Touches You

Redundant and unnecessary.

A Masterpiece!

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

This is one of those bonding comedies with characters that despise each other coming together. But the thing is the bonding is underdeveloped and just not engaging and the comedic moments are few but just isn't all that funny. In fact most of the comedic moments come from constant arguing and it gets old pretty darn quick. The plot is about a guy that is talented with the piano who is played by Jesse Eisenberg who career doesn't seem to be going up after "The Social Network". And in this his character is trying to get his mom to rehab but in order for her to be part of the program she has to have certain amount of drugs in her system and because she doesn't have insurance. So they decide to find a drug dealer to get drugs to get drugs in his mother's system. And the drug dealer is played by Tracy Morgan and they all get put in a situation to stick together in order for each of them to get what they want. Nothing about the story or the performances stands out in this flick. I never found myself laughing or engaged into the story. Most of the elements in this movie has been done before and better. It's watchable to a degree but isn't really worth the time.3.8/10

Jesse Eisenberg's performance in "Why Stop Now" is a compromise between his roles in "The Social Network" and "30 Minutes or Less." In the former, he played a dramatized version of Mark Zuckerberg, a young man whose focus was so narrow and intense that Asperger's was certainly within the realm of possibility. In the latter, he played a panicked pizza delivery man forced into robbing a bank with a bomb strapped to his chest. His character in "Why Stop Now" is a piano prodigy who, in the course of one day, is faced with sending his mother to rehab, getting roped into being a drug dealer's personal translator, dealing with his little sister's habit of talking through a sock puppet, and mentally preparing himself for an audition that may get him into a prestigious music academy. He also realizes that he's in love with one of his classmates, and so he must work up to courage to admit it to her.On the surface, this sounds like the recipe for a zany slapstick comedy. There are indeed some very funny moments, many of them physical in nature, and yet never once does the humor overshadow the story's innate humanity. We see a great deal of it in Eisenberg's performance; his character, named Eli Bloom, is clearly under a lot of stress, and there are times when he loses his temper in sheer frustration, but he still manages to work through each situation. He does this even when he believes he isn't capable, and more importantly, when he has convinced himself that he has messed things up beyond repair. This isn't to suggest that he isn't flawed or in danger of falling into the same traps his mother fell into. His first major scene shows him getting drunk at a party he wasn't invited to; we eventually learn that this has been a weekend habit of his for quite some time.The story proper begins the morning Eli drives his mother, a drug addict named Penny (Melissa Leo), to rehab. Despite being a user, the urine sample she provides is clean; that, coupled with the fact that she doesn't have medical insurance, prevents her from being admitted, a turn of events Eli wasn't prepared for and is clearly not happy with. He's scheduled to give a piano recital in a matter of hours, and if all goes well, it may pave the way for his future in music. The only way Penny can commit herself, according to a discrete nurse, is for her to arrive under the influence. Panicked but determined to get his mother the help she so desperately needs, he agrees to meet with her dealer and get her a stash of cocaine. This is obviously something that happens more in the movies than in real life, but you've got to give writers/directors Phil Dorling and Ron Nyswaner credit for their understanding of irony.In due time, Eli meets the crippled, tough-talking Sprinkle (Tracy Morgan) and his partner in crime, Black (Isiah Whitlock, Jr.), both of whom live with Sprinkle's elderly mother. When Eli inadvertently reveals that he's fluent in Spanish, an initially straightforward transaction becomes complicated; Sprinkle needs a translator in order to conduct business with his supplier, who either doesn't know a word of English or refuses to communicate in it. This is something of a plot hole, given the fact that Sprinkle appears to have thus far conducted business just fine without the aid of a translator. Or perhaps this Spanish-speaking supplier is new. The details are sketchy at best. Whatever the case, a brief confrontation at the supplier's restaurant results in Eli getting his hand injured, seriously jeopardizing his chances of doing well at the recital – assuming he can make it there on time.As the leads wait for the supplier to deliver the cocaine, other mishaps threaten to derail Eli. He will, for one thing, get loopy on Oxycontin. Not much later, he has to contend with his baby sister, Nicole (Emma Rayne Lyle), who's having behavior problems in school; not only is she too emotionally reliant on a sock puppet, she uses it as an excuse to say mean things to people. Later still, he must work to find some middle ground for Penny and her sister, Trish (Stephanie March) to stand on. Although they have chosen different life paths, the two are surprisingly similar as far as temperament and stubbornness are concerned. Whereas Penny is known for her lying, manipulation, and false promises, Trish is pretentious, judgmental, and self-righteous. And yet, we're made to see the decency in both women, especially in Penny, who may not have her act together but truly does want the best for her children.There's a subplot involving Eli's love interest, a young woman named Chloe (Sarah Ramos), who's part of a Revolutionary War reenactment society. Although the scenes between Eisenberg and Ramos are competently written and performed, they're by far the most unnecessary and manufactured of the film. I also found myself questioning the ending, the structure of which indicates a lack of consensus on the part of the directors. It starts off rather tidy, perhaps too much so, only to finish on an unsatisfying note of ambiguity. "Why Stop Now" is a flawed film, but its examination of the Eisenberg character is fascinating, and I found myself drawn on some level to most of the other characters, who aren't as clear cut as they appear to be. Even the trash-talking Sprinkle isn't beyond all hope. How would you feel if you had a future in running, only to injure your leg and spend the rest of your life walking with a cane?-- Chris Pandolfi (www.atatheaternearyou.net)

After viewing this I was shocked at the current rating of just 3.7/10. I'm sure it will start to climb up from that over time. I was never a fan of Jesse Eisenberg but he did a decent job with this. I admit the script could have been better and a few scenes could have used a re-shoot, but in the end the project deserves a decent review so I'm giving it one.The story involves a struggling drug addicted mother Penny portrayed by Melissa Leo, her young daughter Nicole and her college age son Eli(Eisenberg). It begins with Eli beginning what proved to be a very ruff day for him, his plan being to drop off mom at rehab and head to a piano audition for a prestigious music school. Simple enough, but when mom finds out the rehab won't accept her because of a clean urine, her & Eli are sent off on a mission for drugs to get her a positive drug screen to get her accepted. Again the simple becomes complicated as her drug supplier Sprinkles played by Tracy Morgan is all out & Eli & his mom are sent out on a mission with Sprinkles & his brother Black to secure his resupply.I guess it's fair to say this was a feel good movie of sorts. Don't expect to be ROTFLOL, although it does have it's funny moments. Every character involved has their flaws but overall they are decent people. Please don't dismiss this as junk from the rating, yes I doubt the film will be winning any awards & there certainly wasn't any Oscar worthy performances but it does have redeeming qualities. I was glad I watched it(and I'm normally not a fan of Eisenburg or Morgan)so I recommend giving it a shot. It is at least worthy of a 7/10

The three lead actors all play to their strengths: Jesse Eisenberg as the gifted prodigy who must overcome his weaknesses, Tracy Morgan as the off-kilter small town drug dealer who succumbed to his, and best, Melissa Leo as a druggie mom trying (and not trying) to keep her self and her family together. The movie kind of has a Weeds meets the Station Agent vibe to it as disparate characters are thrown together and learn to get along. The weakness might be in the writing. Some scenes feel contrived as if to move along the plot, while others are great set pieces. There is a Revolutionary War re-enactors subplot that seems thrown in to give the movie some additional quirkiness (Mr. Black's Miss Muppet line is funny). Tracy Morgan throws in some good ad-libs (when he bumps up against Leo's mom is when the movie starts to hit the mark). Eisenberg can get annoying (or maybe it's just the characters he plays). All in all a good if not great little indie movie.