That was an excellent one.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

I decided to acquire this (albeit from other sources rather than the legitimate Image DVD) following Michael Elliott's solid *** review of some time ago. Surprisingly enough, I found this modest genre outing to be quite engaging and enjoyable most of the way and certainly undeserving of the dubious honor of being currently positioned at #95 on the IMDb's "Bottom 100" list! John Carradine gives his usual commitment to the standard 'mad doctor' role; the hero Myron Healey is quite sympathetic and the film's three female leads (Allison Hayes, Marilyn Buferd and Sally Todd) very attractive. On the debit side are Tor Johnson's amusing blazer-tie-sandals attire and moronic speech ("Time for go to bed" he blurts out to the guests at one point) as Lobo, Carradine's all-purpose assistant (valet-cook-bodyguard- guinea pig) and the incessant histrionics of the other male inmate (Arthur Batanides) – although the insults the latter hurls at the former during breakfast are fairly hilarious! Despite the misleadingly other-worldly title, the villains and crimes perpetrated here are decidedly mundane (especially given the clumsy and panic-stricken antics of Carradine's elderly partner Roy Gordon). It is all well and good that the would-be escaped convict hero is revealed to have been an undercover cop all along but it seems improbable that he would discover Carradine's underground lair of Dr. Moreau-esquire failures (including a creepy pre-CARNIVAL OF SOULS (1962) wraith-like creature) so easily and it would have been much more convincing if, say, Gordon had inadvertently mentioned it to Hayes or, better still, left them unlocked for some reason. Equally silly is the fact that Carradine reveals the full extent of his experiments to Healey from the get-go and then allows him to roam freely among the potential (and, as I said, good-looking) victims themselves!! Besides, how anyone can mistake a Southern mansion in the middle of a swamp for a health spa is beyond me. In any case, despite the above-mentioned absurdities, the film contrives to end with a bang as we get a good look at the results of Carradine's previous guinea pigs.

Unearthly, The (1957) *** (out of 4)This 'Z' grade film to me is one of the best examples of something being so bad it's good. A mad doctor (John Carradine), with the help of his assistant Lobo (Tor Johnson) is using people from his psychiatric institute as subjects in hopes that he can find eternal life by putting glands in their heads. This film is about as crazy as any film can get and I mean that in a good way because this is one of the most entertaining bad films ever made. It might even be unfair for me to call this bad because, unlike a lot of these Z movies, this one here goes out of its way to try and be entertaining and come up with a real story. The so-called real story they come up with here is way out of left field but it's still a lot of fun. Carradine and Johnson as the bad guys just adds more enjoyment as the two men eat up each scene as if they haven't eaten anything in years. That wonderful glee in Carradine's eyes really shines and it makes you forget that this guy has been in some of the most loved classics in the history of cinema. The brute Johnson moves slowly and talks badly but this just adds to his charm. Myron Healey and Allison Hayes play the good guys with cult figure Sally Todd playing another one of the patients. Arthur Batanides plays a hot head patient and in interviews he said he was drunk throughout the making of the film and this isn't hard to believe. He makes his character very memorable and he's a joy to watch throughout the thing. The make up effects are all very well done, which again, isn't too normal for this type of film. The ending, clearly influenced by H.G. Wells, is a classic with a closing line that is hilarious.

Dr. Conway (John Carradine) runs a strange medical home in a decayed and isolated mansion. How strange is it? Well, it's so strange that Lobo (Tor Johnson) works there.Ed Wood occasionally receives a writing credit for this bit of 1957 drive-in dreck; in truth his only contribution to the film is the character Lobo, which is lifted directly from Wood's 1955 BRIDE OF THE MONSTER. Even so THE UNEARTHLY, scripted by John Black and Jane Mann, is certainly bad enough to be an Ed Wood movie. Unfortunately it isn't nearly as funny.Dr. Conway's newest patient is Grace (Allison Hayes), who is unaware that the place is a front for unnatural experiments involving artificial glands. Fortunately for Grace, murder-on-the-run Mark (Myron Healey) stumbles onto the grounds and proves more than a match for the good doctor and his evil associates. Throw in Marilyn Buferd, Arthur Batanides, Sally Todd and an idea or two yanked from H.G. Wells' ISLAND OF DR. MOREAU and there you go.By this point John Carradine had been typed in mad doctor roles and he delivers a typical John Carradine mad doctor performance. Allison Hayes, a beautiful and interesting actress who never got the breaks she deserved, is an always welcome sight--and yes, it is fun to see Tor Johnson doing his slack-jawed routine again. But in a general sense THE UNEARTLY isn't so much a badly made film as it is an utterly uninteresting one. If you're among the hardcore fans of 1950s drive in fare you might enjoy it, but I'm not holding my breath on it.GFT, Amazon Reviewer

Before I begin my review, I would like to say a few words about Tor Johnson. Tor Johnson... ah, yes, Tor Johnson, the immovable slab of granite. His illustrious movie covering John Carradine, Ed Wood, and even Coleman Francis. Oh, his roles often resembled each other, all right, and he never really said much, but when he spoke, the audience listened. "Time for go to bed," he would say, and darn it if the characters in the movie didn't listen to him. And his speaking role-heavy movies such as the masterful "Plan 9 from Outer Space" proved him the versatile actor he really was. If he were to say "I'm a big boy now, Johnny," as he so spiritedly did in that movie, you believed him. However, though many would disagree, it could be said that Tor reached his performing peak in the movie "The Unearthly" as the unyielding lab assistant Lobo. His major lines, such as "I found him in he garden" and "time for go to bed" have retained permanently a place in the annals of great movie lines along with "Flag on the moon... how'd it get there?" from "Night Train to Mundo Fine." However, it is "time for go to bed" that especially stands out. Never has a single phrase conveyed so much emotion, so much feeling, so much hidden meaning. In all seriousness, the movie "The Unearthly" places itself firmly alongside such classics as "Manos: Hands of Fate" and "Hobgoblins" as being one of the worst movies ever, although it remains somewhat more bearable than most. The plot, revolving around the demented experiments of John Carradine's mad scientist character, is ludicrous, while much of the filming focuses on disfigured faces and the movie's leading ladies. Above all, this is an unpleasent movie, and wanting to turn it off is about as unavoidable as a gag reflex (watching it is about as fun, too). Have fun.