Absolutely the worst movie.

This story has more twists and turns than a second-rate soap opera.

While it doesn't offer any answers, it both thrills and makes you think.

By the time the dramatic fireworks start popping off, each one feels earned.

Less a depiction of the experience of taking acid than an example of the sort of film you might make if you are on acid throughout the writing, shooting and editing process. This really is a humourless montage of meaningless associations and trippy images that you would need to be deeply and thoroughly acculturated to appreciate.Staring at a flower or a centipede for an hour will be a closer simulation of an acid experience.

In the early '80's, Roger Corman gave a talk at the British Film Institute, where he was interviewed by 'Guardian' critic Derek Malcolm. He then fielded questions from the audience. One of these concerned his 1967 film 'The Trip'.Although the then-unknown Jack Nicholson was credited as writer, Corman pointed out that he himself had had input into the script, particularly with regards to the drug scenes. He had used L.S.D., as had Dennis Hopper ( one of the cast ), and their various experiences were incorporated into the film.Spotting the then-head of the British Board of Film Censors - the late James Ferman - in the audience, Malcolm asked him why the B.B.F.C. had twice refused 'The Trip' a certificate. Ferman said he felt the film was an incitement to drug use ( even though other movies featuring drugs were passed without any difficulty whatever ). In 2003 it was finally deemed fit for British audiences.'The Trip' begins with a portentous disclaimer warning the audience about the risks involved in taking L.S.D. Then we see a bride and groom standing on water. No, the trip has not yet started. It is for a television commercial. Paul Groves ( Peter Fonda ), the director, is going through an unhappy time with his divorce to Sally ( Susan Strasberg ) almost complete. He approaches drug dealer John ( a bearded Bruce Dern ) and asks him for L.S.D. as he wants to find out about himself.So Paul swallows the pill and the madness begins. Over the course of seventy-five minutes, he sees kaleidoscopic visions, is chased along a beach by masked figures on horseback, strolls naked through woods with some attractive ( equally naked ) women, is put on trial by Dennis Hopper, and generally has a pretty weird time of it.John initially acts as a minder, stopping Paul from jumping out of the window ( the house is high up on a hill ), but then Paul escapes, and sees the world as a entirely different place. In one excellent scene, he wanders along a street at night and the neon shop signs take on a particularly menacing quality. As he spends most of the movie in a drug-induced haze ( which is after all the point ) it is difficult to praise Fonda's acting. Susan Strasberg is woefully underused, while Salli Sachse is drop dead gorgeous as the drug dealer's girlfriend.James H.Nicholson and Samuel Z.Arkoff apparently intended this as an anti-drug film, but a section of the audience saw it differently, and smoked certain substances during screenings, as they later did with Kubrick's '2001'. Anyone expecting another 'Reefer Madness' will be disappointed though, it is not bad enough to be that.The film proved successful enough to spawn a sequel of sorts - 1968's 'Psych-Out', directed by Richard Rush, which also featured Susan Strasberg and Bruce Dern ( with Jack Nicholson as one of the cast ). I prefer the latter because, unlike 'The Trip', it has a plot.I agree with the commentator who said that the hallucinatory sequences lose their impact or so after a while and the film becomes tough to sit through. Cynthia Lennon, in her book 'A Twist Of Lennon, said that taking L.S.D. was the most frightening experience of her life. I have not used the stuff ( the nearest I got was Barratt's Sherbert Fountain! ) so cannot comment, but if 'The Trip' is to be believed, I do not think I ever will either.We are far from those times now, when people had abstract paintings on their walls, wore colourful clothes, and ended every sentence with 'man'. A modern audience might have difficulty trying to distinguish between the drug scenes and those set in the real world. Interesting then mainly as a curio.

The Trip (1935) *** out of **** Directed by Roger CormanWith Peter Fonda, Susan Strasberg, Bruce Dern, Dennis Hopper Fonda found lost when he and his wife get divorced, then, to scape from reality, he take a pill of LSD. What we're going to see is his entire trip. Psychodelic surrealism at it's best. Jump on that inconsistent Warning at the begin of the film, this is not a propaganda is pure homage to the drug itself. Written by a young Jack Nicholson. Music by the American Flag (Named here as "An American Music Band"). In psychedelic color!

To be honest, I thought I would grow quickly bored with this movie since I heard that all it was is a bunch of cool psychedelic effects and not much else. Well, I actually found it interesting. After an opening five minutes with some bad acting I rolled my eyes but the movie got better....and Peter Fonda's performance got better. Fonda plays Paul, a TV commercial director who goes on his first LSD trip. He thinks he might learn something from it and does. You start to lose track of what reality is just like Paul does. Dennis Hopper has some interesting scenes and Bruce Dern is good as well. Having never touched acid, I can't tell you how realistic the effects are but found them interesting to watch. In order to do research, director Roger Corman took LSD and had a pleasant experience. Bruce Dern however has never taken it so found his role as someone who was kind of an expert on the matter, a challenging acting job. However, Jack Nicolson wrote the script and I expect he did plenty of research...he-he. Surprisingly, a pretty cool movie, dude!