Tied for the best movie I have ever seen

Don't listen to the negative reviews

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

While i don't think this review is a "spoiler", I do warn that if you read my comments before you see the movie, you may see the movie differently.I do not view this as a horror movie, but one exploring the soul searching of a young man with a hidden past. He is struggling with two versions of this memory, one idealized and one the ugly truth, which he denies. He eventually finds peace after visiting his home town again, a place he dares not visit for 30 years. To me (and you need not agree), the movie is full of metaphors (like the changing pay he was promised to take the trip is moral value more than monetary; the flat tires and near accident are excuses to continue the trip).

by turns blandly realistic, just strange, atmospheric/Gothic and dramatically expressionistic it winds up with this really deep universal theme kinda thing... I was awestruck.Maybe I'm just a little hypersensitive at this moment in time, but don't think so.A wee powerhouse of a movie!Oh brother I have to say more to submit this review. OK, it uses this weird editing technique that we've seen in Asian horror films in a new way, OK?The performances were de-lovely, is that enough!?

Tagline: Herman Yau goes cheap and efficient… Review by Neo: The First 7th Night is exactly the type of movie which you can be safe to call it cheap and efficient. In other words, it is something that works without lighting a fire or two. Director Herman Yau is one of the last remaining HK Horror/Thriller/Cat 3 genre directors who still attempts to deliver the HK favour. This film is by no means great, but with some above average acting, an adequate premise and Yau's ability to maintain suspense throughout the flick, the film somehow works and that can only be a good thing.The movie goes like this: Gordon Lam plays a taxi driver who is at loggerhead with his life and when a mysterious truck driver (Julian Cheung) offers him a thousand dollars for taking him to an abandoned village. Lam promptly agrees and then the closer they get to the village the more about his past is revealed.Not a bad premise at all, considering that the opening sequence of events seemed like a horror/thriller, the film turned for the better and churned into the thriller and suspense genre. Why this film worked is the fact that Yau is able to use the "shows not tell" principle well enough to maintain a level of suspense for the audience to follow. The point is that it is rare for a thriller nowadays to have the ability to keep someone guessing and in the process capturing their attention, even if it is not the most interesting of flicks.It must be noted that Michelle Ye plays her best and most juicy movie role yet. It is a shame that Michelle Ye have never gotten the opportunity to display her potential, with roles after roles as someone either screaming or getting struck in crappy written roles within B-grade movies. Finally, Michelle Ye is given something to work with and the way and manner she oozes on screen is just a pleasant to watch. The most memorable scene is probably the seducing in the kitchen as well as the final few sequences (not to disclose any spoilers). This is most likely her most captivating display, since her TVB days. Gordon Lam handles the leading man baton quite well and there are moments in his performance that allows the movie and his character to connect to the audience. As usual, Julian Cheung is a real talent and I have always endorsed this and here he is efficient without standing out, but in retrospective, his performance is crucial as to why the film worked out effectively. Other supporting turns (including Eddie Cheung, Fung Hak On and Tony Ho) are all able to add something to the film rather than ruin it.All in all, it is probably not an understatement to claim that The First 7th Night is a mini success. Given the fact that almost nobody noticed its cinematic journey to DVD, there is no doubt that expectations are minor and even minimal. Still, the dependable Herman Yau is able to step up his mark with some good film-making as well as depicting some fine acting turns. It can only be good news for HK Cinema, when a film works, especially in a rather tough and slow year for the tiny territory. While this film qualifies as a minor cheer, it is still something worth cheering about … (Neo 2009) I rate it 7/10www.thehkneo.com