It's no definitive masterpiece but it's damn close.

Fantastic!

A Major Disappointment

The film's masterful storytelling did its job. The message was clear. No need to overdo.

This film is the first one based on a Neil Simon play and the screenplay is by Norman Lear. According the IMDb, Frank Sinatra's character is actually based on Simon's older brother--a playboy who apparently was quite the lady's man. While Sinatra is good in the film, he was badly miscast as he is easily old enough to be his brother's father! In fact, he and the father (Lee J. Cobb) are about the same age--and so I had a seriously hard time believing Sinatra was Tony Bill's brother.The film begins with a young man showing up at his brother's bachelor pad. Apparently he's moving in and it's quite the surprise. However, he IS welcomed by his brother--but not the over-protective parents who want this young man to return home. The younger brother (Tony Bill) seems quite naive and he's in for a shock when he sees that his brother is quite the player--and is currently stringing three ladies along at the same time! But, when he can't possibly make all his commitments to the ladies at the same time, the naive brother is convinced to help! What's to happen to the sweet younger brother and will his older brother ever grow up and become responsible and settle down? The acting was fine in the film and the writing very good. In fact, apart from Sinatra's age, I have no serious complaints about the film. It is a bit of a trifle of a film but enjoyable throughout--and is well worth your time.

The movie truly stinks. Not much better than an Elvis cookie cutter film of the same period. One wonders what Frank was thinking coming off Manchurien Candidate, Some Came Running, Joker is Wild, Man with the Golden Gun etc. It would only appeal to a loyal FS fan such as myself. The movie appears to be a remake of Frank's earlier "Tender Trap" of the late fifties. The concept really did not need to be revisited in 1963. Regarding the previous reviewer's comments about Frank's hat and coat in the era of the Stones, the Stones hadn't happened yet, in America. Kennedy was still alive. The British invasion was still months away when the film was released. So Frank's outfit was still in vogue for a swinging single of the early 60's. Further, Frank was not 51. He was born in 1915. Try 48. He still lacked credibility as the swinging 39 year old with a 21 year old brother. Perhaps a better lead for the movie would have been Robert Wagner or even Steve McQueen. Later

Looks like a stage play......feels like a stage play.....acted as if the audience is sitting fifty yards away.....they just couldn't shake the roots of this production. Certainly, an insignificant Simon property, raised beyond oblivion by its casting. I'm not sure why they just didn't change the age of Sinatra's character to his actual 48 - he doesn't look remotely 39 - actually, he looks about 55. Tony Bill's role would play better on stage, where his over-emoting wouldn't be quite so grating.Yes, the parents are perfectly cast, if you can tolerate the stereotypical Jewish mother and father, screeching incessantly. What children WOULDN'T run away from that?The bachelor pad is certainly hip Early 60s - and unbelievable (regardless of the explanation of its affordability).The song interlude is a bit jarring, although if they had to do it, it certainly works best where it is.Overall, not a film I'll watch again.

Those words were uttered by Molly Picon in this hilarious film. "Come Blow Your Horn" deals with a swinging bachelor Frank Sinatra and his kid brother, Tony Bill, who is trying to follow in his footsteps.Lee J. Cobb proved his adeptness at comedy in this one by his constant making reference to Sinatra as a bum for not being married. Note the surprise in his face when Sinatra ultimately says yes when Cobb again confronts him. He and Picon are the absolute best senior citizen couple in this hysterical film. The chemistry between these 2 characters, both of whom appeared on the Yiddish stage during their respective careers, is great. Absolutely amazing to me that Picon and especially Cobb were not nominated in the supporting category. Their portrayals of the typical Jewish couple dealing with their sons is hilarious. Sinatra, as the swinging bachelor, is great. The part was made for him. He is very well matched by Tony Bill, his kid brother, who is emulating his brother and getting into the latter's lifestyle very quickly. Picon is very funny in the scenes answering the telephones. No wonder she was the perfect Yenta in "Fiddler on the Roof" 8 years later. Lee J. Cobb produces a miracle here. Long regarded as an outstanding dramatic actor, he turns in an incredibly outrageous performance as the beleaguered father.Bill later went on to direct films. Look for Phyllis McGuire in a brief appearance as a buyer for Neiman-Marcus.