That was an excellent one.

Did you people see the same film I saw?

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

An old-fashioned movie made with new-fashioned finesse.

Being based on short stories that are still of much great enjoyment now and having people as talented as Debbie Reynolds, Bob Fosse, Hans Conreid and Bobby Van, 'The Affairs of Dobie Gillis' had all the makings of being good-natured fun and being very difficult to dislike.'The Affairs of Dobie Gillis' is not necessarily a great film by all means, with a very thin, often meandering and at times non-existent story that feels like several comic situations/stories cobbled together and not much else. While most of the film is very entertaining and achieves what it set out to do very well indeed, there is always going to be the criticisms that some of the situations are unbelievably silly and that it's dated, so suspension of disbelief is needed.Fosse doesn't look so comfortable in his role in the acting department and his personality doesn't shine as much as when he is dancing.However, 'The Affairs of Dobie Gillis' is very nicely designed and quaintly photographed. The music fits very well and is more than listenable on its own as well, the standout song being the heart-melting "All I Do is Dream of You". When it comes to the choreography and dancing, Fosse in particular scintillates in a routine that brims with energy, clever choreographic flourishes and extraordinary dance technique.Regarding the script, it is here very light and bubbly, never trying to do more or be more complicated than needed. A good deal of it is silly too, but has such a good nature and has its heart in the right place that it is hard to be too hard on it. The film moves quickly and never feels dull, because the energy of the cast and the pleasant atmosphere moves things along so well.Despite having mixed feelings on Fosse (loved the dancing, didn't look at ease in the acting), the rest of the acting fares well. Van is at his most likeably earnest, while Reynolds is spunky and charming and Barbara Ruick is suitably peppy. In support, an amusing Hans Conreid, firm Charles Lane and tyrannical Hanley Stafford stand out in particular. The direction is more than competent throughout, having the right lightness of touch.On the whole, not a great film but an enjoyably good-natured and easily watchable one. 7/10 Bethany Cox

Directed by Don Weis, this Max Shulman screenplay and story was made into a cute, light early 1950's Musical comedy by pairing Debbie Reynolds with Bobby Van, and Barbara Ruick with Bob Fosse, as college kids on the campus of Grainbelt University (obviously a Midwestern locale).The most memorable musical number is the oft-repeated "All I Do Is Dream of You" (the whole day through), which Reynolds had just performed, jumping out of a cake for Gene Kelly, the previous year in Singin' in the Rain (1952). Reynolds's character alternately appears to pronounce Gillis's name as either Dobie or Dopey, which seems more appropriate. Followed by a TV series with Dwayne Hickman and Bob Denver before he became TV's Gilligan.Pansy Hammer (Reynolds) enters college with the university's motto "work, work, work, learn, learn, learn" drummed into her head by her protective father (Hanley Stafford). That is until she meets Dobie Gillis (Van), who's come to college to have fun. Not so slowly as surely, he convinces her to adopt his carefree way.Ruick plays another girl, instantly stuck on Dobie, who's pursued and eventually learns to love Gillis's roommate Charlie Trask (Fosse). Hans Conried plays an amusingly arrogant English professor; Charles Lane plays a chemistry teacher. The young couple gets in real trouble after they start skipping classes to be together and Pansy, for the umpteenth time, blows up the chemistry lab when they're trying to makeup their work.After this last incident, against the protests of his wife (Lurene Tuttle, actress Ruick's real mother) and daughter, Pansy's father decides to separate the two lovebirds by sending his daughter to a college in New York, where she'll live with her Aunt (Almira Sessions). Charles Halton appears, uncredited, as the Dean of Grainbelt University. So, Dobie and his two friends try to figure out a way for him to make a trip to see Pansy in New York.After a failed book buying scheme (Percy Helton appears, uncredited, in the campus bookstore), brought about by Gillis's own plagiarism, Dobie finally ends up convincing the near defunct campus magazine manager (Archer MacDonald) out of $1,000 so that he can go to New York to hire a big-named band for a dance to save it. Since he spends almost half the money wining and dining Pansy in the Big Apple, he can only afford to hire "Happy Stella" Kowalski (Kathleen Freeman) and her German quintet.But this is a musical comedy, with some dancing by Van et al, so naturally everything will work out in the end ... after all, human nature means everyone rushes to see a train wreck (and will pay for the privilege), right?

What a pleasant surprise for a hardened old cynic like me. Ordinarily I would avoid a title like The Affairs of Dobie Gillis as if it were the plague. But the sheer bounce and charm of Weis's direction along with Van and Reynolds proved completely beguiling. Sure it's dated. The innocence and idealized portrayal of college-age youth belong to a bygone era. Still, Van's easy way with a song and a smile continues to captivate, while even Reynolds' manages an energized side that doesn't annoy (the sight of her pony-tailed wholesomeness crouched demonically over a boiling witch's brew is hilarious). Surely these two were made for each other in some malt-shop heaven. There are so many nice touches, including: Hans Conreid's arrogant professor (his tight-lipped barbs at Dobie are priceless), Kathleen Freeman's gap- toothed Polish band (I'm sorry we didn't hear more), and the utterly delightful song and dance numbers (a whole lot simpler and more spontaneous than MGM's over-produced foot- stompers of the day). Clearly, the studio dribbled out a bare-bones budget to give their younger talent a chance, and the youngsters responded in spades. I'm only sorry that Van didn't get the career his talent deserved-- watching him and Fosse was a treat. All in all, this is a much better movie than it had any right to be, and a fine piece of unexpected pleasure for viewers of any age.

A very attractive cast and a couple of good musical numbers make for reasonably good entertainment. Far different from the TV series that came a few years later (and not as good in my opinion), this feature was actually inspired by the Max Shulman Dobie Gillis stories from the forties. Shulman, who also wrote the the screenplay for this movie, does manage to work in bits and pieces of his short stories into the script, but not too successfully. The reason for this is that the original stories were stand-alone brilliant comic masterpieces. Here we just see a little scene from this one, and one from that one, and so on. The way to really, really enjoy Dobie Gillis is to track down the out-of-print collection, "The Many Loves of Dobie Gillis"(easily available at Amazon). I'm a fan of the TV series, and I like this movie, but neither can hold a candle to the hilarious short stories that served as the original inspiration for both the TV and screen versions.By the way, it was only about two years ago that I read the original stories. They are every bit as wonderful today as when they were originally written.