Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

In truth, there is barely enough story here to make a film.

This story has more twists and turns than a second-rate soap opera.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

I'm really afraid that the last episode of The Agency was broadcast tonight. I will miss this show. Yes, the storylines were good and contained just enough suspense and humor, but the real strength of this show was the character development. As I'm a veteran government bureaucrat, it was such a treat to watch The Agency. Unlike in so many Hollywood action shows, the characters here were not superhuman. You could easily picture Jackson Haisley at a Sat AM kids soccer match, Lex & Stiles watching a Skins game at the sports bar, Terri & Joshua doing some lunchtime shopping at Tyson's Corners or Georgetown, or Carl at Kennedy Center. Even the satanic Robert Quinn was just a guy trying to do the best job he could for his country. And who wouldn't want to have a boss like ex-Senator Gage. That collection of characters and the actors who portrayed them would have fit well into scores of offices around the beltway. Stiles was borderline at first, but even he became real. Not supermodels, not superbeings. Just normal folks. They and the show will be missed. Please smarten up, CBS!

I rarely watch network TV for anything more than an occasional graze, but since Daniel Benzali joined the cast, the Agency is my one unbreakable weekly appointment with a network show. The three-way relationship between Bridges, Carroll, and he has just the right edge. And, Carroll works so much better with both of them than he did with the holier-than-thou Pierce (insipidly played by Ronny Cox, a normally fine actor in the wrong role). In fact the series has improved markedly with every addition AND DELETION. The feckless Gil Bellows was the only agent who seemed not to belong, and he left in a fitting and dynamic demise. Speight gets better and better, and works well with Clennon and Turco. But, what really rocks me is the even-handedness of the scripts, dealing head-on with terrorist issues more objectively and evenhandedly than our media dare to, and not a false note has been struck all year since this show came to be. Any show boasting Wolfgang Peterson and Shaun Cassidy as co-producers can be expected to be unusual, and the Agency succeeds in being anything BUT run-of-the-mill. Long may it run!

A TV show doesn't necessarily have to have all-out action in order to attract me. As long as the events are at least capable of keeping my attention, then I'm there. THE AGENCY is one such show. So far, not a single car chase, but all the stories have been well-written suspense/thrillers. It's like a small screen CLEAR AND PRESENT DANGER, with a great ensemble cast: Gill Bellows, Gloria Reuben, Paige Turco, David Clennon, Rocky Carroll, Daniel Benzali, and the great Will Patton. I was disappointed to learn Ronny Cox's character was being written out early on, but Beau Bridges has proved to be a suitable replacement. I like how the show often involves three different aspects of the agency: the field work (handled by Bellows and Reuben), the intelligence gathering (done by Patton and Carroll), and the creation of everything from fake passports to disguises (provided by Turco and Clennon). In fact, the jobs carried out by the graphics department is my personal favorite of the three. I love watching how Turco and team create virtually anything that's needed for an operation, be it a fake document to replace a real one, a bomb disguised as a flower pot, or an entire cover office complete with fake college degrees and kid drawings on the walls.I think the show has taken on a little bit more reality in the post-September 11 world. Whereas before it would probably be written off as just another show, people can now view it as a glimpse into the world of the people who spend every day of their lives helping to protect our country. The episodes after 9/11 have done a great job of referencing current events without hitting us over the head, and I hope this show is able to stick around for awhile, because it's really well-done, and I think it has a lot of potential (same as THE FUGITIVE, but look what CBS did to that). Hopefully, the network won't repeat that mistake with THE AGENCY.

We started to watch the show to get a David Clennon fix. The first few episodes didn't grab us, but we've started watching again, having become rabid CSI fans. Wow! "The Agency" just gets better and better. Daniel Benzali adds an incredible edge to the show and the cast dynamic. We can't wait to see how the relationship between him and the new director (Beau Bridges) unfolds. I also agree with another poster that one of the best parts of the show is what Terri, Joshua and company do in the graphics department: I'd like some of that software! The plots, subplots, internal politics, interesting characters and Bondsian gadgets make for one of the best hours on TV.