Wow! Such a good movie.

In truth, there is barely enough story here to make a film.

While it doesn't offer any answers, it both thrills and makes you think.

The film never slows down or bores, plunging from one harrowing sequence to the next.

"The Gang That Couldn't Shoot Straight" has all but been forgotten more than 40 years after it was made. Seeing it, it's easy to figure out why. In its defense, the movie gives an interesting look at a New York City that was seedy before it was cleaned up. It's also interesting to see a young Jerry Orbach, and the movie has the occasional mild chuckle. But for the most part, the movie simply doesn't work, and the problems come with the script. For some reason, the movie does not go into depth with ANY of its characters, and they all end up being pretty interchangeable with each other. Also, there really isn't much of a story here - instead, it's one seemingly unrelated vignette after another. The movie is never aggressively bad, but it still ends up being a big disappointment.

The Gang That Couldn't Shoot Straight (1971) ** (out of 4)Weak adaptation of the Jimmy Breslin novel (adapted by Waldo Salt) about a Mafia family (led by Jerry Orbach) who try to take out a rival crime boss but every time they get close to killing him something goes wrong. I haven't read the novel that this film is based on but I've heard it's actually quite funny. With that said, clearly something didn't come over from the page to the screen and I think a lot of the blame has to go to director James Goldstone. The entire movie has such a serious tone that you're often having to remind yourself that you're watching a comedy because the film just needs to loosen up and let the cast do their job. For the life of me I couldn't understand why the comic moments weren't handled better and there are several scenes that should have been so much funnier. One example is when a couple guys are chasing a man they want to kill but they get to some dirty water and they don't want to mess up their expensive shoes. Flat. Another sequence happens when we learn that Mafia leaders send their wives out to start the car each morning just in case there's a bomb. Flat. The strange thing is that a love story breaks out between Orbach's daughter (Leigh Taylor- Young) and a guy named Mario (Robert DeNiro). This love story is actually the best thing about the film and I wondered if perhaps the two actors were so good that they just kept building up more scenes around them. Considering how far DeNiro's name is in the credits and the fact that he's got perhaps the biggest role tells you something. Both of them are quite good together and it's fun seeing a young DeNiro looking exactly like he did a few years later in MEAN STREETS only here he's nice. Orbach is good in his role as is Jo Van Fleet, Burt Young and Herve Villechaize who would appear in THE MAN WITH THE GOLDEN GUN in a couple years. THE GANG THAT COULDN'T SHOOT STRAIGHT is certainly a complete misfire in terms of a comedy but fans of DeNiro might want to check it out. It's also worth noting that his role was originally going to be played by Al Pacino but he had to back-out once Paramount agreed to let him have the part of Michael in THE GODFATHER.

This movie is a complete misfire, and a very talented cast (Jerry Orbacj, Lionel Stadler, George Loros, Joe Santos) is wasted thanks to a bad script and very sloppy direction. Comedy sequences fall flat; some scenes are so incomplete you can only guess they failed to get some shots; Herve Villacheve's dubbing is almost painful to watch.The only reason to see this today would be if you are studying Robert DeNiro's acting career and want to see him in some early roles. He's actually quite good as an Italian biker come to New York who gets involved in a gang war. But he's not enough to save the movie, at least not for me.

Jerry Orbach does his best to act like an Italian-American from the streets, let alone, an Italian-American. At times, he is funny but not hilarious. The plot is made to be funny but fails along the way. The audience not only loses interest in laughing, but the characters as well. By the end of the movie, you hardly care who lives or dies and whether or not the movie ends. The title alone makes it hard for anyone to take this movie serious let alone enjoyable. For 1971, an unknown Robert De Niro is the highlight of the movie. The relationship between him and actress Leigh Taylor-Young becomes more of the story than the comical situation of trying to "bump off" the head of the local mob. Robert De Niro addition to the story is the only thing that keeps the movie watchable. Even for a spoof, this off beat, chuckles of a comedy lacks interest and any passion outside the side story of Young and De Niro.