Undescribable Perfection

Great Film overall

Story: It's very simple but honestly that is fine.

Although I seem to have had higher expectations than I thought, the movie is super entertaining.

The File on Thelma Jordon is directed by Robert Siodmak and written by Ketti Frings and Marty Holland. It stars Barbara Stanwyck, Wendell Corey, Paul Kelly, Joan Tetzel, Stanley Ridges and Richard Rober. Music is by Victor Young and cinematography by George Barnes.Assistant district attorney Cleve Marshall (Corey) falls for Thelma Jordon (Stanwyck) after she seeks help solving a problem with prowlers and burglars. But is there more to Thelma than meets the eye?Probably due to availability issues in home viewing formats, this appears to be one of film noir legends Siodmak and Stanwyck's under seen pictures. Which is a shame, for although it is often tagged as something of a lesser value Double Indemnity, it's a noir that noir lovers can get great rewards from.As we are in noirville the plot isn't at all surprising. Stanwyck fronts up for what we expect is femme fatale duty, Corey looks to be on course for being a hapless loser dude, Kelly is up for some tough copper portrayal, while Rober stalks the edges of the frame as bad news bloke. A despicable crime is at the core of the story, and characterisations are straight out of the dark alleyway (Thelma has murky secrets and ideals, Wendell is unhappily married with a drink problem). Running at 100 minutes in length, the pic does feel a touch too long, especially given that the first thirty minutes is focused on building the principal players, where they are at in their life and the build up of their relationship. This asks for faith in staying with the piece, in hope it rewards for the following hour plus. Thankfully it does.As the crime arrives, we are treated to noir nirvana as per style of film making. It's the middle of the night in a house menaced by shadows as the wind bashes an open window shutter. For a good twenty minutes, prior to - during - and post the crime, the house is a scary monstrous place, perfect for a dark deed to be enacted. The great Siodmak (The Killers, The Spiral Staircase, Criss Cross) is in his element on this, where aided by the superb photographic skills of Barnes (Rebecca, Force of Evil), the staging of scenes and the visuals enhance the moody machinations of the plot. As does Young's dramatic musical score. So with acting performances comfortably on par for the good, the tech credits are high.Irks come with that drawn out first third of film, and the ending poses some question marks as well. Personally I would have liked it to have finished five minutes earlier, but as it stands there's a sort of double whammy with the finale. Some will find it contrived, others will applaud the ultimate outcome since it doesn't cop out. Either way, this is a noir film worthy of seeking out for the like minded purveyors of such things. 7/10

THE FILE ON THELMA JORDON is a semi well-known film noir outing with another turn for the memorable Barbara Stanwyck as a femme fatale. This one suffers a little from having a very slow, romantically-focused first half, but once the murder plot kicks in it gets going, finishing up as a suspenseful courtroom drama. Stanwyck stands accused of murdering her aunt, but complicating things is her love affair with assistant attorney Wendell Corey, the actor best known for his role as the disbelieving cop in REAR WINDOW. There are enough twists and turns to keep you watching here, and a typically great, thrilling ending that fans of the film noir genre will no doubt love.

The Assistant District Attorney Cleve Marshall (Wendell Corey) has an unhappy marriage with his wife Pamela Blackwell Marshall (Joan Tetzel) due to the interference of her father, Judge Calvin H. Blackwell (Minor Watson). He decides to drink in his office after hours instead of going to the birthday party of Pamela. Out of the blue, a woman named Thelma Jordon (Barbara Stanwyck) arrives at the office looking for Cleve's boss to report an attempt of robbery of her wealthy Aunt Vera Edwards (Gertrude W. Hoffman) and she ends the night drinking and dancing with Cleve in a restaurant. Soon they have a love affair and Cleve falls in love with Thelma. But he does not know anything about the past of the mysterious Thelma. When Aunt Vera is murdered at home, Thelma calls Cleve to help her since she would be the prime suspect of shooting her aunt. He covers up the evidences that might link Thelma to the death becoming her accomplice and is assigned to be the prosecutor of her judgment. What will happen to Thelma and Cleve?"The File on Thelma Jordon" is a fine film-noir directed by the master Robert Siodmak. Barbara Stanwyck performs the typical femme fatale, seducing the assistant DA Cleve Marshall and destroying his life. The moralist conclusion could have been better but the film is worthwhile watching. My vote is eight.Title (Brazil): "A Confissão de Thelma" ("The Confession of Thelma Jordon")

The combination of an unhappy man with an ambitious woman is a formula for disaster, as we have seen in a lot of film noir offerings. In this story, Cleve Marshall, and assistant D.A., proves to be the perfect target for what a scheming lady like Thelma Jordon has in mind. From the start, Thelma is too happy to oblige the interest and the passion she incites in Cleve.Marshall is a married man whose wife, Pamela, a society girl, is deeply involved with her parents in social events that are deeply resented by the down to earth Cleve. He drowns his sorrows in drink, something that Thelma knows will help her bring him to her side, although she has other things in mind. When the affair begins in earnest, Thelma gets involved in the murder of her old aunt. Cleve, who has been indiscreet with his phone calls to the old woman's residence, is summoned to help Thelma who stands a good chance to get the maximum death sentence for all the evidence points in her direction. Cleve, who gets the assignment to prosecute Thelma, doesn't know what he is really getting into.This 1950 Paramount release has not been seen much lately. As someone else pointed out, it used to turn a lot in the days of early television. The film is worth a look because Robert Siodmak's direction. Mr. Siodmak, who had worked in his native Germany and in France, had a great eye for detail, as he shows in this story.Barbara Stanwyck was the perfect actress to portray Thelma. She had been successful in other films that involved ambitious women with no scruples. Ms. Stanwyck always gave impressive readings to the characters she played, which is the case of her Thelma. Wendell Corey, another excellent actor, has the sad task to play the man who throws everything away because he is blinded by the intensity of his feelings for an unworthy woman.The supporting cast does wonders to help the film. Best of all is Stanley Ridges who plays Thelma's attorney. Paul Kelly, another good character actor appears as Cleve's boss. Joan Tetzel and Richard Lober also appear in minor roles.The film will not disappoint fans of this genre.