Waste of time

Very very predictable, including the post credit scene !!!

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Sometimes, I just sit and search through YouTube looking for a movie to watch while I work. Often, that search finds horrible films that I wouldn't be able to enjoy if I were truly paying attention to them. And sometimes, like with this movie, I end up taking a break from writing and find something I really enjoy.Directed by Peter Sasdy (The Lonely Lady, Taste the Blood of Dracula, Hands of the Ripper), this film was a UK/Canadian tax shelter affair. But don't hold that against it! Five strangers all wake up at the same time and have no memories of who they are, other than that they are all killers. They must travel to a Wild West town called Blood City.Once there, they will spend a year in servitude before they can become free. Then, they'll be able to own a business and work toward becoming immortal - free from constant worry of challenges to the death. They get there by winning twenty challenges. And there's only one law in Blood City - Frendlander, played by Jack Palance. It's no accident that the bad guy from Shane is playing this part. Palance might only be known to younger folks from his Oscar turn in City Slickers, but in the 1970's he was taking whatever parts he could get. And then he'd sink his teeth into them! He's fabulous in this movie!Keir Dullea (Black Christmas, 2001, The Haunting of Julia) stars as Lewis, who finds himself coming up against Frendlander over and over again. The real secret of the film? None of them are in this town at all - it's a virtual reality simulation to determine the best warriors in a future war. So basically, it's a combination of WestWorld and The Matrix.Samanta Eggar (The Brood) shows up as a scientist who falls in love with Lewis and inserts herself into the virtual reality experiment. Barry Morse is also in here, who you may remember as Lt. Philip Gerard from TV's The Fugitive. And Chris Wiggins is in this as well. He was Jack Marshak on Friday the 13th: The Series.If you're looking for this movie, you can find a horrible transfer of it on the Mill Creek Sci-Fi Invasion 50 Pack. That said, the set is pretty worthwhile, as you also get stuff like The Crater Lake Monster, Death Machines, Sergio Martino's Hands of Steel, Horror High, the Florinda Bolkan film Le Orme, The Raiders of Atlantis, R.O.T.O.R., Robo Vampire, one of the worst/best films ever Rocket Attack U.S.A. and more.This is totally of the doomed 1970's genre and the end - where Lewis chooses the fantasy of Blood City instead of the lies of modern life - still ring true today. I completely expected a ripoff of WestWorld and FutureWorld, yet was rewarded with something really good. It's slow moving, but if you understand that and can see a movie for what it could be versus what it is, I think you'll enjoy it.

This is an interesting but flawed attempt at producing a sci-fi western hybrid in the form of WESTWORLD. In this case, the western scenario is actually a virtual reality plot designed to work out the survival of the fittest, thus discovering who the best killer is. In this "game", points are awarded for making a kill, so life is cheap as you would imagine. However, there are certain rules which must be obeyed at all costs. Sadly, WELCOME TO BLOOD CITY is spoiled by a confusing plot which remains irritatingly ambiguous as to what the heck is going on in the real world. We never learn who the subjects really are, or why they have been selected; instead we see glimpses of them in their past lives which don't really help. Similarly, the actions of Jack Palance - initially appearing to be a good guy - are never explained at the end.Although it doesn't have anything in the way of shocks or surprises, this film does have some fun with the clichéd western shoot-outs and gun battles, which are kept lively and fun. Director Peter Sasdy injects certain scenes with style and power, and its just a shame that the film can't follow this through as a whole. Although it was a UK financed-production, this was shot in Canada (just like THE HAUNTING OF JULIA and THE UNCANNY from the same period). The Canadian locations are pretty but unconvincing for a western town.The acting is pretty good, with even the poorest performers still being above average. Palance is great as the friendly Friedlander, and seems to be having a ball as in most of his films. Keir Dullea is a charismatic and tough hero, while familiar faces such as that of Barry Morse pad out the cast. I'll make it clear that I've never really liked THE BROOD's Samantha Eggar, and here she plays a duel role of an occupant of the town and a scientist guiding the events. Bad news for me, I thought, but thankfully she's not too irritating this time around.Although WELCOME TO BLOOD CITY lacks the exploitational ingredient of violence to make it enjoyable, I found the whole idea of the game to be an interesting one, and the film kept me watching throughout without ever becoming boring. It just would have been nice if some of the actions and story behind the plot had been explained in greater detail. In all, though, not a bad attempt and worth a watch for fans.

