Memorable, crazy movie

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

This film has celebrated its 30th anniversary on this 2006 New Year Eve, and there was a special programme about the creation of the film, actors etc. Apparently, the whole country (then USSR) watched it when it was first shown in 1976, and they wanted to see if the rating would be the same 30 years later. I have to say, I have been watching this film religiously since early teens every New Year and when I moved to live in the UK, the video recording of "Ironiya" was one of the essential items I brought with me. It's one of those films that I can watch over and over again, instant mood lifter, and I just can't imagine my New Year day / eve without it, and a bottle of "Soviet" champagne, and Russian salad, and the proverbial Jellied fish that Ippolit referred to as "muck" (I think the closest translation I can think of). On my way back from Moscow to London in Janaury, I tried to purchase a DVD copy in the airport but was told by the assistant that they are permanently sold out!!!

This movie is another great foreign film that would have escaped my attention except that a Russian friend had recommended it. It is a cult film in 1975 Soviet Russia centered around their big holiday, New Years Day. The acting is unusually good and the story plot is very believable. The movie is listed as a comedy and that gives away that the outcome is a happy one. How they get there is what makes this a great story. If you don't mind subtitles and listing to a foreign language this is a great movie. There is very limited violence which actually adds to the dilemma of the characters. There is no nudity or obscene language. I recommend this to anyone looking for a light comedy. Vincew9298@hotmail.com

Let me sort out what in this film is Soviet, what is Russian, and what is universal.Soviet is the background, including the cartoon which precedes the appearance of humans: a man with a tube kills any architect originality, even so innocent as balconies. As a consequence, the same buildings are put up in Artica as well in a southern desert before surprised camels. The Soviet reality is the basis of the plot with identical buildings in different cities. Also the New Year tree rather that the Christmas tree is Soviet. However, as the story unfolds, the Soviet reality recedes into little visible background. An exception is a line in one of the songs: if you do not have a dog, your neighbor cannot poison your dog.Russian are the beautiful poems which are made into songs. There are also some views of Leningrad, but actually only a few, with the St. Isaac Basilica shown several times from different sides.The cast and the technical crew are largely Russian, but not only. Obviously Armenian, Georgian and Jewish names are listed. The actress playing Nadya has been imported from Central Europe; Barbara Brylska is a Polish actress, well known also from a number of other movies made in Poland as well as in other countries. The appeal of the film is truly universal ! This is the reason why viewers from countries so disparate as Latvia, Ukraine and China like this film so much (not to mention Texans). The love-jealousy quadrangle, two mothers, friends of Zhenya and colleagues of Nadya could have lived in many countries around the world. Even the story of the same address could have happened for instance in Germany where practically every city and town has Bahnhofstrasse and Poststrasse. Finally, the atmosphere of this film is unique - a word which very rarely can be used discussing films. We have seen other films directed by Eldar Ryazanov, all of them good, but none comparable to this one. All that takes place in the film is plausible, it could have happened in reality. At the same time, there is the feeling of poetic, unreal and sublime. These two basically opposed reactions to the film coexist somehow in the viewer; this simply does not happen in movies, films directed by Krzysztof Kieslowski excepted. Irony of the Fate is a truly wonderful film, alive 30 years after being created; it will enchant future generations as well.

It's strange that I haven't found any comments from Russia or ex-USSR countries. This movie is one of the best Ryazanov's works, although all his films are great and loved very much in Russia. This one has became a traditional part of TV program on the New Year's Eve. Every year on the 31st of December it's on this or that channel. The people would watch it over and over with pleasure and unceasing affection. A lot of phrases and scenes are learned by heart, some of them became aphorisms.The basis of the plot is rather funny. One guy gets drunk together with his friends and by mistake takes his friend's flight to Leningrad. It turns out then, that in Leningrad there exists the same address as his in Moscow. Moreover, the tenements are identical and even the key fits to the apartment door. Here starts the real fun, then the drama emerges out of the comedy, gradually growing and replacing the fun. Perhaps, it's the perfect and fine balance between comedy and drama, and the accurate development and transformation of one genre into the other which wouldn't make one bored with this movie and would make him wish to watch it again and again.I would recommend to non-russian spectators other Ryazanov's movies as well and also those of Gaidai made in 60's and 70's.