very weak, unfortunately

A very feeble attempt at affirmatie action

It’s sentimental, ridiculously long and only occasionally funny

This film is so real. It treats its characters with so much care and sensitivity.

This movie is tragic and heart-wrenching, if you let it be.

My wife and I watch a lot of Korean movies ( her being Korean and all) and I really enjoy the romantic comedies. I don't enjoy the period movies or shows unless there is a lot of sword play and material arts in it BUT! Even I enjoyed this movie. The Characters/Actors were perfect and it was an amazing story. Give this movie a try, though it's not a romantic comedy it is a great movie.

This is quite a strange one for me. I have watched Korean period dramas in the past, and while I can appreciate the production qualities, they do not quite hit the spot for me. That said, I ended up in the cinema watching this one. And it was a little different from what I was expecting.Making an ass of myself with my assumptions, I anticipated quite a slow piece, living up to costume dramas the world over. But this is a drama about costumes with a great deal of comedy thrown in for good measure, never getting too heavy, but with enough seriousness to steer it away from an all-out, knockabout comedy. Dol-seok is the royal tailor: he is tasked with making all the formal clothes for the King, a man who seems less than content in his life and his sex-less marriage to his young Queen. Outside of the royal court, a young tailor is making a name for himself among the woman-folk, and soon he is brought to the King. Successful in his endeavours, Kong- jin finds himself under Dol-seok's tutelage, but soon his more masterful skills become both a blessing and a curse, bringing scandal in his designing for the Queen and jealousy from Dol-seok, costing him dear. Director Wonsuk Lee starts off fairly light with this film, using comedy in his catwalk-style montages of Kong-jin's 'daring' new designs being sported about town. The film then becomes a character piece, charting Kong-jin's relationships: in passion with Dol-seok; and unspoken romance with the Queen. All is well and good in the lives of the three leads, with the tailors happily learning from each other, while Kong-jin builds the virgin Queen's confidence. However, as the King becomes more involved, the film moves to a darker tone, with loyalties tested, and inevitably the new, young tailor being put in his place, feeling the wrath of his superiors. An incredibly high percentage of the budget for this film was spent on the costumes – the majority, even. For a period drama, it is perhaps not unusual for this to be the case, though this stands out in 'Royal Tailor', with countless numbers of costumes throughout. But, is this at the expense of other areas? Thankfully not. The acting between the leads is strong, necessary for a story built on relationships, and the look and style of the film are in keeping with the wardrobe budget. Perhaps the links to the true story on the film's conclusion feel a little unnecessary and detract a little, but for something that's not my usual style, this is a well-cut piece.politic1983.blogspot.co.uk

Cho Dol-Seok (Han Seok-kyo) has been the royal tailor for three Kings, including the current King (Yoo Yeon-seok) and Queen (Park Shin- hye). He's maintained his position by keeping to traditional, dignified clothing styles, ones that emphasize position and gravitas. The royal court is not without intrigue, however, and soon the Queen has a rival, young Concubine Soo-Yi (Lee Yoo-bi). The Queen meets a young tailor, Lee Gong-jin (Ko Soo), who unlike Cho is a true artist in terms of his creations, and it's not long before the divided loyalties in the court are made manifest through which tailor makes one's clothes....This is an absolutely beautiful-looking film, as befits a movie where the clothes are paramount in telling the story. It's also very well-acted, particularly by the two actors playing the tailors, who depict their deep friendship while at the same time having completely different temperaments and spirits. There's some humour in the piece, but it's generally quite somber and tragic - as is frequently fitting for a period drama like this one. Gorgeous to look at, but it might just break your heart.