If you don't like this, we can't be friends.

Great Film overall

Absolutely the worst movie.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Not without interest. You can see why "Cinecolor" was a Miserable Flop, You can see Gabby Hayes in His Last Movie (actually pretty good), and this Western does have some other Ingredients worth Noting.It is Set in Canada (but does use some awful Studio Stuff for some outdoor Scenes), the Body Count is High, there's a Bitter One-Armed Gunslinger (Bill Williams), a Greasy, Slimy, Bespectacled Villain (Victory Jory), a couple of Tasty Women (Karen Booth, Mary Stuart), and a Mule Named Hannibal.Not one of the Best Randolph Scott Westerns, but it Contains Enough Oddities to make it Worth a Watch for Western Fans. Sometimes Clunky and Awkward but Appealing in an Off-Handed kind of Way.

I won't bother to summarize the plot, as all of the previous reviewers have done so and there's nothing new I can add. As others have noted, this is not one of Scott's best films, or even one of his better ones. Director Edwin L. Marin has done some good westerns in the past--John Wayne's "Tall in the Saddle" comes to mind--but he doesn't seem to have had his heart in this one. Direction is perfunctory, performances are nothing special--although Bill Wiliams as a bitter one-armed cowboy has some good moments--and the action scenes are routine and not particularly well done. The worst thing about the film, however, is the photography. For some reason producer Nat Holt, who had done many of Scott's previous westerns, saw fit to use the cheap, crappy Cinecolor process for this film instead of the much superior Technicolor or Deluxe or even the chintzy Eastman Color, which would still have come out better than Cinecolor. The colors are muddy, everything is way too dark--even the day shots--actors' faces seem to fade into the background, and the major action setpiece takes place at night and the colors are so dark and muddy that, while the battle is certainly noisy, you can barely see anything.All in all this is a decidedly below-average Scott western. The lousy photography definitely detracts from the film, but it didn't really have anything going for it in the first place.

Randolph Scott had been an actor for quite some time before he finally hit his stride in Westerns in the 1950s. Up until then, he'd been in a wide variety of films and had a successful but especially distinguished career. But, in the 50s, he went on to make some classic Westerns that today are seen as some of the finest examples of the genre. Well, at least SOME of the films he made in the 50s became classics--CARIBOO TRAIL has very little to recommend it, though it is a watchable time-passer.When the film was shown last night on Turner Classic Movies, Robert Osborne proudly announced that TCM had finally been able to locate the original color copy of this film. For years, they had thought that the black & white copy was all that remained. Well, I wasn't that impressed even with the color because the film was badly faded and had a gray appearance. All of the vibrance of the original print was gone and the film just looked rather muddy.As for the script, aside from being set in Canada, it's virtually indistinguishable from dozens and dozens of other Westerns. As usual, Scott and his friends blow into town and find that there's a "boss" (Victor Jory) who cheats and steals with the help of his gang--though it's all cloaked in an aura of respectability. And, in another rather familiar cliché, Scott and his partner have a falling out and only at the end do they come back together to defeat the forces of badness. It's all very, very by the books and even the addition of Gabby Hayes and Lee Tung Foo for support didn't do enough to elevate this film beyond the ordinary.Pedestrian direction, script and too many predictable story elements sink this film and make it a big disappointment for Randolph Scott fans.

