a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

Mostly, the movie is committed to the value of a good time.

This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

Life is tough for troubled muggle, Vince McKee (David Morrissey). No bed of roses at home and finding it tough making a living as a cabbie in Manchester's rain-drenched streets. His fares either puke on his seats then don't pay or they have no cash and steal his day's earnings. This all changes when Mickey (Ian Hart) - just out after a six year stretch inside - suggests Vince does some driving for his gangster boss, Horse (Colm Meaney). Things start to go belly up soon after as he realizes there's no way back from a life in crime.With so many tough acts to follow - Sherlock, The Fall, Broadchurch, Utopia, etc - The Driver really needs deliver something unexpected to help it stand out; this it roundly fails to do. It manages to be adequate in all domains: The dialogue, the plot, the direction, the camera-work, the performances, the action are all good though there's nothing that jumps off the screen. That said, there are two stand-out performances: Sacha Parkinson as Vince's daughter and Harish Patel as Vince's minicab boss.David Morrissey's character grows ever more annoying as he dithers between his lives at home and in crime. In a way, he's morally gray: He's unable to invest himself in normal family life and clearly not cut out to be a criminal. His big problem is he's just not that interesting, nor are his reactions to criminality very compelling. His best moment comes when he tries to recontact his estranged son who is living in a commune. We get a brief glimpse of fire amongst barely glowing embers.With a series called The Driver it's hard not to look for references to Nicolas Winding Refn's superb "Drive", but there are none. Although there is nothing much to remember about The Driver, the action sequences are well-handled and there are some nifty camera moves in Vince's car. The big question that this miniseries leaves you with is why oh why would a competent gangster trust the job of getaway driver to a civilian cab driver who's scared witless?

David Morrisey (over-)emotes his way through 'The Driver', the story of an ordinary man who gets caught up with organised crime. As you do. And the problem with this drama is that Morrisey's character is wildly under-motivated for his actions, yet acts as if he a victim of unavoidable circumstances. Does a law-abiding taxi driver who runs into an old mate just out of prison suddenly decide to become a criminal himself? Is it really likely that on his first job, fetching and carrying for a gang, he nearly gets stopped by the police? Or that he gets called out to his new work every time his wife is about to make nice with him? And what really is the chance that, at key moment in an armed robbery (which is also a police sting), he feels compelled to flee the scene to take the last chance he'll ever get to see his son again? In some ways, it should be an easy story to tell, there are many temptations which lead people to be drawn into things which prove worse than they'd expected. But the driver seems to get no pay-off, and only immediate pain, for his inexplicable choice. The result is an unenlightening morality tale, with the odd gripping moment but too much anguish and not enough sense.

Taxi driver Vince McKee isn't having the best of times; he is working every night but still isn't earning enough money and the job is utterly depressing. Then his old friend Colin returns after a stretch in prison and is soon trying to get Vince a 'job'. At first he refuses but soon he is working for 'The Horse'; he is just delivering packages but the pay is good and his family are happy, although they don't know where the money is coming from. The Horse always calls before a job but one day Colin turns up saying he is needed; it turns out Colin is to kidnap a rival criminal, beat him and leave him to die. Vince can't cope with that so returns later and takes the severely injured man to hospital. This leads to Colin getting a beating and Vince fearing for his life… it looks as if the only way out for him is to work for the police; crossing The Horse will be incredibly dangerous though.This series got off to a great start as we see Vince driving aggressively to get away from pursuing police… we then flash back to see how he got to that point. The story isn't the most original but it is told in a way that keeps the viewer gripped; right until the final credits began I was unsure what would happen to Vince. This is down to the fine performances; particularly from David Morrissey who plays Vince, the ordinary man in an extraordinary situation and Colm Meaney who plays the menacing Horse. The fact that the series is only three episodes long means there is no time for padding; even the apparently irrelevant subplot involving Vince's son who has joined a cult proves relevant in the end. Overall this was well worth watching; it is probably even better if you watch all three episodes in one go.

The driver starts with a thrilling car chase as Vince McKee (David Morrissey) evades the police in the streets of Manchester. You almost feel this could be akin to the film Drive.Vince life takes an unexpected turn as an old friend Colin (Ian Hart) released from prison gets him to accept an offer to drive for a criminal gang.Vince a taxi driver, sick with the life as a cabbie finds that he is an ordinary man who is in over his head by being a driver for the criminals. His life has taken a turn for the worse since his son joined some kind of cult and he and his wife have drifted apart.Gang leader, The Horse (Colm Meaney) is not a man who stands for nonsense, when a job which leads to a man being shoved in a hole and left for dead goes awry, Vince realises he wants his old life back but the police are also watching him.After a bright opening episode, you realise from the second episode that this three parter has a flimsy plot. Vince is not cut out to be a bad boy, his mistakes lands his friend Colin in a spot of bother and in the final episode the Police have got him and its a case of whether Vince will give the gang up.A disappointment when you realise that this could had been a good 90 minutes film. Meaney, Hart and Morrissey act their parts well, some of the car chase scenes are exciting, there is a lot of grittiness and the scenes where he confronts his son in the cult's home will make your heart cry for Vince but it needed a more solid script.