Very very predictable, including the post credit scene !!!

Good concept, poorly executed.

A different way of telling a story

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

This is a drama about the father/son relationship. It follows Robbie a new 14 year old father whose disappointment with his relationship with his father leads him to make some wrong decisions concerning his new born son. It is a well acted but bleak tale with an excellent performances from Kyle Ward as the young lad who wants to look after his son but is woefully under prepared for such a task. Ian Hart also does a good job as the stay away father that his son doesn't want to turn into. A Boy Called Dad maybe would have benefited by following a more traditional path like the strong start of the movie as the situations that occur later are pretty implausible. As a result it does feel like this was a missed opportunity to create something really special. The middle of the film feels contrived but the ending I thought was pretty thought provoking and pulled the film back from disappointment.This is a good small budget film and one I enjoyed and would recommend.

For those who praised both the directing and writing of A Boy Called Dad might like to know that Brian Percival (who directed the multi-award winning ITV drama 'Downton Abbey') won a BAFTA along with screenwriter Julie Rutherford. That was a short, About A Girl, in 2001.This re-teaming in 2009, a small £1million budget and a welcome star name of Ian Hart have produced a modest little gem of a Brit movie, filmed in Liverpool and north Wales. A Boy Called Dad stars 14 y.o. Kyle Ward, a natural and fine performance (though according to IMDb, hasn't been in anything since) from a lad who has a one night stand - and then fatherhood. The mother of the child has little contact with Robbie (Ward) and lives separately.Enter jack-the-lad Robbie's Dad, a cheeky Liverpudlian with a VW pickup. He left Robbie and his mother some years before and says that he had moved to Ireland, when he had in fact, not. Robbie, after some reacquainting and bonding with his Dad, feels rejected and goes off the rails, kidnaps his own son and makes off in a car.The film does have its moments of action, bursts of anger and a lot of quiet moments of contemplation and emotion. It won't suit everyone, though its very humanity should appeal to us all. It's whether we choose to actually sit down and watch it rather than something more gimmicky and instantly gratifying. It's not a great movie, but a good one.

About a boy named Robbie who goes on a fantastic journey with his baby son. Robbie at first, see's his son occasionally from the babies mother. Later Robbie takes the baby from it's mothers boyfriend in which he thrillingly shoots the boyfriend in the foot and takes his car. This shows how much Robbie Cares about the baby and shows his rebellious side. Robbie then runs away in the car and this is where the storyline begins to unfold. Along the way you see the relationship the boy has with his father, the relationship between the boy and his baby son and where the boy has to hide out. Fantastic film, definitely worth seeing.

Director Brian Percival manages to maintain an even keel between the social relevance of teenage pregnancy and keeping the audience grounded in a young boy's innocence. Following this personal journey from boyhood to fatherhood is a captivating and precious experience that is sure to tug on your heartstrings. Julie Rutterford's dialogue is spot-on and the acting is brilliant. Ian Hart gives a great performance as Robbie's dead-beat dad and Kyle Ward (14-year old Robbie) brings a genuine honesty and reality to this film.This intimate drama is not to be missed and a story that should never to be forgotten.