Although "Tall in the Saddle" director Edwin L. Marin's "Caribou Trail" was filmed in color, the print that I saw on Turner Classic Movies is the black & white version. Western novelist Frank Gruber penned this oater from a story by John Rhodes Sturdy who had written the 1943 World War II naval epic "Corvette K-225." Altogether, "Caribou Trail" qualifies as a low-budget empire building western where the hero must triumph over a corrupt city slicker who owns an entire town, except for the saloon, before he can establish his ranch. By and large, this Scott western is fairly predictable stuff. The departure that sets "Caribou Trail" apart from most westerns is its treatment of a character that loses his arm during a cattle stampede.Jim Redfern (Randolph Scott of "Jesse James"), Redfern's partner Mike Evans (Bill Williams of "Rio Lobo") and their cook Ling (Lee Tung Foo of "Mission to Moscow") are driving 36 head of cattle north from Montana into Canada to build a ranch. Mike doesn't want to raise cattle; he came to prospect for gold. Redfern believes that cattle will flourish long after the gold has been depleted. After they cross the national boundary, our heroes find themselves at a toll bridge owned by the chief villain, Frank Walsh (Victor Jory of "The Capture"), whose henchmen want more money for their passage than Redfern is willing to pay. Mind you, Frank Walsh isn't around in this early scene, but his second-in-command Bill Murphy (Douglas Kennedy of "Dark Passage") is there. Anyway, Redfern refuses to pay the toll so Mike and he stampede their cattle and wreck Walsh's bridge. Once they are across, they encounter an old, bearded prospector Oscar 'Grizzly' Winters (George 'Gabby' Hayes of "Colorado") on the trail who catches a ride on Ling's wagon and cooks up some tasty grub for their first night under Canadian stars. Not long after they eat, they hear gunshots and unidentified rustlers stampede Redfern's own cattle. During stampede, Mike is injured and the town doctor must amputate his left arm. Mike didn't want to go to Canada in the first place and he blames the loss of his arm on Redfern. Meanwhile, after he exits the doctor's office, Redfern meets Walsh. Initially, he passed him on the way for a snort at the Gold Palace, the local bar run by a woman, Francis Harrison (Karin Booth of "Cripple Creek"), who has steadfastly refused to sell out to Walsh. Walsh, it seems, has his name on every business in Carson Creek. Eventually, Redfern and Grizzly have to sell their saddles for more grub and Redfern talks about getting a job. One of Walsh's former gunhands Bill Miller (Jim Davis of "Big Jake") shows up in town conveniently selling beef with Redfern's brand on it. They slug it out in Francis' bar and then Redfern guns down Miller outside in a fair fight. Redfern believes Walsh has been the source of his misfortunes since he refused to pay up at the toll bridge. Grizzly suggests that they prospect and Ling provides $300 of his hard-earned dollars. Our heroes head off to prospect in a mini-version of "Treasure of the Sierra Madre" with Gabby playing the Walter Huston role. By this time, Mike has recovered sufficiently to tangle with both Walsh and Murphy in Francis' bar, while Redfern discovers a cattlemen's paradise in the faraway mountains during his prospecting. A tribe of Blackfoot Indians appear and Redfern and company shoot it out with them, killing two of them before they capture them and take them back to their camp. During a pow-wow, Grizzly's mule Hannibal wanders into camp and Redfern uses Hannibal's kicking powers so our heroes can break out of the camp. Redfern snatches a rifle and a horse and then rides out. When he stops for water, he discovers gold in a stream. Redfern dishes out $900 worth of glitter, but there is only one person who can buy his gold. Walsh refuses to pay the full amount and charges Redfern $300 plus for cost of his damaged toll bridge. Murphy incites the citizens of Carson Creek against Redfern when he refuses to divulge the whereabouts of his strike. Redfern escapes just ahead of a mob and hits the frontier where he reunites with Grizzly. Grizzly has tied in with a group of Americans that are herding cattle. Redfern buys a 25 per cent interest in the herd. The cattle foreman is Will Gray (Dale Robertson of "The Silver Whip") Ling shows up at Francis' saloon and she hires him as a cook.Despite the loss of his left arm, Mike Evans has grown to be a threat to Walsh; he goads Walsh's henchman Murphy repeatedly to draw on him, and Murphy backs down. In one scene near the end of "The Caribou Trail," Evans shoots it out with two gunmen and sends the third running. Walsh forges a quick alliance with Blackfoot Chief White Buffalo (Fred Libby of "Three Godfathers") to stampede Winters' cattle, but Evans shows up like the cavalry to kill Murphy and Walsh before the mustached villain drills him. Redfern's escape from the Blackfoot camp seems more hilarious than dramatic despite the number of shots of a mule kicking Indians. Presumably, Marin and Gruber must have felt it wouldn't be fair for the Indians to shoot the mule. Meanwhile, the evolution of Mike Evans from a one-armed man to a one-armed army with his handy six-gun predated the likes of Joe Don Baker's one-armed gunman in "Guns of the Magnificent Seven.""Caribou Trail" is one of those oddball westerns set in Canada where—as one commentator—has observed doesn't have any Royal Mounted Policemen intervening between the hero and the villains. Although it isn't especially memorable as many of Scott's later westerns, "Caribou Trail" clocks in at a trim 81 minutes and Marin neither wears out his welcome nor does he let the narrative drag.