Save your money for something good and enjoyable

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

This movie feels like it was made purely to piss off people who want good shows

Only one asset was half-way tolerable and that was attractive Sherry Thurig who at least tries to give her character some personality. Everything else fails and not in a small way, we're talking colossal failure here.The Bonesetter is a cheap-looking movie, camcorder video taping is much more professional-looking than the slipshod photography here, the lighting is often too dim and drab in colour, editing is all over the place in the parts that are supposed to be scary and the special effects are all very half-hearted. The music has some occasional mildly effective parts but that's far outweighed by the majority of the time that it's loud, repetitive and over-bearing.When it comes to the story, that's where The Bonesetter falls down massively. The whole story-telling is literally a load of tired clichés re-hashed with pedestrian pacing and complete lack of scares or suspense to boot(because the whole movie is so predictable), making the relatively scant 72-minute length feel longer by seemingly twice as long. None of the characters are interesting and some are annoying, the villain is also far too obvious and just a walking cliché with no development or menace. The acting is terrible from all but Thurig, with Lloyd Kaufmann underused and going through the motions, Mark Courneyea making a near-broken marionette less wooden and Anne-Marie Frigon showing very little emotion.A vast majority of the blame for the colossal failure of The Bonesetter lies with Brett Kelly, who stars, directs and writes and he fails at all three. His lead performance is stiff and whiny with the character making stupid decisions that don't fit within the situation. His direction makes past-prime action stars less flabby, and the script throughout The Bonesetter is so senseless and awkward-sounding that it feels like there wasn't one written for the movie at all until literally at final stages. Overall, a terrible movie with only Thurig as a redeeming merit. 1/10 Bethany Cox

This "MOVIE" adds nothing to the genre, looks horrible,is bland, slow and boring. It's not scary at all. The acting is terrible. The "effects" and makeup are blah. I give any filmmaker credit for doing the work and getting their stuff out for people to see. I've never made a movie but damn, man this is really no good. Don't waist any time or money on this. I wish my review was more enlightening and in-depth but I don't have much to work with here.I think I got this from a Brentwood collection for like a couple of bucks, and I'm still angry that I spent money on it. I am even struggling to write more about the movie. I am at a loss.

The first thing I have to get off my chest is the fact that this is one the Splatter Rampage part of Tempe Video. Usually, the category should involve savage blood spilling. Midnight Skater went overboard, Mulva and Filthy McNasty yes yes, but this has to be the most bloodless of the pile seeing that maybe it's a 1 out of 10 on the gore-o-meter.A very ambitious project with a few flaws. I'll get to that in a bit.The Bonesetter, a century old practitioner of bones. You needed adjustment or a set back, then the Bonesetter was the man until a bad rap began his illustrious career of slaughtering the weak. Now in present time, he has somehow found his way back to the land of the living to find what he was set out to do before his untimely death. Kill, kill, kill. Children become missing and for some strange reason, the evidence points to the Bonesetter's patterns which are being studied out by the local book worm who gets pushed around. Which in turn meets a woman who had her child kidnapped who happened to be looking for the book on him the legend also. Small world isn't it? The 2 hook up, smash ideas of each other and make things happen. More children go missing and the closer they get, the deadlier the game becomes. A cat and mouse if you will. The deeper the story gets, the more action takes place. Reminds me of a C.S.I. Episode other than a straight out horror flick. Not to dis, just a mere opinion on the story and style. It has it's potential but doesn't quite deliver the full punch. The kills don't live up to the Splatter Rampage credential, a sheer miss of interpretation.All in all, still not a bad feature but if brought to a 45 minute short than probably a hell of a wallop this would give.

Firstly let me "come clean" admit that I was in the film, as an extra.That being said the film itself is a good story, well told on a very small budget. This of course somewhat effects the look and feel of the movie but in my opinion does not detract from the story or acting.Anne-Marie Frigon simply steals the screen whenever she appears. She gets the best "one liners" and makes the most of them. Other actors, including Sherry Thurig, do not have extensive experience in front of a camera but it doesn't stop them from giving good performances.The attempt at a creepy atmosphere is evident and with some allowance for the lack of computer aided and expensive special effects we have become used to, the movie pulls it off.Watching it being made I came to appreciate the talents of all involved and look forward to more work from this collection of mostly local talent.