The Magic Cloak of Oz
The Magic Cloak of Oz
| 28 September 1914 (USA)
The Magic Cloak of Oz Trailers

The fairies of Oz gather in the forest of Burzee one evening and weave a magic cloak that gives the wearer one wish, so long as it has not been stolen.

Reviews
Brainsbell

The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.

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Kien Navarro

Exactly the movie you think it is, but not the movie you want it to be.

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Paynbob

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

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Billy Ollie

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

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Horst in Translation (filmreviews@web.de)

"The Magic Cloak" is a 38-minute short film from 1914, so it had its 100th anniversary 2 years ago. Of course, this means it is a black-and-white silent film. The director is J. Farrell MacDonald, an extremely prolific actor as well who appeared for example in "Sunrise". The writer is L. Frank Baum, the man who wrote "The Wizard of Oz" too. However, he did not witness the success of the 1939 film anymore, but by 1914 and for this film here he was still very much alive (died five years later) and wrote also the screenplay. This fairly long short movie is possibly the most known work of lead actress Mildred Harris. It is a fantasy film and this shows also in terms of the sets and especially costumes used in here. On some occasions, I must say, it felt a bit awkward and weird to watch these people in very obvious animal costumes, but then I remember this is from over a century ago and it makes sense again. The success of the 1939 film I mentioned earlier shows how much Baum's films need color to really make an impact and sadly, but not surprisingly "The Magic Cloak" still does not have any yet. It would have elevated the material considerably I am sure. You cannot really blame any of the director, writer or cast for this not turning out a quality, but you can say that film in 1914 may not have been ready for this project. And it also has a problem that many silent films suffer from: not enough intertitles. I give it a thumbs-down. Not recommended.

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Michael_Elliott

Magic Cloak of Oz, The (1914) *** (out of 4) The fairies of Oz create a magic cloak, which will give one wish to the person who wears it. Once again the production design is very good here with wonderful and magical sets. The story is quite touching and I'm sure kids would love this version just as much as adults. The highlight of the film is the scene where a horse (played by a human in an outfit) is scratching his butt up against a tree and tries to teach a monkey how to do it.Wizard of Oz, The (1910) *** (out of 4) Nice if strange version of the classic tale. The production values here are actually pretty nice and it's a rather strange trip seeing humans in outfits playing the various animals including the lion.Wizard of Oz, The (1933) *** (out of 4) Pretty good Technicolor cartoon based on the book. The animation is rather nice and the scarecrow and tin man are pretty funny here as well. This was the first version to show Kansas in B&W and then Oz in color.

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Snow Leopard

This adaptation of L. Frank Baum's "The Magic Cloak of Oz" is an enjoyable fantasy feature that is also quite resourceful for its era. The settings and costumes are often lavish, and most of the special visual effects work well. The story is complex and lively, making for good entertainment.A number of sources indicate that Baum himself directed this feature, replacing J. Farrell MacDonald after the first of the three Oz features in this 1914 series. Whether or not Baum actually did the direction, he certainly had a clear image of what he wanted the Oz world to look like, and you can clearly see his influence in the way that the characters and the Oz locations are brought to life.The story, like all of the Oz stories, is a fun one that takes numerous exaggerated, imaginative characters and weaves them into the same narrative. As the main plot device, the magic cloak is the focus of the characters, and the story wisely makes restrained use of its actual powers so as to keep the focus on the characters themselves.The cast includes several performers who also appeared in one or both of the other features in the series. Mildred Harris and Violet MacMillan, as Fluff and Bud, make sympathetic main characters. As Nikodemus, Fred Woodward gets the chance to show his skill with animal costumes, and several other good costume animals also appear. Juanita Hansen as Queen Zixi, the silly-looking Rolly Rogues, and the rest of the characters all get some moments of their own.The movie features plenty of imaginative details, and the settings work well in bringing you into Baum's fantasy world. Although this is not quite a full-length feature, it's quite a bit longer than the average film was in 1914, and much of the production is creative and innovative for its time. It's an enjoyable movie that still holds up rather well for those who enjoy silent movies.

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Ion Martea

Writing for children is arguably the hardest job for anyone. It involves so much speculation regarding the child's psyche, that the author, despite a richness of childhood experience, feels helpless at the task; that is if he/she intends to write good children literature. L. Frank Baum never seemed to have this handicap.'The Magic Cloak of Oz', lost in its complete version, lacks the power of a great piece of work, and yet it is somewhat touching. The sets and the costumes are rich and beautiful; the cinematography is pleasant (Mildred Harris' mirrors scene deserves commending). On the acting front, Fred Woodward's physical performance is rather successful, and Juanita Hansen provides reasonable attempts not to overact.The film is definitely dated, and it seems hard to imagine that the children of our times can really appreciate it. J. Farrell MacDonald, or Baum himself (according to some records), has provided a feeling of playfulness and sheer childhood joy in the story however. One has to imagine how great would it be for a kid to have the entire national budget spent on toys! Maybe, the film has the magic of the irresponsible days, a feature we learn to loose in time.

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