Save your money for something good and enjoyable

recommended

An absolute waste of money

The film never slows down or bores, plunging from one harrowing sequence to the next.

The picture opens with the historically infamous attack on Lawrence, Kansas by Quantrill's Raiders in 1863, and the shadow of that event hangs over the character of Lieutenant Jeff Travis (Randolph Scott) for the remainder of the story. Travis was a Confederate spy who supplied Quantrill with information but became disillusioned with the wanton destruction and murder of innocent men and boys during the Lawrence massacre, finishing out the Civil war as a regular soldier.Another holdover from the Quantrill band attempts to take advantage of Travis's talents upon relocation to Prescott, Arizona, becoming more lawless since the capital of the territory is being moved to Phoenix. Jules Mourret (George Macready), who helped save Travis's hide in an earlier incident aboard a riverboat, figures he would be perfect as a plant in the employ of the Conroy Stage Line. The company transports gold bullion, and inside information would make for more effective strikes against the company.If not for the presence of screen villains like Lee Marvin, Ernest Borgnine and Alfonso Bedoya, the story barely generates enough interest to sustain itself, as evidenced by a fair amount of other reviewers on this board. What might have been an interesting dynamic between Claire Trevor and Joan Weldon as the women angling for Travis's attention also fails to go anywhere. True, Travis chooses Josie (Trevor) by film's end, but in the telling, muddled by ineffective gunplay between the rival Degas (Bedoya) and Mourret gangs, one is tempted to take Randoplh Scott's advice midway thought the picture - "I need a drink. Maybe five or six".

I sometimes like to watch films that just don't work because it shows you why other films work so well. Ninety percent of a good film is due to casting. "The Stranger Wore a Gun" is badly miscast. Scott was a straight-forward actor and here he is asked to deal with complications that are beyond his range. Macready was a great villain but not a western villain. He was too silky in voice and manner. He was a gentleman villain whose evil was best expressed over a Chateaubriand and a fine red - not a whiskey. Alfonso Bedoya could act but here he is given the role of a stereotypical buffoon. In "The Treasure of Sierra Madre" he was a deadly dangerous buffoon but not a clown as in this film. The script is so poor that even fine actors like Earnest Borgnine and Lee Marvin are uninteresting. If they can't lend color to a script, then you know it is a stinker. The story is an odd one. This is not always death to a film but in this case it seems that no one really knew the point of telling the story. Was it supposed to be entertaining? Did it have some moral or human truths to tell? If so, they were lost on me.It seems incredible that the experienced cast and crew made such a film but it is indicative of the fact that films, no matter who makes them, have elements that are beyond the control of their makers. No wonder directors are often so worried about how their test audience will respond to their film. And if you go for art, you run the risk of making junk. If you go for a B grader, you at least get a watchable Saturday afternoon potboiler. I think "The Stranger" went for something more than a matinée western that was the stock in trade of Randolph Scott and finished up with something that was neither fish nor fowl.

