Yes, absolutely, there is fun to be had, as well as many, many things to go boom, all amid an atmospheric urban jungle.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

One of the best movies of the year! Incredible from the beginning to the end.

One of the worst movies ever. And I hate Edward Woodward One of the worst actors ever. Boring, Slow, Garbage! Current 6.0 score is a joke!The beginning was great, with the girl walking the path and then suddenly being sucked into the woods. Watch the first 3 minutes then shut it off. That happened apparently 3 years before the rest of this crap. So, 3 years later. No significance to the dates. We are introduced to the boring Mr. Woodward and his mechanic, wife, and spoiled rotten 14 year old girl. All of this is complete trash writing, put forward with crap acting by Woodward and the rest. But Woodward takes the cake for some serious crap acting. He was just as bad in The Wickerman, possibly worse film than this. Christopher Lee should have been ashamed of being in that film. He was also in a lot worse. His Dracula appearances had great presence, but still his acting was always trash. Mr. Lee was more of a fashion model, rather than an actor. Now, Woodward, what a name! Maybe he's the namesake for wooden acting. His character here acts exactly like the Wickerman character. I'm sure if you knew him personally, he probably acted the same.Technically, the cinematography was good. The editing and pacing sucked. Too many repetitive scenes, slow and boring. The music was competent. The sound effects were boring. The story sucked all over the place. We don't know what is going on. There's some dog references, with a truck with dogs with horns painted on it. Nothing is explained. And anything can be implied. Was this some kind of Omen copy? I don't know.So, what we are left with is a boring, slow, crap of a movie. Watch the first 3 minutes, then dream of a better movie in your own head.F, 1 star. Forget-about-it!

Lindsey Vickers, who scripts and directs this enigmatic film, offers a viewer just enough information to raise questions, at the same time presenting enough plums in the pudding to warrant an alert audience wishing for answers in return, but providentially style triumphs over substance. Vickers constructs an unquestionably suspenseful tale of predestination that revolves about a talented young violinist who manifestly possesses significant preternatural powers, more than sufficient to drastically affect those about her. Action opens with a three year flashback scene as we view a 12 year old girl carrying her casebound violin while walking from her school toward her home, traversing a secluded coppice, Crombie Wood, wherein she is suddenly seized (in a highly eerie scene) by a baleful force that slaughters her. Three years after, Joanne Cameron (Samantha Weysom), a 14 year old student at the same school, and also a violinist of a high order, is seen approaching a now abandoned Crombie Wood (fenced to discourage any who might otherwise trudge through it) where she speaks at the barrier to someone or something unseen just within the enclosure. Joanne's affection for her father Ian (Edward Woodward) is obsessive, and when he cannot attend her solo examination recital because of a business appointment, the child's paranormal facility is apparently utilized in the service of evil, thereby raising nocturnal havoc with Ian and Joanne's mother Dianna (Jane Merrow), as the married pair have nightmares in union that share numerous dire elements. In the morning following the tandem bad dreams, Ian drives to his business appointment in a loaned automobile, as his is being serviced, and it is soon apparent that vital auto related components from within the nightmare are being enacted during the light of day, and a powerful perception of upcoming danger is fashioned through the script. It is this premonition of dread that securely establishes the tension marking the film from its opening scene, a viewer wondering specifically how, or if, Ian will be victimized consonant with the display of frightful events that comprised a large portion of the mentioned dreams. Well-wrought and intense domestically flavoured episodes mingle congruent with scenes of suspense, according credible shape to the whole. Helping to nourish a viewer's interest are nicely conceived passages showcasing visual and aural synchronicity, based for the largest part upon the dream sequences, while a gripping atonal score by Trevor Jones and resourceful camera-work from Brian West provide intensive underpinning to a film that never retreats away from the plot line perception of Vickers. Especial note shall be made of a solo car crash occurrence that is shot and edited in a highly persuasive manner. Acting honours are to the expressive Merrow for her turn as a decisive pivot between her husband and daughter. Filmed to a large extent within scenic Snowdonia National Park of North Wales, this undervalued film had but infrequent theatrical showings before being released to video and has not since emerged in a DVD format.

This film is unique - the horror of the situation derives more from what is implied rather than what is seen. A young girl violinist who is has an insatiable need for attention from her father invokes a dark force to eliminate her rival, thus granting her the star spot in the orchestra. But when her father informs her that he cannot attend her performance due to an "appointment" - she invokes the mysterious force against him.The visual/audio effects are incredible: some very Hitchcockian touches throughout, especially the "invasion of the house" and the "restaurant" scene. The car crash scene is a masterpiece of surrealism. The film wisely does not plunge us right into the bizarre but slowly draws us in - until it is too late to escape.Only one flaw: why is the dark force invoked against the mechanic? Her father would have left for the appointment in any case. And why the missing part on the roadway? Worth seeing though.

This movie is good and bad. Very, very strange and unsettling is the best way I can think of to explain this British horror film. It was scary, shocking, and made my skin crawl with the typical quiet, non-gory British horror. It also features one of the most bizarre and agonizing car wrecks in the history of films! The drawback is there is virtually no plot development. There was no explanation as to what the evil was, why is was there, or what happened to it at the end. And why was the father the main target? It was basically a family going about their daily life and these scary things happening to them. Good on the scare value, blah on everything else! This a rare film to find, at least here in the states. I caught it because it used to be on A&E (Arts and Entertainment) on TV about ten years or so ago.