good back-story, and good acting

The film makes a home in your brain and the only cure is to see it again.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

This movie feels like it was made purely to piss off people who want good shows

Actor Darren McGavin plays private detective Mike Hammer. In the space of 30 minutes, he normally escapes a couple assassination attempts, beats at least one man to a pulp, flirts with one or more beautiful women, fires off some 50s tough-guy slang, and solves a perplexing mystery. The pace is very fast.The premise of the show is that the world is an evil, violent place, and the strong and upright must be as tough as the bad guys to set things right. But that doesn't mean they can't have a little fun along the way, enjoying broads, booze, or other masculine entertainments as circumstances present themselves. I do not know that I have ever seen a TV character so quick to use his fists or a gun when trouble arises. And, when Mike Hammer beats you, he does not just knock you down or knock you out. He continues beating you as the blood spurts out and you beg for mercy, then he beats you some more. Even innocent witnesses are pushed around until they give up their information. That he is not imprisoned for his frequent violent assaults is a miracle. He does frequently fall afoul of the police, receiving threats, being questioned, and sometimes being locked up, but only temporarily.In the world of Mike Hammer, there is no such thing as a flat-chested or overweight woman, except for the occasional wife or grandmother. The show is populated by beautiful, large-breasted women with well-coiffed hair, wearing tight dresses that show off their curves, and push-up bras that are so stiff and lift breasts so high they threaten to poke out your eyes. Mike flirts with and openly leers at these women in a way that would surely make viewers uncomfortable today. With only 30 minutes to play with, the characters are often one-dimensional. Women, except when evil sluts, are weaklings dominated by men. They are either helpless victims, or madly attracted to Mike, or incidental holders of information he needs, or mere eye-candy populating his world. Sometimes they are the tool of a bad guy, used to lure Mike into a trap, then sent on their way. Men are not treated much better. The line between good and evil is starkly drawn, and the most complex a character (other than Mike) usually gets is when someone thought to be good turns out to be evil. There are many pluses. A lot happens. The evil plots are often complex and ingenious. The show employs a great deal of humor and tries not to take itself too seriously. In the final analysis, Mike Hammer is on the right side. He fights against crime, and bravely protects the weak, despite the risk to himself. If you had trouble, and were in the right, there is no one better you could have on your side. He is strong, violent, cynical and testosterone-fueled, the epitome of 50s cool. Despite the shortcomings of the show, it is entertaining, and the fast pace ensures you will not get bored.

I am 52 and also enjoyed the series as a child. I also enjoyed him in Night Stalker, although it became a little campy. My question is, does anyone know the name of the theme song from the original show. I am only able to find the name from the Stacey Keach version, called Harlem Nocturne which I did not embrace. Thanks I am 52 and also enjoyed the series as a child. I also enjoyed him in Night Stalker, although it became a little campy. My question is, does anyone know the name of the theme song from the original show. I am only able to find the name from the Stacey Keach version, called Harlem Nocturne which I did not embrace. Thanks I am 52 and also enjoyed the series as a child. I also enjoyed him in Night Stalker, although it became a little campy. My question is, does anyone know the name of the theme song from the original show. I am only able to find the name from the Stacey Keach version, called Harlem Nocturne which I did not embrace. Thanks

This series ran from 1956 to 1949; which means I was age 9 through 12 at the time. Yet, despite this, I remember it as one of the most impressive Private Dectective series ever. A much younger Darrin Mcgavin took part in a great many " physical " encounters with the bad guys. Unlike the stereotype " good guy ", with Mike Hammer, anything goes. I mean chairs, tables anything. Those stunt guys had their work cut out for them. So it was truly a joy to see that this actors' career continued successfully. In fact, Jerry Lewis" first movie after his split with Dean Martin, " Delicate Delinquint " starred Mr. McGavin. When he showed that he could comedy as well ( " Christmas Story " ), it was great. Of course most people will remember him as " Kojak " - and I truly enjoyed that series. But for me, he will always be the very feisty Mike Hammer.

A lot of actors have played Mickey Spillane's bad boy. Anthony Quinn, Robert Bray, Biff Elliot, Stacey Keetch and Mickey himself. Nobody did it with the convincing style of Darren McGavin. His Mike Hammer was a laid back, class act. A friend of mine said it best. "This guy's the real thing," he said. "When he gets a bad guy down he doesn't hesitate to put feet on him 'til he knows he won't get up. That's real." They filmed 72 episodes of that show. I'd give big bucks to have them on a DVD. I remember watching the show in Texas. A beer company in San Antonio sponsored the show. Each episode opened with the camera moving onto Hammer's office where he sat behind his desk. He would say, "Come on in. I'm always ready for some company." And he would reach behind him to open a filing cabinet drawer and take out two bottles of Lone Star beer. The first time I saw that I said, This is going to work. I was right. McGavin did not like the character Mike Hammer. He thought the whole thing was a spoof and never took in seriously. That relaxed attitude is what made the show great.