Self-important, over-dramatic, uninspired.

Great visuals, story delivers no surprises

The movie runs out of plot and jokes well before the end of a two-hour running time, long for a light comedy.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Back when "Dastardly and Muttley in Their Flying Machines" debuted, I was a fan. I'd enjoyed the two in "The Wacky Racers" and so it was natural I'd watch this spin-off. And, for a five year-old, it was enjoyable. Several decades later, the show was shown on the Boomerang Channel and I decided to give it a watch for nostalgia's sake. And, to my moderate surprise, the show was absolutely terrible. A horribly low cel count (common in the poorly animated 1960s and 70s that was dominated by Hanna-Barbera), completely one-dimensional characters and terrible writing (with very repetitive and flimsy plots involving catching a stupid pigeon...PERIOD) made it an absolute chore to watch. After a few episodes, I swore I'd never see this abomination again! So why do I think I liked it to back in the old days? Much of it simply was because bad writing and low cel counts were the norm for 1969. Now, with the improvement in the quality of cartoons, it's obvious when you watch any of the old shows of 1969 that they simply don't stack up with the recent offerings by Nickelodeon or the old classic Looney Tunes shorts. And, I assume with kids today seeing better quality cartoons, that they, too, would be a bit bored by this Dastardly cartoon.

It's funny to realise that such a narrow premise for a cartoon could survive an entire season. Dastardly & Muttley was basically the same cartoon over and over again. Of course, there was some variation in Klonk's inventions and the other sidekick Zilly was at one point turned into the complete opposite of his normal character. But those were still minor changes and didn't last. The two lead characters Dastardly & Muttley were one-dimensional and always said the same things like: "Muttley, do something!" or in Muttley's case: "(incomprehensible balking) Rick Rastadly!". But the style was of course in some ways appealing like others have also commented on. Who would not like to join such a fantasy world just for a few minutes where you could fall from an enormous height and still not be hurt. Dastardly and Muttley was in no way to be taken seriously and those who thought it was crap were in some cases right. But how many times have we not said that about other shows which afterwards have been enormous hits. My point is that it is somehow a game of chance whether one show has mass appeal or not. Therefore to those of us who have enjoyed this particular show I will say that we're not total airheads but maybe we were just in a silly state of mind. Thank god that most of us live in free countries and can choose.

Dastardly and Muttley was downright silly but that was exactly the reason why it was compelling viewing.It was set during the First World War. Dick Dastardly was piloting a heap of junk aided by his dog Muttley and they tried to stop the pigeon flying his messages to Uncle Sam. Of course, you can guess that they never succeeded in much the sam way as Wile E. Coyote never managed to catch Road Runner.It was a spin-off from Wacky Races and it was highly amusing and totally watchable. Call me sad but it was compelling viewing and I just loved the sound of Muttley's laugh.Stop The Pigeon!

OK, let me see if I've got this straight...It's World War I, and retired Wacky Racers Dick Dastardly and Muttley the dog have got together with a couple of eccentric aviators, Klunk and Zilly, to form Vulture Squadron. Zilly is a devout coward whose catchphrase is "oh-h-h de-e-ear", and who frequently tries to hide by ducking his head inside his roll-neck sweater like a human tortoise. Klunk, the team's inventive genius, speaks in a mixture of English and bizarre noises which are accompanied by the most extraordinary facial contortions. Between them this not-so-intrepid crew spend all their time manufacturing incredibly elaborate machinery and aircraft designed to block American war reports by catching...wait for it..._a single homing pigeon_. And week after week Vulture squadron are easily outwitted by the bird's superior speed and manoeuvrability, as well as the fact that it has more brains than the lot of them put together. This always results in their planes colliding or blowing up in midair, which leads to some nasty falls for Dick Dastardly. Luckily his old sidekick Muttley has learned how to fly by spinning his tail like a helicopter, and is always willing to use this talent to rescue - in return for a medal or two.I don't know about you, but it all seems a bit silly to me. But of course that's the point: the show's wild combination of loopy ideas and corny gags combined with cheap and cheerful animation, not to mention those patented Hannah-Barbera sound fx, make these not-so magnificent men (and dog) in their flying machines a strangely compelling viewing experience in a sixties cartoon kind of a way. (And the voice cast always sound as if they're having a lot of fun even if their characters aren't.)I still think it would have been cheaper to buy a hawk, though....