Perfectly adorable

An action-packed slog

it is the rare 'crazy' movie that actually has something to say.

By the time the dramatic fireworks start popping off, each one feels earned.

An interesting movie for 2 main reasons: 1) it shows the fragilities of the Nazi Germany towards the end of the war, with many German soldiers deserting the army (something nobody talks about) and 2) it shows the depths of the human ego and the decadence of character when power is given arbitrarily

You can compare this WWO2 movie with the style of Dunkirk. That means that the movie is not for everyone, but if you can appreciate this kind of movies, it's magnificent. The movie doesn't want to be a hollywood blazing brainless action movie, but wants to portrait the germans on an individual level. Like @barta-46978 says, the movie is about authority and gives yourself an insight in what it must have been at the time, and even how you would react in the given circumstances. The movie is explicit and kind of shocking. It really intrigued me, we need more movies like this.

"Der Hauptmann" or "The Captain" is a new German 2-hour movie that premiered back in 2017, but was only released days ago to general audiences here in Germany. After making films in Hollywood for roughly 15 years and working with big names like Willis, Freeman, Malkovich and Bridges, this one is writer and director Robert Schwentke's (temporary?) return to Germany. The film with the exception of one shot is entirely in black-and-white and in my opinion, that was a good decision. The main character is played by Max Hubacher, an actor I was not too familiar until now, but he does a fine job given the fact thatg he is in basically every scene of the film. Fehling, Lau and Peschel are among Germany's most known at this point and they all play supporting characters. I must say though that the significance intended for Lau's and Peschel's characters was not really executed in a satisfying manner. Fehling does well with what he was given, even if it is not too much. This film plays during the final days of World War II and the consequence of this taking place in the battlefield and military, female characters are almost completely non-existent here. Not a problem though. The film shines through authenticity, shocking but realistic moments and eventually as a really good character study that goes way beyond the main character. The pair of Jewish entertainers in the last third of the film is another example of fine depictin and writing in terms of how differently their paths go. Guilt is a dominant subject here from start to finish and the question when evil is justified is a crucial one here all the time. Which of his actions are agreeable from the perspective that they saved his life or at least helped in saving his life? Which of his actions are just as despicable and undefendable as the ones by his tormentors? Everybody will have a different opinion on that I''m sure. i also liked the film's audio side. It was never in your face, but still elevated the material. The actors were almost all good and it is a successful return for Schwentke (the year he turns 50) without a doubt proving once more that the subject of WWII is still possible to produce quality movies even with the hundreds already existing about this darkest hour in European history of the 20th century. You just need to bring the talent creativity and approach. You could probably argue that what you see in here is not too realistic given the fact that it is all done by such a young man and how could they all be this stupid to fall for him. But then again, the one thing that destroys this argument is that it is based on real facts, a real character and to some extent all this really happened. And it is not as if he is depicted as the new messiah, that absolutely everybody falls for him: He has several antagonists in here who may believe his story, but still aren't ready to accept his authority. And that makes the watch even better, even more realistic. It was easy to care for the characters in here, to wonder what's going to happen to them next. At least for me and the longer the film went, the more curious I became if Herold would live or die. Well, it was something in-between then I guess. It is definitely impressive that this film never really dragged despite how long it is. I recommend the watch to everybody with an interest in this historic era. In my opinion this film is a success and I'm glad I saw it.

The film revolves around authority, the trust we tend to have towards a person we endow with authority, official ranks, hierarchy, "Kameradschaft", the sense of belonging to a group, and (for me at least), egoism in general. It is also quite brutal and sadistic. The story itself, with the most improbable twists, is taken from a real life story at the end of the war. It is rare in war films to have the perspective of the criminal. We do not sympathise with him, but rather he impersonates the beast in every one of us. Another merit of the film is quite natural: German actors can of course impersonate German soldiers better than for example US ones, it also gives a realistic touch to the film as opposed to US war movies featuring evil nazis. The message of the film was for me clear and delivered with a great impression - I will not write it here as it would be flat in my words.