"The Stranger Wore A Gun" qualifies as a standard issue Randolph Scott horse opera from the 1950s, not as overall satisfying as the westerns that he starred in for director Budd Boetticher, but entertaining enough to watch if you consider yourself a completist Scott fan. Indeed, this sprawling outdoors action epic presents Scott in one of his least sympathetic roles, and the violence here at times turns unsavory courtesy of original "House of Wax" helmer Andre De Toth whose films often explore the dark side. Like Boetticher, De Toth worked with Scott on five films, so the two must have gotten along pretty well. Veteran scenarist Kenneth Gamet of several Randolph Scott westerns, including "Coroner Creek" and "Ten Wanted Men," based his screenplay on the story "Yankee Gold" written by "High Noon" author John W. Cunningham. Despite the fact that Scott, Gamet, and De Toth worked together on several films, "The Stranger Wore A Gun" still ranks as one of their less luminous efforts. Although De Toth shows his usual flair for physical action—riding, shooting, and fist-fighting, Gamet's script comes up lame because he gives the good guy characters—the father & daughter who run a stagecoach/freighting outfit—the short shrift. In fact, none of the characters are at all interesting, compared to the endlessly interesting characters in the Boetticher films.The action opens during the American Civil War with the renegade Confederate guerrilla leader, General William Clarke Quantrill (James Millican of "High Noon") and his raiders, as they loot and burn Lawrence, Kansas, in one of the worst atrocities of the war. Quantrill's chief spy, Jeff Travis (Randolph Scott of "Ride the High Country"), has gathered a herd of horses and prepared a list of names and addresses for men that Quantrill wants to see. When Travis learns that Quantrill wants his second-in-command, Jules Mourett (George Macready of "Gilda"), to kill everybody named on the list, our hero decides to quit Quantrill and fight the rest of the war in a regular outfit. Nevertheless, the murderous Lawrence raid attaches an odium to our protagonist that he never entirely manages to sweep under the rug. In the second scene, on board a Louisiana paddle wheel, Travis has to defend himself from people who want to kill anybody that rode with Quantrill. What Travis doesn't immediately know is that Mourett was on board when people made death threats against our hero, and Mourett furnishes a distraction that allows Travis an opportunity to escape. Travis guns down two men and plunges over the side. Travis' gambling companion, Josie Sullivan (Oscar winning actress Claire Trevor of "Key Largo") has kept the flame burning for our hero in her heart since the Civil War. She advises him to jump over the side, swim to the riverbank, and ride out to the Arizona territory where she will meet him. Realizing that he has no alternative, Travis heads west to Prescott, Arizona, the same day that the U.S. Army is moving the territorial capital out of town. As the villain, Jules Mourett is a well-tailored fellow who plans to become a millionaire before he leaves Prescott. He explains to Travis that thousands of thousands in gold flow through the mines to the capitol and the only thing that stands between him and his fortune is the Conroy Stage and Freight Lines run by Jason Conroy (Pierre Watkin of "Mysterious Island") and his beautiful daughter Shelby (Joan Weldon of "Them!") along with an obnoxious Mexican bandit Degas (Alfonso Bedayo of "Treasure of the Sierra Madre") and his gang that constantly interfere in Mourett's best laid plans. Bedayo is the actor who uttered the immortal line: "We don't need any stinking badges" from the Bogart movie. Consequently, when Travis shows up in Prescott, Mourett wants him to spy on the Conroys and learn when they are going to ship the gold. Conroy has thwarted Mourett's men, Dan (Lee Marvin of "The Big Heat") and Bull (Ernst Borgnine of "The Dirty Dozen"), by not telling the coachman where the gold is and substituting rocks for the gold in the strongbox. In one scene, the outlaws take the strongbox filled with rocks, while the gold coins were kept in a cloth satchel. Consequently, Travis masquerades as a detective from the Collier Detective Agency and convinces the Conroys to trust him with information about all the gold shipments. At one point, the Conroys change their minds about loading the gold, and Dan and Bull beat a coachman to death when he refuses to divulge the whereabouts of the gold. The biggest problem with "The Stranger Wore A Gun" is that the villain allows the hero to string him along for far too long. Further, the henchmen are just plain stupid. They can stop a stagecoach in the middle of the desert and ride off with the strongbox and neither has enough sense to check the contents of the box at the scene of the robbery. Meanwhile, the Conroys are so gullible that they accept Travis' explanation for why he is so late helping them with their problem. Moreover, neither Conroy thinks to verify Travis' identity with the Collier home office in Chicago. Eventually, the hero learns that the authorities do not have a bounty on his head, only that Josie made up the story so that she could exercise some control over him. The ending when Travis chooses which girl he will wind up with is one of the biggest surprises in the movie.The cast is top-notch, but villainous George Macready doesn't sneer enough to be truly menacing. Director Andre De Toth maintains a brisk pace throughout the film's terse 82- minute running time. Most of the dialogue is expository, except for when Travis swaps threats and ultimatums with the Lee Marvin bad guy. "The Stranger Wore A Gun" is about as generic a western as it title implies, but a sturdy cast and the lively action sequence bolster this otherwise routine oater.

An enjoyable western, with a fair storyline. I especially liked the hot "fire scene". The confrontation between Randolph Scott and Ernest Borgnine was also fun - with Mr. Borgnine throwing junk at the camera! Borgnine and Lee Marvin are both fun to watch, in these early career roles. Claire Trevor is getting older, will Mr. Scott still choose her; or, will the sweet young thing give him a spin?"The Stranger Wore a Gun" was originally shot, by director André De Toth, in "3D"; this gives it a unique "look", I thought; and, some of the photography is very nice. I found the story difficult to follow, though. I really dig that statue in front of Juniper House. ***** The Stranger Wore a Gun (1953) André De Toth ~ Randolph Scott, Claire Trevor, Ernest Borgnine