I'm sure WELCOME TO BLOOD CITY sounded like a great idea on paper. It's part western, part science fiction, and the filmmakers managed to snag Jack Palance and Keir Dullea for the main roles. A meager budget may have been the reasons for the cheap sets and costuming, but it was poor writing that resulted in such a dull waste of time. It's unclear where and when this movie is set because it jumps right into the action, but I got the impression that it opens in Japan where our "hero" Lewis (Dullea) is taken by police. Things around him seem chaotic but it's never made clear why because once Lewis is taken we immediately cut to him awakening in the desert surrounded by a group of confused strangers. All of them are in blue jumpsuits, none of them have any memory of who they are (outside of their names), and they've each got a card in their breast pocket identifying them as killers. Understandably, they're all shaken and confused. Everyone except for Lewis, who treats these bizarre circumstances as a joke. He's completely unfazed by his mysterious arrival in the desert and takes every opportunity to crack wise, even when angry hillbillies have a shotgun in his face. When one of the new arrivals tries to intervene in the rape of Martine (Hollis McLaren, the only woman in the new arrivals) by one of the hillbillies, he's shot down in cold blood and Lewis, again, has to crack jokes.That's our hero, everyone. Thoroughly unlikeable from the moment we meet him. The group is soon approached by Frendlander (Palance), who leads them into Blood City and explains the rules. New arrivals are slaves; they will be chosen by a member of the community and put in a year of service before being given the opportunity to join the town as a regular civilian. New arrivals that refuse to acquiesce are fair game to be murdered. There is a contingent of people in Blood City who wear black outfits with red crosses affixed to their chests. These people are straight killers who have risen above the regular folk through murder. The more people you kill, the higher your rank and the more power you hold over the town. Frendlander is the current record- holder with over 20 kills and he's basically the town's overseer. Honestly, the whole thing is sort of a confusing mess and I'm not entirely sure how the society in this town operates. How do civilians become black-suited killers? By killing them? There are still rules and laws to follow in Blood City but killing is all right in certain circumstances? I'm not 100% on the details. Regardless, Blood City isn't real. We discover early on that it's a computer simulation and everyone in town is wired in. It's some sort of government program designed to weed out the weak and pinpoint the most adept killers to be used in the real world as government assassins. I guess?The project is overseen by two scientists, the only important one being Katherine (Samantha Eggar). Katherine is immediately keen on Lewis and wants to ensure he makes it through the program. She becomes straight-up infatuated with him, going so far as to insert herself into the simulation to assist him and…eventually…sleep with him. So, obviously this is the most unregulated government program ever. While she obsesses over Lewis, Lewis is obsessing over Martine. Martine being a pretty young woman, the entire town has its eyes on her. Everyone wants to claim Martine as their slave for obvious raping purposes. There is a surprising amount of rape and rape intention in this film, and it's all targeted at poor Martine. The risk of rampant rape is so bad that Frendlander decides to lock her away for her own safety until a citizen can claim her. Eventually, Frendlander decides he wants Martine all for himself and all the promise of a cool sci-fi/western is flushed away as it becomes a dull 90-minute "save the girl" tale. And it's very, very dull. It feels like nothing happens for long stretches of this movie. The beginning and ending are pretty interesting but everything else is a snooze. Combine the motionless plot with a bunch of characters you most certainly won't care about and WELCOME TO BLOOD CITY is an avoidable mess. I love a good slice of Z-grade cinema cheese but this movie makes every effort to keep it from becoming too much fun.

A group of people suffering from amnesia find themselves as slaves in a savage Old West town that's really a virtual reality program designed to test how ruthless they all are. To get ahead in Blood City, one has to kill others. However, willful and sarcastic new arrival Lewis (a fine and likable performance by Kier Dullea) refuses to adhere to the rules. Director Peter Sasdy, working from an offbeat and intriguing script by Michael Winder and Stephen Schneck, relates the compelling story at a steady pace, presents a chilling portrait of a harsh world where random violence and brutality reigns supreme, and stages the shoot-outs with real flair. The sound acting by the able cast keeps the picture buzzing: Jack Palance has a villainous ball as fearsome local lawman Freedlander, Samanthan Eggar likewise does well as sultry and manipulative scientist Katherine, plus there are sturdy contributions from Hollis McLaren as the sweet and fetching Martine, Barry Morse as the stern project supervisor, Chris Wiggins as the vile Gellor, Henry Ramer as amiable bodyguard Chumley, Allan Royal as the pragmatic Peter, and John Evans as nerdy technician Lyle. Moreover, the nifty premise predates "The Matrix" with its concept of a computer-generated alternate reality, there's a genuine weirdness to the film that makes it engrossing throughout, and the filmmakers leave a good deal of the plot for the viewers to figure out on their own (for example, we never find out who exactly is behind the virtual reality program). Roy Budd's strong dramatic score rates as another major asset. Worth a watch.