Dreadfully Boring

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

Jimmy Stewart proves in this film he can bring something to even an average script by playing his role powerfully. This battle between shrimp fishermen and oilmen does not work with Stewart. This one is prime Stewart.He has solid directing and Joane Dru plus Harry Morgan head a solid support cast. Still, while the script is a bit weak, Stewart takes this movie and makes it better than it should have been. I can't see another actor in the role of the oilman bringing this one in. The was one of the earlier films where oilmen and the environment are addressed. While it is a little weak on the conflict, the actual facts on this issue are still not addressed properly now.Men and technology have to co-exist. One side or the other is not right as we can not afford to get out of the middle on these types of issues. While the environment is the most important issue, going to either extreme will kill people. It does not matter if the polluter kills people or the environmentalist does, murder is murder.When Stewart draws a line in the sand, as he does here, he brings something special to the table. That something special is what we need more of. It takes the good drama of a film like this to bring that out.

The posted comment about wanting to see the "widescreen" version needs to be addressed.As the listing for the film indicates, Thunder Bay was filmed with a standard Academy ratio of 1.37x1. That was the way it was meant to be shown. Universal then chopped off the top and bottom of the image - totally destroying the spatial integrity of the image - to claim that it was a "widescreen" film.It must have looked awful. Count yourself lucky you don't get to see it.(This horrible trick was also tried for the mid 1960s reissue for Gone With the Wind, where it was blown up to 70mm and released in a 2.35x1 ratio, which was just awful.)

Apparently the public was mainly unaware of Cajuns and their culture, which would have been the largest population group of shrimp fishermen in Louisiana at the time. The portrayal of the 'hurricane' would have given them the impression of, at best, a big squall. What was a real hoot, was Stewart tossing sticks of dynamite at the crowd while he 'talked sense' to them. ("Alright now, just settle down"). If this movie is shown on a show where there is a 'host' or 'moderator' who comes on before and after the film, it would be informative to mention the 'microenvironment' created by the oil rigs; not so much with shrimping, but with sport fishing, which is a major economic force in the Gulf. The metal structure of the rig platforms becomes an 'artificial reef', which first becomes populated by barnacles and other stationary marine life; then becomes a focal point of fish, crustaceans, cephalopods, and various other species. The area around the rig becomes a jackpot for fisherman.

From the director/actor team that brought us many of the great westerns of the 1950s, Thunder Bay teams Anthony Mann and James Stewart in what could easily be called a modern western. Stewart plays Steve Martin, an oil driller with a dream. His goal is to build an off-shore drill in the Gulf of Mexico. He receives the financial backing of oil tycoon Kermit MacDonald (Jay C. Flippen) and begins work.He sets out from a small fishing community that has been on hard times lately. They are leery of Stewart and his partner Johnny Gambi (Dan Duryea) at first, and become more so when the two start blasting in the middle of their shrimp beds. To make matters worse, Johnny falls in love with a local girl who is already engaged to one of the fisherman.Tension builds as the fishermen continue to have bad luck and the drill progresses. One disgruntled fisherman attempts to blow up the drill platform during the middle of a hurricane. Stewart, who had stayed on the platform to see how it would withstand the storm, catches him just in time to save it. A slippery fight ensues, during which the fisherman and Stewart fight not only each other, but a constant onslaught of water. As in the typical western, the hero (Stewart) wins and the villain dies.The fight scene is one that dates the film. The special effects seem very archaic in wake of such recent films as Titanic and The Perfect Storm. Other than that, the film presents an interesting story on what, at the time, was a very taboo subject.Aware of the controversy the film would stir-up, the film was carefully crafted to prove that two industries could exist side by side. As the fishermen resolve to destroy the well, Stewart discovers that his well has uncovered a new bed a shrimp. When the fishermen learn this they decide that the well is indeed an asset to their community and all live happily ever after.As usual Stewart steals the film. His acting is subtle and believable. The simple story did not push him as an actor, but he is properly harried, tough and laconic. Overall this is an interesting film, enhanced by the beautiful location shots filmed in Technicolor by William Daniels. Truly, an intriguing and different take on the western genre.