Monterey Pop
Monterey Pop
NR | 26 December 1968 (USA)
Monterey Pop Trailers

Featuring performances by popular artists of the 1960s, this concert film highlights the music of the 1967 California festival. Although not all musicians who performed at the Monterey Pop Festival are on film, some of the notable acts include the Mamas and the Papas, Simon & Garfunkel, Jefferson Airplane, the Who, Otis Redding, and the Jimi Hendrix Experience. Hendrix's post-performance antics -- lighting a guitar on fire, breaking it and tossing a part into the audience -- are captured.

Reviews
Laikals

The greatest movie ever made..!

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Tetrady

not as good as all the hype

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Livestonth

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

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Kayden

This is a dark and sometimes deeply uncomfortable drama

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Woodyanders

This terrific rock concert documentary radiates a delightful sense of joy, optimism, and totally infectious positive energy. Many of the top musical acts of the period are present and accounted for and for the most part are in peak form: Janis Joplin does a blistering performance of "Ball & Chain," Jimi Hendrix likewise kills it with his ferocious cover of "Wild Thing," Canned Heat seriously smoke, Otis Redding puts on a hell of an exciting show (Redding really knew how to work over a crowd), the Who do a raucous version of "My Generation," Simon & Garfunkel offer a peppy and pleasant "Feelin' Groovy," and Ravi Shankar tears it up on his sitar. Moreover, it's a treat to see the happy and attractive hippies in attendance having what appears to be a grand merry time. Done in a rough'n'ready style by D.A. Pennebaker, this baby overall hits the rousing rock'n'roll spot something sweet.

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SnoopyStyle

It's the legendary California music festival in June 1967. D. A. Pennebaker films the incredible iconic concert. There is great music. It is an important time capsule for popular music in general. Two of the most notorious performances are Jimi Hendrix burning his guitar and Joplin singing with Mama Cass watching in shock from the audience. One does learn a few things. I didn't think they had chairs but the metal chairs are all neatly lined up in their rows. This is more than a movie, a documentary, or a concert film. It is music history.

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ruklick55

With the extended tracks, this is NOT to be missed. FINALLY we get to see the great Quicksilver Messenger Service, Buffalo Springfield, the Entire Who performance, the Entire Hendrix performance, the Entire Otis Redding performance. This was the greatest 3 days of rock and roll and was the birth of the San Fracisco Sound. Love it or hate it. There is no in between. See magic and mysticism. Buy or rent this movie. In-friggen'-credible!Country Joe and the Fish get an extra song, many backstage and people footage, see Hendrix walking with Brian Jones. Everyone was on the Bear acid, purple gel-tabs and God himself was present. Even the sell-outs, The mamas and The Papas put on an impressive show. If You Go To San Francisco Be Sure To Wear Some Flowers In Your Hair was written for Scott McKenzie after Papa John Phillips witnessed the magic that was happening.Don't miss the extended version of the Monteray Pop festival. The weekend rock and roll reached puberty!

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butterfinger

Without rubbing our face in visual gimmicks like split-screens, Monterey Pop captures the sweaty, bodacious force of a live rock concert-the 1967 Monterey Pop Festival. Director D.A. Pennebaker does not try too hard to increase the performances' liveliness; why would you try to increase the liveliness of Jimi Hendrix, The Who, The Mammas and the Poppas, and Simon and Garfunkel? Instead, he films them with a wonderfully gritty photographic style, zooms in to so we can see their perspiring faces, and then lets them do the rest. As for 'defining a generation', the film doesn't do so in the kind of exhaustiveness of Michaek Wadleigh's Woodstock but it does give us a feeling of the life of a sixties radical. If there is one problem with the film, it is Pennebaker's idiotic choice of showing us the confusion as to how the massive audience will be able to be fed. This behind-the-scenes moment shows Pennebaker trying to do what Woodstock did. He shouldn't. He shouldn't let the music stop at all; what is so marvelous about this film is not its ability to capture the feel of a generation through interviews and behind-the-scenes footage, but, rather, through the looks in peoples eyes when the music starts.

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