Very very predictable, including the post credit scene !!!

Really Surprised!

Please don't spend money on this.

It's entirely possible that sending the audience out feeling lousy was intentional

At first glance this movie doesn't have much going for it. Like Michael Caine, Stewart Granger made some turkeys and the Italian cast is mostly unknown to Americans. But I tuned in to see if Sylva Koscina was as beautiful as she had been in the Hercules movies with Steve Reeves. She's certainly a beauty, but somewhat upstaged by the young and beautiful Christine Kaufman. Granger's lines are good and he delivers them well. There are several excellent sword fights, one in a barn with some very slick moves. The plot's a bit obtuse, but the bad guys are pretty bad so you know who's on which side. The ending is little bit of a let down as you were hoping for Stewart himself to run the beggars through, but it's OK. Christine kind of steals the rest of the show and does a fine job as a very idealistic young woman. So give this one a watch. I enjoyed it much more than I expected.

An English swordsman for hire is employed by a Spanish Governor ruling an insurgent Italian province. He becomes the bodyguard of the future duchess and is soon embroiled in court intrigue and the growing rebellion.This film marked the beginning of Stewart Grangers career expatriation to Europe after his estrangement with the powers that be in Hollywood. In this context, it's not a bad costumer and recalls shades of his former success with Scaramouche. In fact, the film has some surprisingly energetic action scenes - most notably - some well staged sword fights where Granger aptly shows his swordplay skills and a grueling horse race at the end of the film.The story and plot are standard fair for this type of movie but are handled well and given a lift by Grangers charming delivery. The pace is brisk, the widescreen photography is nice and the Italian cast comes off pretty well led by Sylva Koscino as the fiery duchess. In fact, the film succeeds on many levels emulating a good Hollywood costumer with one exception, the music. It's atrocious. The movie screams for the fiery score of a Korngold or a Max Steiner but is instead left with fluff. It doesn't kill the movie but it hurts.

This fairly standard Italian swashbuckler is considerably enlivened by two factors: the presence of Stewart Granger, one of movie's great swordsmen who actually was a good swordsman -- only Basil Rathbone was better. The swordplay in this movie is very real -- although the casual moviegoer might not understand the seemingly motionless pointwork, it is very well shot.The other high point of the movie is the horse race, the famous Pallio of Siena. Although the real Pallio is a bareback race, this version of it is shot very excitingly with some nice point of view shots and excellent stuntwork.Although I viewed an excellent print, it was dubbed, and therefore a bit hard to judge most of the performances. The costumes are excellent and the result is a surprisingly good Italian potboiler.

This one of the best of the genre. the swordplay is fantastic and the costumes excellent. the only fault i find is the dubbing. The plot is a bit thin but who cares. If you like swordplay the technical aspects of this film are hard to beat. The character that Granger plays is one that he seems to be at home with. The wit and banter between him and his co-star are funny and to the point. The film lacked only the final duel, between Granger and the villain. The end I felt was anti-climatic. However the beauty of Sylva Koscina more than makes up for the films shortcomings. In my opinion they could have come up with someone other than Christine Kaufman for the secondary female role.