Horrible, fascist and poorly acted

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

One of those movie experiences that is so good it makes you realize you've been grading everything else on a curve.

Exactly the movie you think it is, but not the movie you want it to be.

Copyright 12 August 1947 by Universal Pictures Co., Inc. New York opening at the Rialto: 30 June 1947. U.S. release: July 1947. Never theatrically released in the U.K. Australian release: 27 November 1947. 5,999 feet. 67 minutes. SYNOPSIS: Undercover agent bests stagecoach bandits.COMMENT: The main appeal of this film is CineColor. Despite its limited color range, its pastel tones are so attractive here, every frame of the movie is a pleasure to look at. Margaret Lindsay of course adds to that pleasure, even if her new upswept hair style makes her less recognisable. Paula Drew is also a winning lass, the villains - particularly Arthur Hohl's crooked sheriff and Jack Lambert's surly Ben - are heavy enough to please most fans (Bob Wilke has no dialogue but he can be spotted now and again helping to balance out the background compositions), and Andy Devine is along for a bit of mild yet agreeable comedy relief.Hero Jon Hall handles his chores in his usual competent if colorless manner, whilst the action spots are helped out by a couple of great stunts. The plot is entertaining enough and it all comes to a satisfactory final free-for-all.Veteran serial director Ray Taylor had moved to Universal after being fired from Republic's The Painted Stallion. When Universal discontinued its serial line-up in 1946, Mr Taylor was obviously at a loose end. This is the last film I have for him, though he may have directed some more in the "B" class before his death in 1952. All told, by "B" standards, this is a creditable effort, nicely paced, attractively photographed and at times vigorously staged. The sharply-edited, many-angled stagecoach rescue is as thrilling as a top serial highlight, whilst the spectacular climactic fall through the balcony is one of the best stunts we've ever seen in the double-bill western.OTHER VIEWS: Perennial good girl Margaret Lindsay is a slightly shady saloon lady in this fascinatingly CineColored western. She even has a jaunty song, though her singing voice is doubtless dubbed. Otherwise she fills her role agreeably enough, though most viewers will have their eyes on Andy Devine who does his usual sterling job of turning thin material into more humorously substantial cloth.

I have not seen this movie- but heard about it in the documentary of P.K. Nair- film archivist and popularly known as the Henri Langlois of Indian Cinema. In a documentary about his life, CELLULOID MAN, K Nair reminisces about how he got attracted to movies at a very young age and he remembers this movie Vigilantes Return as the first Hollywood movie he saw in Trivandrum as a young boy. He still has with him the ticket stub when he saw the movie at Sree Padmanabha Theater, Trivadnrum. This was his first introduction to Hollywood and from then onwards he became a fan of cinema. His life then took a turn and was devoted for preserving cinema and cinematic history. He started the first film archives in India. This is the movie that started all this. Now I got to see this movie

Yet another variation on the stock Western ingredients of stranger-in-town with comic sidekick, saloon girl contrasting with respectable girl (or is she?), saloon co-owner running a gang, with sheriff in his pay.Jon Hall (seldom seen on UK TV) reminded me of a less-rugged Randolph Scott, and Margaret Lindsay (hitherto unknown to me)of a slightly-mellow Barbara Stanwyck. Both do reasonably well. The unsung hero is Andy Devine's horse, which takes his overweight rider to safety in a chase which entails jumping over a fence that deters most of the pursuers. Incidentally at first I thought his curious snoring after he'd walked into town was something more offensive.The plot creaks a little. It remains unclear to me whether Devine was merely an old friend of Hall's who happened to be on the stagecoach at the beginning or whether he was heading into town to help him. Paula Drew's change of loyalty is a little hard to swallow, but does provide a twist. Also making me blink was the arrival at the end of perhaps sixty vigilantes who came together very quickly indeed from outside town. I presume these had been active in suppressing outlaws in the past. Until they charge into town, I had thought that the current bad guys numbered barely half-a-dozen, but all the patrons of the villain's saloon mount a short-lived resistance to the vigilantes."Flashing color" says one tagline; in fact it's Cinecolor, which at times is almost monochromic.Nice to see Jack Lambert and Bob Wilke among the bad guys, and one day I must really identify Lane Chandler, whose name appears near the bottom of screen credits in so many Westerns of this period.

Marshal Johnnie Taggart (Jon Hall), posing as an outlaw named "Ace" Braddock, comes to Bannack, Montana to restore law and order. But he is recognized by Kitty (Margaret Lindsay), co-owner with Clay Curtwright (Robert Wilcox), of the infamous Bull Whip saloon. But "bad-girl" Kitty keeps her mouth shut, which is more than can be later said for "good-girl" Linda. When Johnnie's pal Andy (Andy Devine)reports a stage holdup, Curtwright's henchman, Ben Borden (Jack Lambert), talks the sheriff (Arthur Hohl) and Judge Holden (Jonathan Hale) into suspecting Johnnie. The latter takes offense at this, and beats up the mouthy Borden.Johnnie reveals himself to Judge Holden as a government marshal, and the judge voices his opinion that Curtwright is the leader of the road agents, but voices it in the presence of his granddaughter, Louise Holden (Paula Drew), and what the judge doesn't know is that Louise is in love with Curtwright and, in less than half-a-reel, she has spilled the beans to Curtwright as to what Johnnie's true profession really is.So Curtwright frames Johnnie for a murder and arranges for the crooked sheriff to promote a lynching and it looks like panic in Bannick until Andy and Kitty help Johnnie escape jail. Somewhere earlier, Margaret Lindsay sings a song (or is dubbed singing a song.) Johnnie and the Judge round up the vigilantes (Universal's usual crew of stand-bys are the uncredited vigilantes in this one) and head for a showdown at the Bull Whip saloon. Linda the snitch gets her comeuppance.