Three Colors: White
Three Colors: White
R | 10 June 1994 (USA)
Three Colors: White Trailers

Polish immigrant Karol Karol finds himself out of a marriage, a job and a country when his French wife, Dominique, divorces him after six months due to his impotence. Forced to leave France after losing the business they jointly owned, Karol enlists fellow Polish expatriate Mikołaj to smuggle him back to their homeland.

Reviews
Breakinger

A Brilliant Conflict

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Fairaher

The film makes a home in your brain and the only cure is to see it again.

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ChanFamous

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

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Janae Milner

Easily the biggest piece of Right wing non sense propaganda I ever saw.

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Hitchcoc

I did not know of these films. I'm late to the party. Also, I've viewed them out of sequence. It doesn't matter. What an experience! This one is about true love. The poor Polish schmuck is being divorced by his beautiful young wife because he has been unable to consummate he marriage. We do wonder why that is, but it could well be a medical condition. He is not give a chance. As a matter of fact, she takes everything from him without a bit of compassion, leaving him sitting on a steamer trunk in a Paris street. He manages to meet his savior, a complex to man who seems to have many secrets. With his help, he manages to accumulate great wealth. I won't go into the details other than he never stops loving the woman, no matter what. Granted, his intentions are not the best, but they make for a delicate balance between freedom and revenge. Karol has lost his freedom through no fault of his own and we hang on to see how this manifests itself. The closing scene is full of hope and resolution. One of the most interesting characters in all of moviedom.

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Naomi Yuen

White is the purest color and seems like nothing harmful in there, peaceful. That's my first impression of this movie and I changed my thoughts.The movie can be summarized as a word:'revenge'. It was totally different with white color. The whole movie is full of plain color like black white grey, and they mean the life of Karol. However there are sharp colors such as orange and red when Dominique appears. She has strong desire of sex and love.So it is obvious that there is a contrast between Them and may be they are in different world.The most unforgettable part is the ending. Because Karol visited Dominique in the prison but they are in different emotions. Karol was crying and looking at her but Dominique smiled and did sign language. She said the Karol must wait her back and have sex with her(or marry again?). To me, They are in different stage of love. Karol did the revenge and still in love with Dominique. On the other side, Dominique was satisfied with the power she got in the relationship so she just want to enjoy that again but may be not related to her love to Karol.Overall, the color was the main feature of the movie and brought out the relationship between this couple. Krzysztof Kieślowski told us White should be pure and equal but not in love.

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Red_Identity

I'd say that this is definitely better than Blue, just because it manages to be more entertaining. But at the same time, it's not going through the same dramatic material so it's even harder to judge in that way. The performances are pretty good, and it's sort of a wonder seeing Julie Delp in something that isn't from the Before trilogy. Just such a beautiful woman. The plot is paced around smoothly and this film isn't as slow paced as Blue and Red, but it also seems to go for less sentimental emotion and that's pretty much what we get. I get what it's considered the weakest, but I enjoyed it enough. This is recommended, although not strongly so.

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billcr12

White is the second of Krzysztof Kieslowski trilogy begins with a suitcase on a carousel at an airport but switches to a man in a Paris divorce court who has trouble understanding French, that his wife, Dominique(Julie Delpy) does not love him. It gets worse, with the disclosure that he can't get it up for his wife; ouch! The poor guy loses her, his beauty salon, and is soon to be deported with little money.He performs music at a train station when he is befriended by a fellow pole, Mikolaj, who offers him cash if he will kill someone for him. Karol is then smuggled in the suitcase from the opening scene, which is stolen by airport workers in Poland. He manages to get a job working for his brother as a hairdresser. He also works as a bodyguard and reunites with Mikolaj in a tunnel, where he is asked to kill him in an assisted suicide. He persuades his intended victim to stay alive.Karol's luck changes as he and his new friend buy and sell land at a huge profit. He has gone from rags to riches. With his new found wealth, he comes up with an idea to win back Dominique and seek revenge. The final shot is quite memorable, an excellent lesson in morality. Be careful what you wish for.

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