As Good As It Gets

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Exactly the movie you think it is, but not the movie you want it to be.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

invisibleskidmark, you obviously did not watch the "Stolen Earth" or "Journey's End" closely because the Daleks in the Medusa Cascade were NOT part of the Time War.At the end of the "Evolution of the Daleks" (series 3) the last of the Cult of Skaro (Dalek Caan) did an emergency temporal shift which SENT HIM BACK INTO THE TIME WAR where he consequently rescued Davros, creator of the Daleks, and lost his mind (went mad) in the ensuing ability to see all of time and space. The Time War was timelocked and Caan somehow broke through it. The incident at the Medusa Cascade happened and lost planets returned to their appropriate places and times. It became a FIXED point in time/space.There was no continuity problem regarding the Medusa Cascade incident as we saw that the whole of Earth was celebrating the return of Earth to the Solar system in "Journey's End" I suggest before commenting on continuity that you remove the finger off the fast forward button....

I wanted to like this, I really did. The BBC were trailing it as just the kind of episode I wanted to see - taut, scary, grown-up, sombre, intelligent sf. And if you'd cut it by about half, re-edited the remainder, and come up with some new stuff, you'd hit the jackpot. I like David Tennant's Doctor more and more, and will miss him in the role - he has a near-perfect combination of gravitas and impatience, and can shift in a moment from excessively cheerful to deadly serious to alarmingly peculiar, like no-one since Tom Baker. And I like any episode that doesn't turn on conventional sexual tension imported from Buffy. Trouble is, the script just wasn't good enough. Scenes went on and on, with diminishing returns. Doomy, adolescent self-indulgence got substituted for seriousness. Scary gave way to vaguely embarrassing. I started feeling sorry for Lindsay Duncan without even being sure whether she was feeling sorry for herself or had got sucked into the corporate self-regard of a show that badly needs to be stripped back to basics. I prefer to be optimistic that Steven Moffat is the man for the job, given the very high quality of the eps he's written. Lots of hard work went into 'The Waters of Mars', but the writing is hollow.

Once in a while your favorite TV series will surprise you. I remember liking but not being blown away by The Next Doctor and being utterly disappointed by Planet Of The Dead. So I wasn't sure what to make of the next special Waters Of Mars, especially with it seemingly delayed to the point of being an afterthought to what promises to be an epic finale to the tenth Doctor era. So imagine my surprise upon finally seeing Waters Of Mars and discovering that not only was it a major improvement over the two previous specials but that here was a story featuring everything that makes Doctor Who great was in it: action, fine acting, horror and yet it being a personal tale at the same time.David Tennant turns in his best performance since Human Nature/Family Of Blood. Here we see a tenth Doctor like we have never seen before on a roller coaster ride of emotions. We first see a Doctor thrilled by adventure as he always has before realizing he's in the wrong place at the wrong time and trying futilely to not get involved. Then we see something unexpected during an incredible eleven or twelves minutes with a Doctor who throws caution to the wind and soon learns the price of doing so. Tennant's performance throughout all this is nothing short of one word: extraordinary. It's a performance that hits all the acting notes beautifully and may well be Tennant's best performance in the role.There's also a fine supporting cast as well. Lindsay Duncan plays base commander Adelaide Brooke, who in a way becomes a one-off companion of sorts. Yet she is far more then just that though. In just an hour she becomes a full fledged character with a back-story and a character arc as well. Brooke is a pioneer who finds herself caught up in a crisis with a man who knows what is about to happen and, in the end, will be utterly appalled by the actions he will take. Duncan plays the role well as she shares some fine scenes with Tennant during the back half of the special, especially during one of the most emotional scenes the New Series has yet served to its audience. Duncan was a perfect choice for the role and her presence helps to elevate the special's quality. There's also a good supporting cast as well in the form of base members including Peter O'Brien as Ed, Alan Ruscoe as Andy, Sharon Duncan Brewster as Maggie and Gemma Chan as Mia Bennett. Together they make a fine supporting cast.There's also some fine work behind the camera as well. There is some fantastic make-up and effects work in regards to the villains of the special which make them, next to the stone angels from Blink, perhaps the scariest thing to have been used in the New Series, especially in the revealing of the first one which made he jump out of my seat (literally). The base is well realized both in the form of the sets interiors (including some fine location work) and the well done CGI exterior as well. There's also a really well done version of the Martian surface as well which is almost convincing, especially with the Doctor walking on it. Then there's the robot Gadget as well which is almost a character rather then a prop. Plus there's the music of Murray Gold that, especially in the last eleven or twelve minutes, shows once again the power of a Doctor Who score. To top it all off there's the ever fantastic direction of Graeme Harper who once again proves himself to be the best director on the New Series by walking the tightrope of action, emotion, horror and suspense without ever falling off. Fine work by all indeed.Which brings us to the script. While Russel T. Davies previous collaboration with Gareth Roberts turned out to be something of a dud, his collaboration with Phil Ford proves to be among the better scripts of the New Series. Waters Of Mars takes the classic Doctor Who formula of base under siege and feeds into that formula action sequences, horror, sacrifices and the question at the heart of any time travel series: if you knew what was to happen and could change it, should you? It is that last question that occupies the Doctor throughout the special and that ultimately leads to a powerful finale that answers that question all too painfully. The script does what any great Doctor Who story should do: be exciting, horrifying and yet personal.Waters Of Mars qualifies as one of the finest stories of the New Series. It starts with fine performances from David Tennant, Lindsay Duncan and the supporting cast. It continues on into the production values including make-up, special effects, the CGI rendering of the base, the score and more of the fantastic direction of Graeme Harper. Then there's the script from Russel T. Davies and Phil Ford that hits all the right notes of action, horror, suspense and yet remaining a personal tale as well. Waters Of Mars ranks with Human Nature/Family Of Blood, Blink and Dalek as amongst the best stories to come out of the New Series and is a fine example of what Doctor Who is at its best.

All the publicity for this one off episode suggested that it would be scarier than most Doctor Who episodes and I think it was... I'm sure it will have had some children hiding behind the settee just as their parents did in the seventies.The episode opened in an easy going manner with The Doctor arriving on Mars and going for a stroll, his walk takes him to a small base. It isn't just any base though, nor is it any day... it is the first ever human base on Mars and it is the day it is destined to be lost along with all its personnel. At around the time The Doctor is captured outside the base two of its staff are harvesting the first crops to be grown there, something is wrong though, as soon as one of them bites into a carrot something strange happens, he starts to drip water and the area around his mouth appears cracked giving him a scary appearance. It is clear that they must be kept away from the rest of the people there at all costs and that anybody who gets the water on them is lost.Unusually The Doctor is keen to leave them to their fate, not because he is afraid but because he believes it is a pivotal moment in time and they must die if humanity is to fulfil its destiny and explore the stars. As the people there prepare to evacuate The Doctor tells Adelaide Brooke, the leader of the base personnel, what her destiny and why he can't help.I feared that we were going to get a cop-out happy ending but with a nice twist we got an ending that was both dark and showed The Doctor in a bad light.. it will be interesting to see where this leads in the next special. David Tennant once again does a great job as The Doctor, he will be missed when he leaves the role, he was ably supported by a good cast including Lindsay Duncan as Adelaide Brooke.