Good concept, poorly executed.

I gave this film a 9 out of 10, because it was exactly what I expected it to be.

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

This movie seems to have been shot with the camera lens stopped down several clicks, with no studio lights, with a cloth over the lens ! It is too dark to see what's going on most of the time. Even watching on a 42" screen with all kinds of settings, I could not get a clear image. Apparently the producers and director thought darkness would compensate for the lack of a proper thought-out story and decent actors. The film was in a big bunch of DVDs I bought for a bargain price, so it cost me only a few pennies, thank goodness. It did waste my time and annoy me, but I can rise above that. NOT recommended in any way, except to persons needed a sleep-help! I cannot think of any praise for it.

I don't want to suggest that Torment is an awful movie, but it comes close. It's not for a lack of trying, so to speak, but the overarching problem is that the movie is essentially a carbon copy of all the slasher/home invasion movies in the world and contributes very little of note. I suppose the killers' masks, taken from the heads of giant stuffed animals, is the extent of the film's originality.Cory Morgan (Robin Dunne) and his new bride Sarah (Katharine Isabelle) arrive at Cory's summer home (secluded, of course), with Cory's son Liam (Peter DaCunha) in tow. The kid resents his stepmom a little, because she's not Mom. Mom's dead, in case you were wondering. Unfortunately, that fact has almost no bearing on the plot, which feels like a tremendous waste of opportunity. At any rate, when the Morgans arrive at the house they quickly learn that squatters have been there very recently - there's spoiled food left out and some blood on the wall. They call the cops, and good ol' Office Hawkings (Stephen McHattie) tells them that teenagers probably hung out there and had a party or something. Doesn't explain the blood too much, but the Morgans don't press him for more info. Just another kindly old officer of the law lending a homespun helping hand, is all.During their first night in the house, Sarah awakes to a noise downstairs, which happens in most horror films anyway. When she and Cory investigate, they find nothing out of the ordinary - except that little Liam is now missing. And thus begins endless searching (for the boy) and fleeing (from the crazy cult who snatched him and is right next door) that comprises basically the balance of the movie. Run into forest, be pursued by masked lunatic, fire off every flare in your road flare gun so you can see where you're going, escape into your house, get attacked by another masked lunatic, run out of the house and into a muddy stream where you fend off the attacker, and so on.Isabelle looks great and appears capable of being a damsel in distress. Dunne is a little more lackluster. Young DaCunha's performance felt more authentic than that of any of the adults. But what made this film particularly maddening were the little hints of backstory that are never really resolved. For example, when Cory does find Liam and confronts the kidnapping maniacs, it's strongly implied that he (Cory) knows who these people are, knows their history, knows why they've chosen poor Liam. Do we, the audience, get to discover this as well? We do not. And maybe it would have helped if we did, because a gentle, plausible twist would have been welcome over the generic, often listless storyline.Torment is not so bad it's good. It's a mediocre entry in a field that's already very overloaded with mediocrity. There isn't even all that much blood, thereby depriving those who love a good gorefest from getting their money's worth. So, no gore, a thin plot, lousy acting, and and overwhelming sense of pointlessness all add up to a movie that's just not worth your time.

Torment is, without a shadow of a doubt, one of the dullest films I have ever seen, and I have seen some rubbish in my time.The plot follows a young family as they go on holiday to their house in the middle of the woods and then get tormented by some creepy rednecks. Not the most original plot ever devised, but that is the least of this film's problems.The most egregious problem is that, for a horror film, it completely fails to be scary in any shape or form (which is kind of missing the point somewhat). But there is more, aside from the usual obvious flaws in logic that befalls poorly made horror films. It is a Herculean task to find anything likable in most of the main characters; the person playing Cory has little to no charisma, and the child is some spoilt a*****e. There is no rhyme or reason for the creepy rednecks torturing the yuppie heroes, apart from just being mentally ill, and any attempt to give them some kind of motive makes no sense. The ending is rather stupid, and one can easily see it coming. I could write a better plot than the people who wrote this abomination. There is one reason why I am giving this film 2 stars rather than a rock bottom 1 star, and that is Katharine Isabelle. She is the only decent actor in this mess, but even so, she is still nothing spectacular (to be fair though, it would be impossible for Marlon Brando, Peter O'Toole or Laurence Olivier to look good in Torment). There was another thing I found rather worrying about Isabelle's performance. I do think that she is talented; films like Ginger Snaps and American Mary clearly show this. However, she does seem to be wasting her time and efforts starring in rubbish like this. Katharine Isabelle is in serious danger of having a career similar to Nicolas Cage, in that for every one great film you have about 5 or 6 god- awful ones.All in all, Torment is a terrible horror film that is conspicuously lacking in horror, and I suggest that you stay away from this like the plague.

It seems like horror movies these days fall into 3 categories: good or excellent (less than 5% of all horror movies per year); "I've seen worse" (30% of all horror movies per year); and utter garbage (the remaining 60-plus% per year). This is one of those "I've seen worse". The entire movie is a mishmash of different horror movie elements you've seen in plenty of horror movies before:1. deranged redneck family. 2. unsuspecting yuppies are stuck in a rural area with no cell phone reception. 3. decent actors wasted on a terrible script and poorly developed characters (although the kid was annoying). 4. long torture scenes where the victims are bound and gagged. 5. "BOOM!" jump scares whenever we see a shadow. 6. the heroine is pinned down by the villain but then finds a conveniently placed weapon nearby to defend herself with. 7. despite the fact that she's been through a physically trying ordeal through mud, blood, and grime, the heroine's hair, makeup, and nails are great. 8. the victims will knock the killer out but never make sure the killer is dead.I was just shaking my head throughout the entire movie, constantly saying, "Wow...this is reeeeaaally generic...at best...". It's never a good sign when I start fiddling with my phone out of boredom. But I was doing that throughout the movie. Before I knew it, the movie was virtually over and everything seemed to be okay. Then the lame twist ending came around and I thought, "Well, unnecessary and mediocre twist endings are the norm these days. So why am I not shocked by this." I think the only interesting thing were the villains' masks. Why were they wearing them? I understand they wanted to keep their I.D.s a secret, but they could have chosen better masks. The masks are stuffy and hard to see through. In real life, any killer wearing those masks would have ripped them off in frustration.All in all, this is a forgettable movie for someone looking to kill time. After watching it you'll think, "Well, I didn't hate the movie. But I have no desire whatsoever to watch it again."