greeted him when he appeared) being the obvious standout for me.Amazing sets and CG, a threat that's actually scary, a handful of the most poignant scenes in the show (the German crew-woman playing the video of her daughter and sobbing as she awaits her doom is, hands down, the best acted and shot scene in the entirety of DW)...there's a lot to like here. Some to not like, though - Murray Gold's music is typically overblown, intrusive and mixed FAR too loud on the soundtrack - but that's quibbling. A good special, all in all. Gripping telly!OBVIOUS CONTINUITY ERROR The first humans on Mars? Er, sorry, that honour would go to the crews of Mars Probes 6 and 7 eighty years before Bowie Base even existed, as seen in Season 7 of the old show. :)