Great visuals, story delivers no surprises

Don't Believe the Hype

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Close shines in drama with strong language, adult themes.

Amélie (Pauline Etienne) was born in Japan. She always wanted to be Japanese despite born to Belgian parents and moving back to Belgium when she was five. She's 20 and tries to immerse herself in the Japanese culture. She gets hired by Rinri as a private French tutor. He's her only student. They grow closer together. She gets an one-year contract with a large Japanese company. She hates her job and Rinri proposes to her. She's reluctant and then the 2011 tsunami hits Japan.Most of this has a charming Lost in Translation feel. The romance also has its charms. Pauline Etienne has an endearing wide-eyed persona. Her character does a turn in her attitude. There should be more to that part of the story. The tsunami is a splash of cold water from the real world. The last act is a little abrupt. Overall, this is a charming little movie.

It's very common in the western films about interracial romance, mainly because it's happening and that's how the societies are made, particularly the North America. And it's not same when you seek similar themed films from the east. It is a less explored concept as far I know. Even this one is a Belgium film that entirely takes place in Japan.I like this kind of film. It helps to realise what are all kinds of complications we could face in the same situation. In fact, I'm too a Japanophile, as well as Francophile. So this film is both of them. It's a cross culture, but fun to experience, especially if you adore that culture as much as your own life.This film was about a young Belgian woman named Amelie, who actually was born in Japan, but later in her childhood she had returned to native along with her parents. Now in her 20s, she came back for the love she has for Japan. The first thing she does was advertising about her private French tutorial. Then she gets a student, a young Japanese fellow who already somewhat knows the language. They roam the city, experience the culture and society, and picks up the words, which is translated to French as part of learning/teaching.As expected, they fall in love and that's where the trouble arises. Because it's not America, where a Japanese man and a French woman has no complications, particularly culturally. But here the cultural significance stands between them. The language of romance is universal, but how to express it in behaviour is a series of obstacle.Amelie loves everything about Japan, even she climbs Mr Fuji to be a true Japanese and it helps her to rediscover herself in the tough time. Yet she finds a little hard to adapt the way of Japanese lifestyle. Possibly in every single thing. From raw food to falling in love, meeting her future in-laws, getting engaged and all.❝A real Japanese has to climb Mt Fuji.❞I thought the film would be in the line of 'My Darling is a Foreigner', but it was like 'Amélie' and 'Citizen Dog'. It's more a girlish kind of film, but can be enjoyed by all category adult audiences. The character Amelie is similar to those two titles from the above I mention. You will like her, probably fall for her. The film looks beautiful mainly because of her, the actress who played it was the backbone of the film. When everything was going quite nicely, then all the sudden an unexpected conclusion emerges. I really did not like it.My first reaction was, how could possibly they ruin this beautiful film with such a bad end. I thought the writer failed to come up with something to make a better climax. I was disappointed with the finale, but my stance changed when I learnt it was a biopic, which I did not know earlier. Yep the film was based on the autobiographical book of the same name.The story sets in around the time Fukushima nuclear disaster, but the problem is the dates does not match, as the book came years earlier. Anyway, that event has a big influence to this tale to wrap up. So when a film is based on the real, I like as it is than any alteration. From the outside, it looks like 'Before Sunrise', but there are lots of differences.What this film teaches us is, it's easy to love other cultures, but proving isn't. There should be lots of sacrifices to be made, especially if is a relationship, not love found in the culture as an individual person. The film was very enjoyable. You can learn many things about Japan through the film.The casting was excellent and so the locations. Probably a bit underrated film, as well as not recognised widely. Those who saw it, considering it from the entertainment perspective, but most them are not aware that it was inspired by the real. I think it is worth a watch, especially if you love Japan and its culture, definitely not to be missed.7/10

Amélie (Pauline Ètienne) is a twenty year old Belgian expatriate, French tutor living in Japan. When Rinri's (Taichi Inoue) well-to-do father hires Amélie to teach his son, the two quickly fall in love. Although Amélie was born in Japan and adores everything about its culture, she painfully learns that that is not enough to be accepted in Japanese society. Will Rinri, a closet Francophile and lover of Yakuza film, find the balance needed to present Amélie to his family as an honorable Japanese woman? Pauline Ètienne's Amélie shares the quirkiness of Audrey Tautou's character in the film of the same name ("Amélie"), all the allure of Scarlett Johansson's Charlotte from "Lost in Translation," and the gullibility of Shirley MacLaine's Charity Hope Valentine of "Sweet Charity." What separates "Tokyo Fiancée" from the aforementioned trio of hopeless romantic tales is the absolutely breathtaking scenery that cameraman Hichame Alaouié deftly captures. "Tokyo Fiancée" is a cinematic engagement worth accepting.

Tokyo Fiancée is an initiatory trip to finding your identity, Amélie (Pauline Etienne) embarks on a journey to find herself. Born in Japan from Belgian parents, she leaves Belgium for the country of her dreams, Japan. Marveling at a culture and a language she feels she missed out on and wants to absorb, but the metamorphosis is not as swift as she had hoped.The film has the sensibility and beauty of Japanese and French film making. It's sweet, innocent and a bit dark. Slowly immersing the audience into a country, a city, and a culture it introduces Japan beautifully through Amélie and Rinri (Taichi Inoue)'s eyes. They both aspire to learn from each other and almost inevitably become close.Amélie and Rinri may be culturally different but they seem to share the same quirkiness. The actors are both touching in the film, they made Rinri and Amélie feel real and natural. Pauline Etienne smartly portrayed Amélie's bubbly personality and her evolution throughout the movie. The movie also smartly integrated the events of Fukushima in the story, making the horrid fit into the atypical love story.Tokyo Fiancée is not exactly a love story, more of a friendship love story. It shows Japan brilliantly, as exciting and slightly confusing as that it may be.