Untamed
Untamed
NR | 01 March 1955 (USA)
Untamed Trailers

When the great potato famine hits Ireland, the diaspora begins as thousands emigrate. Among those leaving the Emerald Isle is Katie O'Neill and her husband, who decide that the promised land is South Africa and make their way there. Once there, they discover the hardships that are the reality of the homesteader experience.

Reviews
Ketrivie

It isn't all that great, actually. Really cheesy and very predicable of how certain scenes are gonna turn play out. However, I guess that's the charm of it all, because I would consider this one of my guilty pleasures.

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Orla Zuniga

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

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Juana

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

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Wyatt

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

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bkoganbing

With the end of the South African apartheid government and the events leading to that end of the past 50 years or so, Untamed was consigned to the 20th Century Fox vaults and has rarely been seen for a generation. Not that it was anything all that great to begin with.Taken on its own terms and divorced from racial politics, Untamed is a sprawling Edna Ferber like saga of the founding of the Orange Free State and the journey of that group of Dutch settlers called Voortrekkers that made it happen. Tyrone Power is the leader of this group who has dreams of an empire. Dreams so big that Susan Hayward and their romance come in a definite second.Power meets Hayward in Ireland where he's come to buy horses and the sparks fly at first sight. But he returns to South Africa and Susan marries good old reliable John Justin.Later after the potato famine hits Ireland, the great Irish diaspora occurs and the Irish scatter throughout the globe. John and Susan go to South Africa and Sue not only meets Power again, but she also comes under the lustful eye of Richard Egan. Justin is killed, Sue wants Ty, Richard wants Sue, but Sue can't see him for beans.I get the impression that there is a lot more to the original novel than what is shown here, but the story is poorly adapted. Using the comparison to Ferber, Richard Egan plays the Jett Rink part here. It's as though Jett Rink was crushing out on Scarlett O'Hara. Maybe they should have gotten Edna Ferber herself to adapt this work by another author, Helga Moray.The action sequences are done well however. The Zulu attack on the laager is as well staged as in any John Ford western and the final battle between Power's commandos and Egan's outlaws is also exciting.By the way the word laager is the South African term they gave for the circle of wagons that the voortrekkers made when camping for the night. We've seen many a western where they circled the wagons, but in South Africa they had a name for it. Voortrekker is the name of the Dutch pioneers who made the journey.If you are a fan of the two leads as I am, make every effort to catch Untamed in the infrequent times it is shown.

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dbdumonteil

Henry King is ,par excellence, the director of the storybook works.The titles speak for themselves,particularly in this phase of his career ,the fifties:"the snows of Kilimandjaro" (1952),"love is a many splendored thing"(1955)"The sun also rises" (1957) and "tender is the night" his final effort (1961).All these movies feature some of the most beautiful actresses that Hollywood has ever known:both Hayward and Gardner in "kilimandjaro" ,Gardner alone in "sun" ,Jones in "love" and "night".Susan Hayward is the star here.She plays a bold and impetuous heroine,a la Scarlett O'Hara,with whom she shares the Irish blood.Like her,she's always compelled to pick up the pieces and she does it with persistence. Like her she becomes a merry widow very soon.Tyrone Power( one of King's favorites:"Llyod s of London (1936)"captain from Castille (1947)"prince of foxes"(1949)and finally the impotent officer in "sun also rises")is the noble hero,full of panache.His parts look like each others in King's movies.Richard Egan has the only ambiguous role:generally cast as the villain ,he shows a friendly side in the first part.But what matters is the cinematography:using the cinemascope as few can do,Henry King work wonders when it comes to directing movements in the crowd:the Zulu's attack ,with its splendid panoramic shots displays an extraordinary sense of space.A gigantic African western in which the Zulus play the part of the Indians.Another sublime plan :the tree struck by lightning during the fight Heyward/Egan.Detractors will say that psychology is not King's forte:they simply do not understand that the interest does not lie in the characters but in their confrontation to a hostile environment .Actually the beauty of the landscapes enhance the characters who've got to rise to the occasion.In 1992,Ron Howard casts Nicole Kidman and Tom Cruise in "Far and away".OK they sail for America,but they are Irish and they start over in a new land.Nothing really changes.

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jbowman-5

This movie is by far one of the best with Susan Hayward and Tyrone Power. I have seen it many times over and enjoy seeing it again.If anyone ever gets the chance to view it, please do so.. You won't be disappointed.

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rfkeser

Everyone works hard to make this grand-scaled hokum as enjoyable as possible. As a redheaded Irish spitfire, Susan Hayward finally gets her chance to play Scarlett O'Hara, but packs all her chiffons and crinolines [with matching shoes and stockings] in a covered wagon and sets off to cross the veldt with wise Agnes Moorehead and a cast of thousands [well, hundreds]. She's chasing Tyrone Power across South Africa, although he's something of a stiff, but she also loves hearty Richard Egan. The script stuffs in everything from a fancy dress ball to an emergency amputation. Henry King directs it all with some intensity, especially a harrowing and spectacular Zulu attack, and uses the wide screen well to capture the spaciousness of the land. Should be seen on the big screen at least in letterbox].

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