To me, this movie is perfection.

Slow pace in the most part of the movie.

Memorable, crazy movie

From my favorite movies..

Curtis Hanson's "The Hand that Rocks the Cradle" comes out of the starting gate with guns blazing. It is an interesting film with the theme of not everything is as it seems or never judge a book by its cover. Peyton, seemingly looking like a nice lady, is devious, dangerous, and downright frightening and Solomon, though slow due to learning disabilities, is immediately judged as a threat on not one but TWO occasions when he only has the best of intentions for the family. If anything, its much more than a thriller, its an examination on how we all should revisit our opinions of people well past first impressions. "Not everyone who smiles in your face is your friend".I found this story to be very compelling. My favorite aspect was the psychological mind games instigated by the character of Mrs. Mott. We see that evil systematically erodes trust of others before it pursues the outright disstruction of its prey. I love the heroic actions of Clare, and the other individuals in the family are very endearing. The acting in this film is superb. Rebecca De Mornay is chilling as the psychotic caregiver. She brings a malevolence yet oddly empathetic portrayal to a role that could have easily degenerated into campy material. The woman portraying Clare is excellent, and the little girl who plays the young daughter is great. I also love the man who portrays Solomon, a mentally challenged yet wise gardener and fix-it man. This movie is one that should be watched for entertainment and for a stunning portrait of the universal struggle of good and evil.Overall rating: 9 out of 10.

Michael (Matt McCoy) and Claire Bartel (Annabella Sciorra) take on mentally handicapped Solomon (Ernie Hudson) to build the fence. They have a girl and she's pregnant with their second. She is molested by her new doctor Victor Mott (John de Lancie). She reports him along with other women and he shoots himself before the trial. Mott's pregnant wife (Rebecca De Mornay) loses her family wealth and her baby. Mrs. Mott vows revenge on Claire and becomes her nanny as Peyton Flanders. Claire's friend Marlene (Julianne Moore) warns her as Mrs. Mott wage a secret campaign against Claire.This is probably more scary for parents and especially mothers. This is simply geared more towards that demographic. For others, it needs something more than this straight forward thriller. I think it would be more compelling to start the movie with De Mornay as a mysterious woman. Claire can uncover her history along with the audience. De Mornay is pretty good with a restrained intensity and volcanic outbursts. This is a bit too slow but there is just enough tension.

There are some movies which are essentially 'made' by one star. The Hand That Rocks The Cradle is a prime casing point; Rebecca De Mornay, as the 'nanny from hell' "Peyton Flanders", is chilling, seductive, and simply stunning, as she manipulates her way through the Bartel household, as well as us, the audience.I think the the film is great for testing our allegiance to the family themselves; even though we constantly feel anxious for their safety, and are aligned as to the tragedies that befall them, for which we can only sit back and look on in horror, there's also an underlying morbid desire to see "Peyton" win, which is exemplified by De Mornay's bewitchingly sultry performance, and her unwavering determination to get revenge.As for the rest of the essentially B-list cast, there's winning performances all round, with special mention to Ernie Hudson as the family's intellectually disabled handyman, who displays great warmth and emotional depth to his role, and to the Bartel family (Annabella Sciorra, Matt McCoy, Madeline Zima) themselves; each actor delivering a compellingly real profoundness to their individual roles, which goes a long way in making them much more compassionate, and increasing our allegiance with them. Indeed, it's that allegiance to the family which helps in papering over any predictability or cheesiness in the film, as despite our initial morbid desire to see "Peyton" win, it's that sympathetic but not overtly sentimental view of the Bartels which means, in this movie at least, that the audience also naturally want the typical happy ending that we've come to expect from Hollywood.It's Hollywood's loss that they've never fully tapped into De Mornay's clear talent and charisma though! One hopes that her career will be revived in the future. She sure does make an impact here, and her performance etches itself into the memory.Going along at a good steady pace, which builds to an exciting climax, director Cliff Hanson (The River Edge, L.A Confidential, 8 Mile) has crafted yet another witty, thrilling, and inspired piece, which re-invents the whole 'never let strangers into your house' premise with real bite, so if it's a tense, unnerving, but very fun late-night thriller you're looking for, look no further!

I've only seen this movie once, and I remember just how good it was, one trademark scene, having Julianne Moore buy it in that glasshouse, where for some, you could be turned off for walking into one, ever again. The Hand That Rocks The Cradle (a great title) is another Fatal Attraction, Single White Female, etc, kind of film/thriller, but what's so good here, is the believable revenge scenario, that really follows through, with good planning in it's catalyst, and acting talent, De Mornay, our new revenge driven femme fatale, proves she can play bad, good. We can't help feel a bit sorry for her, in light of her very damaging tragedy, brought on by her lover's suicide. It was something, that came back to bite this late gynocologist, whatever, with his unlawful advances towards patient (Sciorra) who's character just happens to be asthmatic, but hey, it can happen top the best of us. Wait till you see who her gynocologist is (another familiar face, from another popular daytime soapie, who's always used in small roles. She was gonna report him to the police, so he took the easy way out. Now we have a new psycho nanny, under a smiling, loving facade of normalcy, that bellies a hate driven woman, determined to see Sciorra suffer, by taking what she has, because of what she herself, has been robbed of, which includes Sciorra's husband (Matt Mccoy, a very underrated actor). It was a surprise top see hi turn up in this. This whole retrieving angle, all makes sense, when you see it from our "flip a switch" character, Mornay, where we know, what her ultimate intention is, all too clearly. De Mornay, really has a a screw loose alright, and her character is fun to watch. She even gets physical with a little boy who's bullying Sciorra's little girl, and that dire and clear as crystal threat she gives to that retarded green keeper of Sciorra's (versatile Ernie Hudson) is dialogue I'll never forget. This is a solid driven thriller all the way. The movie sets out what it intends to do, it's intentions never clearer, though we really wonder what's playing around in the diabolical mind of De Mornay. But she's set a new score with her unforgettable and scary performance in a thriller, you must see at least once once. I would of seen this again, but this particular movie was actually copy protected. Them's the brakes.