A different way of telling a story

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

She is Barbara Stanwyck, the hot-blooded and high maintenance wife of oil rig baron Anthony Quinn, as well as former lover of Gary Cooper, and she is desperate to get rid of a husband she hates and get back a former lover who makes her oil crude. Stanwyck's characters has never been someone you'd see grocery shopping (unless she was plotting a murder with Fred MacMurray) or attending social functions, but here, she is aging but still very much on the prowl. She's definitely a cougar, and while her prey may not be a young buck, she's roaring loudly with desire. Cooper, though, isn't buying her brand of spitfire anymore, and is now ready to settle for the sultriness of Ava Gardner look-alike Ruth Roman who purrs her lines like a kitten compared to Stanwyck's raspy and claw-clad alley cat. Quinn, too, underestimates his wife's hatred, finding out the hard way her real desires.This is the third variation of this story at Warner Brothers-1935's "Bordertown" and 1940's "They Drive By Night", all told extremely similar stories with different professions for the hero and equally wild leading ladies in the Stanwyck role: Bette Davis ("Bordertown") and Ida Lupino ("They Drive By Night") both got to be dames to be reckoned with. Roman takes on the Margaret Lindsay and Ann Sheridan roles with Cooper replacing Paul Muni and George Raft, Quinn taking over for Eugene Palette and Alan Hale.An unusually large over abundance of music dominates this version, including a theme song ("Marina Mine") sung by Frankie Laine, obviously influenced by his hit recording of "Do Not Forsake Me", the theme from Cooper's Oscar Winning success "High Noon" the previous year. Quinn's seemingly macho coward fights cowardice as a result of harassment from Mexican bandits, seen at the start of the film attempting to rob Cooper with stereotypical racist dialog. Ward Bond gives a sympathetic performance as Cooper's mentor. While the romance may focus on Cooper and Roman, it is Stanwyck who dominates the film. She may be melodramatic, but she's somebody you'll never forget.

Blowin Wild is the type of movie you took for granted when originally released and now can appreciate how good it is. Starting with Barbara Stanwick who could play a "femme fatale" better than no one, Anthony Quinn as the good guy's friend, that has a great weakness, a role he also played in Warlock, Quinn was the ideal villain, and Gary Cooper was one of the best heroes ever on the screen. The outstanding Ward Bond and the pretty Ruth Roman complete this fantastic cast. Apart from the ridiculous premise that there are independent small oil operations in South America, this is an excellent western (at least at heart). At certain moments I was reminded of The Wages of Fear (Le Salaire de la Peur, 1953, others of The Treasure of the Sierra Madre(1948). There is a great scene when Barbara Stanwick and Ruth Roman confront each other.

In a film that is partially taken from The Treasure of the Sierra Madre, two down on their luck Americans, Gary Cooper and Ward Bond, run into an old pal, Anthony Quinn who has become richer in the oil business than these two wildcatters have. Quinn's also married Barbara Stanwyck who at one time had a thing for Cooper.It's over for Coop, but Stanwyck ain't taking no for an answer. Even the presence of Ruth Roman one of those beautiful woman that are stuck in exotic places in films who's really got Coop's attention, doesn't faze her a bit. She says she'll do whatever she has to, to win Coop back and pretty much does as the film concludes.Blowing Wild only holds interest because of the star players involved. When you consider that back in the day Cooper and Stanwyck did classics like Meet John Doe and Ball of Fire, Blowing Wild looks like something they did in their spare time on a holiday in Mexico.Everybody overacts outrageously to keep the film afloat even Gary Cooper if you can believe that.

Gary Cooper is looking for work somewhere in South America when he meets an old friend with a succesful oil-digging company. His wife, however, is an old love from Cooper and the tension can only lead to bad things. On top of it all, the country suffers from bandits who destroy and rob all material. The story has a negative undertone about the failure Americans have when trying to make it big outside their motherland just like The Treasure of the Sierra Madre with Bogart. The characters are well thought-out and all of them have a solid background. Gary Cooper's character has a past he'd rather forget and it made me think about his character in High Noon. Unfortunately the movie seems to be made in a rush, but due to the story, drama and character studies I give this a 7 out of 10! And for me that's rather a lot!