Why so much hype?

The first must-see film of the year.

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

An old-fashioned movie made with new-fashioned finesse.

As I started watching this movie, I thought Apartheid movies are like Holocaust movies---they are all the same theme repeated over and over again with minor variations. But something about this unfolding picture made me resist the eject button. One factor was, I think, that the Tim Robbins character was magnetically unpredictable. It was hard to predict what kind of a person he would ultimately turn out to be. Secondly, and maybe I missed something at the outset or went in with imperfect knowledge of the circumstances of the film, but only quite late in the picture did I realize that this was a biographical flashback of a national hero. That was refreshing to me. Heroic biopics generally seem to be trying too hard to lionize their subject. And finally, from all aspects of cinematography that a casual user like me can address, the picture was not that badly done. So, if you haven't seen many Apartheid-themed movies and would like to see a decent one, this would be a respectable choice. As a political aside, I found myself hoping that at least a few Americans would watch this picture and say "Hey, that's what we do to suspected terrorists, too!", and consider whether right and wrong are not all that easy to distinguish.

Philip Noyce's politically charged thriller starring Academy Award winner Tim Robbins and Derek Luke is brilliant and striking picture. When Patrick Chamusso (Luke) is wrongfully charged with terrorist charges and his family violently offended by the leader of the operation Nik Vos, (Robbins) Patrick joins the rebellion to fight against the regime.As the film touches on the many tones of politics, racism, and economic problems in South Africa, the emotional and dramatic quality of the film is the beauty of it. While the screenplay has flaws in character arc, the film is as beautiful as it is tragic. Derek Luke puts forth the best performance of his short career and is on his way to many potent and demanding roles in the future. His humanity and heroism shown in Patrick carries the film on his shoulders and when years pass, this will be film we will remember Luke's breakout turn besides Antwone Fisher.Tim Robbins brings forth a frightening turn with his spot on accent but is a little distracting and a miscast. With no direction for his character to go, many questions are left unanswered and frustrates the viewer. He still shows us he is one of the best working actors today when put in the right role.Bonnie Henna who puts forth an admirable effort as the supportive wife, "Precious," leaves the audience a bit disenchanted but has the strong will that makes the viewer worry for her. While Patrick is training and gets his codename, "Hotstuff" in which the film is adapted from of the same title, Henna is given enough screen time to run with her role and soar.Noyce creates some great cinematic moments with Luke but I have to say, I give Luke much of the credit. He completely engulfed himself in his role. His charm and charisma is his strongest attribute and lets the film succeed as much as it can. The film however never really "catches fire" rather sparks up all over the place.Grade: ***/****

A powerful story well told in skillful hands. Philip Noyce, of Rabbitproof Fence fame, once again takes a story of oppression and just tells the story, without apportioning blame or taking sides. The script is marvellous and the acting uniformly good. Tim Robbins and Derek Lucas both affecting near-flawless South African accents, take the male leads and put in outstanding roles. Tim Robbins as the Afrikaner cop is a character difficult to understand, at one point he takes his prisoner home for Sunday dinner with his family and in another scene oversees the beating-up and torture of innocent people. Derek Lucas is equally good as a man who's only interest lies with his family and job before being arrested and ultimately backed into a course of action that he could not have foreseen. Michelle Botes and Bonnie Mbuli are both excellent South African actresses who play the respective wives, Bonnie Mbuli in particular putting in a very affecting role as the wife who stands by helplessly as her husband spirals into a new life which does not include her or her children. H

Catch a Fire is overly formulaic and doesn't have anything new to say about the apartheid. But it does look good and it's well acted and slickly directed. The film shares many plot similarities to other Joseph Campbell influenced narratives like the Star Wars movies or Braveheart. The film is set in South Africa in 1980. The film's reluctant hero is Patrick Chamusso who works as a foreman at the Secunda oil refinery. Patrick has a good life: he owns a car, has a beautiful wife and in his spare time, he coaches a local boys soccer team.The freedom fighters / terrorists of the African National Congress (ANC) are fighting to overthrow South Africa's white-led government. As a black man Patrick suffers the occasional humiliation at the hands of the country's police but he doesn't complain or get involved in politics. The film doesn't dwell on the fact that Patrick is a refugee from the Mozambique civil war which ended in 1992, with over 900,000 dying from fighting and starvation.In many Hollywood films white South Africans are often portrayed as evil and sadistic. Tim Robbins plays Nic Vos / Darth Vader a colonel in the country's anti-terrorism police. Vos is shown as a devoted husband and father but his job is to capture terrorists. After the ANC plants a bomb at the refinery, Patrick comes under suspicion and is arrested. Patrick is a womanizer and his initial alibi is exposed as a lie. He is beaten-up but when his wife is tortured he becomes angry and seeks revenge. Although found to be innocent and released, Patrick travels to Mozambique and joins an ANC terrorism school. He returns to South Africa and blows up the refinery. Patrick plays an unenthusiastic warrior who helps overthrow an evil regime. He is arrested again, and spends over ten years at the Robben Island prison with Nelson Mandela. Most recent films about Africa paint it in a negative light. They show corrupt, genocidal hellholes, child soldiers, wide-scale barbarism, anarchy and starvation. What happened in South Africa now seems relatively low key by comparison. The film also fails to shock because TV shows like 24 seem to condone torture in terrorist interrogations. With the present day reality of prisons like Abu Ghraib and Guantanamo the actions of Vos and his men seem almost tame. Overall, it's a well-made movie.