I like the storyline of this show,it attract me so much

Memorable, crazy movie

Fantastic!

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

My first Hong was ..Turning Gate which was ok for me but never understood the hype of it and when I heard most of his films are like that I wasn't so keen to watch his rest. But here I understand his style better, basically, it's the same theme as the former where people get confused and misunderstood in love and friendship and when they turn into lust for a faster relief it's still unfulfilling and men and women never understand each other. But I still think this could have been a masterpiece with better craft.

Sang-soo Hong has very unique way of story telling. Which can sometimes be confusing for audience unfamiliar with retrospections mixed with present storyline without any hints. Feels really diary like though require constant attention to avoid mentioned confusion. I think thats why my friend who is unfamiliar with non-Hollywood narration completely did not like it. He also accused me of wasting his time. I however share Scorsese's point of view who said that Hongs films unpeel like an orange .Films about 2 friends that meet over the beer after they haven't seen each other for few years. What we're witnessing is memories, resentment and so on coming back as the story follows. After drinking they decide to catch up with their lad friend. Scenes are built very. The story has rather dramatic character but there are subtle comical moments like the one in the bar with waitress. Ending is rather disappointing and abrupt. But it convey the fact that some things ends just very sudden and sometimes you don't even know when did it happen and why.In a sense point of this film is to convey some old truth. In the eyes of women all men are pigs and thats often truth. Although as a men i cant accept it. Oh and the film feels like it lacks some kind of twist or something really dramatic.

Munho and Hyeon-gon are two friends who meet up years later. They go out to lunch and begin to reminisce. One is now a filmmaker and the other an art teacher, both share Seon-hwa in common. The story unfolds that Munho and Seon-hwa dated and Munhoo left her to study in America. While she waited, she began an affair with his friend Hyeon-gon. All these years later Munho has no idea and the two decide to go visit Seon-hwa together. Hyeon-gon expresses in the beginning that he is married and no longer sees his wife as a woman or wife anymore and instead as "human" therefore she can do as she likes. When the two meet up with Seon-hwa, Munho is obviously upset over the past and wants to rectify things with her, however, the triangle persists and then unravels into yet another entangle that made me a tad puzzled. What exactly this film meant and a tie in with the title, I'm not sure if I fully grasped. I liked many elements about the film, but felt that the lack of close ups was strange and distant, and the story felt almost open-ended. I would like to know more about it but I'd say it was still interesting.

"Woman Is the Future of Man (Yeojaneun namjaui miraeda)" feels like a cheerless Korean spin on "Jules et Jim" crossed with the chauvinism of "Carnal Knowledge". From the discussion in the ladies room after wards, people in the audience weren't falling asleep trying to follow the flash backs vs. dreams vs. fantasies vs. flash forwards vs. the narrative of an obsessive threesome of old friends as much as frustration with the women characters. Either the females were fulfilling every racist stereotype Americans have of "Oriental" women, as seductive passive doormats, or the film is one long drunken male fantasy. The women only got to even show emotions a handful of times.Occasionally the two guy friends weepily confess, through their nonstop talking and drinking reunion, their faults with mea culpas and various self-flagellations about wanting sex "too much", and even admitting that they've mistreated the women they stalk --but that doesn't stop their boorish, insensitive --and worse-- behavior. It is also possible that a lot of the Korean cultural reference points were lost in the subtitle translations. There seems, for example, to be a familiar form of address in Korean as there is in many non-English languages that was clumsily handled in the translation when women despair of being addressed that way by their lovers.Whatever theme writer/director Sang-soo Hong intended to portray about the role of Eros amidst a non-purifying snowy night in the city, all that comes across is that men are schmucks and they deserve what they get.