the leading man is my tpye

Purely Joyful Movie!

Simple and well acted, it has tension enough to knot the stomach.

The movie really just wants to entertain people.

The earlier reviews jarred my memory because I had not noticed the emphasis on the outlaws' point of view. Of course, it was mentioned that the theme shifted to mainstream good guys vs bad. But, come to think of it, the shows I do remember spent an awful lot of time on the "bad guys." Thanks to the reviews, I understand why now.But irony is what I remember most. In one episode, an embezzling bank teller is blackmailed into helping rob the bank. He feels trapped because he invested in silver only to have it decline in value. As the show wraps up--he and the professional crook caught--a prospector waving a paper gleefully shouts "Silver's up!" The best shows were like that.

I, too, remember The Outlaws from when I was a junior western buff back in the early '60s. It's wonderful to hear of it again and put it into the history of TV westerns. The theme was superb and the underrated Don Collier was a kind of earlier version of Sam Elliott. Both of them could have been genuine western stars if born in different times. As a poster says above, Don could have been a B-western actor, and if he'd been born a few years earlier, Sam could have appeared in some of John Ford's later westerns. Both men have something of the real west about them.I hear Don is still appearing at western conventions. I hope someone interviews him in depth before all he experienced in westerns small and large is forgotten for ever. Good on you, Don!

I vividly remember this show as a kid. It had great music, as noted by others, and had a certain grittiness about it that was compelling. Don Collier had the perfect face for a US Marshal -- tough, weary, cynical, and (occasionally) smiling. That he was not handsome in a typical Hollywood way helped the series. He looked like he'd really just spent the last few days in the saddle on the trail of outlaws. Collier played the role of lawman in a serious and responsible way like all westerns back then, but somehow more realistically. I also remember the show for great shoot-out scenes, usually at the end of the show. TV westerns in the early 60s were going through a brief period of especially graphic shoot-outs, and Outlaws benefited from this. I don't mean blood or screams of pain, of course, but a lot of grazing bullets and fancy gunplay. The bad guys when shot would crash very forcefully through windows behind them, or would flip over the hitching post rail, etc. Great time for stuntmen. Great time to be a kid watching this show. I'd love to see it again.

Frankly, if Slim Pickens had not been a regular in the second season, this show might have no place at all in the history of series television. As it is, the niche is small enough. My brother and I got hooked late in the first season, its theme song compelling for early adolescents. The kind of western THE OUTLAWS was also had appeal because the story was told largely, albeit not completely, from the bad guys' point of view. Since we were not devotees of CRIME AND PUNISHMENT at that tender age, a distaff tale was something unique in a time when bad was bad and who cared why or how they felt . . . and one could always count on the comeupance. Of course the lawmen prevailed in the end on THE OUTLAWS too, if the wrong-doers were not destroyed by their own flaws. I have never seen an episode since 1962, and presumably only an ardent student of television subscribing to exotic cable channels would ever have the opportunity. To be honest -- a refreshing change -- it would not have its appeal to me forty years on, to be sure.