Awesome Movie

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

The hand of a dead astronaut comes crawling back from the grave to strangle the living.I like the concept here. We have seen killer hands before. My favorite horror film, "Mad Love", has a bit to do with a killer hand or two. And that, in turn, was based off of "The Hands of Orlac". This film does not follow that same theme, and may not have been influences by them (though I would like to think so). Instead, we just have an arm on the loose. (This should be called the "crawling arm", but we can let that slide.) The basic plot is simple but effective. The acting is pretty average, and at times below average. The biggest issue is actually the length of the film. We have what could easily be 30 or 60 minutes stretched out to 90 minutes, which only does one thing: causes intense boredom. A slow burn is good, but this is not a slow burn... it is a snoozer.

Back in the 1970's, shortly after the blockbuster of "Jaws" was released, some music editor took the hit songs of the past and edited it into a conversation with the shark where one of the cracks was "Wouldn't you give your hand to a friend?". That tongue-in-cheek commentary goes perfect with this wonderfully dreadful science fiction/horror turkey that really goes arm in arm with some of the worst movies ever made. The surprising thing about the film is that as bad as it obviously is, it is totally entertaining! Rod Lauren is the hero, a young college student with ambitions of being a great scientist, is on the beach one day with his girlfriend (Sirry Steffen), frolicking a la Troy Donahue and Sandra Dee, and all of a sudden, her screams alert him to the presence of a disembodied hand. So like any good future mad scientist to be, what does he do? Go back later and collect it of course! An altercation with his landlady (Arline Judge, a forgotten "B" actress of the 30's) leads to the revelation that the arm has a mind of its own (or at least a brain in its pulse) and is not incapable of violent acts, including murder. Poor Lauren begins to physically change a la Jekyll and Hyde (basically he looks like he has a black eye) and begins to think he's the one committing all this violence. With the aid of NASA scientist Peter Breck and the local law (lead by Alan Hale, no less!), Lauren must prove his innocence which leads to a show-down in a junk yard of old cars and wild house cats.Totally fun with so many unnecessary plot elements (Steffen's professor father objecting to his daughter's romance with Laurence even though he's the professor's favorite student), a babbling old man who runs the soda shop spouting as if he was John Carradine, "Eat, drink, and be merry, for tomorrow you die", etc.), the focus on the cult song "The Bird is the Word" by the Rivington's (not "Family Guy's" Peter Griffin who would constantly break into this forgotten ditty) and Steffen's Gidget like scenes with best pal Beverly Lunsford. Then, there's Allison Hayes whom I did not actually recall seeing in this movie until realizing that she had one scene at the very beginning and pretty much disappears. I researched her character and could not find any mention of her, making her participation in this totally forgettable. I guess with her large hand swooping down in "Attack of the 50 Foot Woman", she didn't want to upstage the crawling one here.And what about the two cats fighting over the crawling hand in the film's climactic scene? Would they find it purr-fect and give it two paws up, or would they hiss and scratch their way out of the litter box this seems to have crawled up from?

THE CRAWLING HAND looks like something straight out of the 1950s, when TV was beginning to upset the Hollywood applecart, forcing the major studios to look for new angles and gimmicks (Todd A-O, Cinemascope, VistaVision, Cinerama, 3-D, stereo sound, and big-budget color remakes of old films) and small indie directors like Ed Wood were having a field day turning out tons of drive-in drivel. HAND is about a dead astronauts's severed hand seeking revenge on the living. Yowsa! How's that for a plot! In some scenes, you can actually spot the uncredited actor whose hand is doing the crawling. Considering HAND is from 1963, I am a little surprised as drive-ins by then were on the wane and no self-respecting movie house would have been likely to show this. It is a terrible, wooden movie, with poverty-row sets, little or no action, a virtually nonexistent script, bad music, uncorrected sound and so on. But ... for true film buffs, we get to see a very young Peter "Big Valley" Breck, veteran leading men Kent Taylor and Tris "King of the Rocketmen" Coffin, a pre-"Gilligan's Island" Alan Hale and the alluring Alison "Attack of the 50-Foot Woman" Hayes. A rather unusual cast for a no-budget movie. I guess they were taking what they could get in the dawning era of color TV and the collapse of the studio system.

That is the question you will be asking yourself as you watch this sci-fi stinker. The movie obviously takes place before we did any extensive space travel as it involves a kind of force that takes possesion of people. As cool as that sounds the movie is rather dull. Lets just say a rocket blows up after an insane astronaut asks the people to blow it up. His hand ends up on the beach where this dumb guy sees it and wants to wrap it up and put it into storage or something. The hand trys to choke him, then partially tries to control him you know how it goes. Though he does have an attractive girlfriend. And as bad as most of the movies is you still hope the kid doesn't get killed in the end, even if he is a bit dense.