hyped garbage

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

The acting in this movie is really good.

Good picture and efficiently made by Robert Aldrich in which a bunch of two-fisted characters confront deadly on a survival game during post-WWII . An intense portrayal of elite soldiers who have one of the most dangerous jobs in the world : disarming bombs in the heat of Berlin . It depicts a microcosm of a highly trained bomb disposal team amidst a violent aftermath . At the end of the Second World War six German ex-soldiers return to Berlin and set up as a bomb disposal group to carry out their dangerous assignments and a subsequent bet . They are led by Karl Wirtz (Jeff Chandler in a strange villain character) , a selfish renegade for who the thrill of the dismantlement seems to be the ultimate goal regardless of the safety of his fellow team members ; Karl's true role reveals itself in a way that will change each man forever . And Eric Koertner (Jack Palance) who knows his place and duty and trusts others in the army to carry out theirs as well as he . They are constantly worried that an error or misjudgment on his part will lead to the death of an innocent civilian or a military colleague . As the tough and valiant men struggle to control their destinations . They feel strongly enough about something not to be concerned with the prevailing odds, but to struggle against those odds . They , then , agree a wager : If a man dies in the course of the job , his share is to be divided among the others and if only one survives he takes it all . As two tons of buried bomb and now two men must pit their lives against its treacherous fuse , two artificiers who had only one thing in common , the same woman (Martine Carol) .This is an exciting blockbuster about to explode dealing with German demolition workers after WWWII , in which there are thrills , intrigue , suspense , sometimes stirring scenes and a loving triangle between Chandler/Martine Carol/Palance . A full-tilt intriguing picture in which director Aldrich turns the discipline of action filmmaking into a kind of visceral visual poetry . Thus , this motion picture serves as not only a look into an important aspect of German history , showing an interesting studio of engaging characters , too . While the members face their own internal issues , they have to make safe the place and to be aware of any person at the bomb sites . This is a flick where role development plays second fiddle to inbuilt intrigue as well as emotion ; concerning a similar plot to subsequently Oscarized ¨The hurt lock¨ (2008) by Kathryn Bigelow , in which some armorers to defuse bombs , make safe location and people ; however some of who may be bombers themselves . It was realized by the British Hammer-Seven Arts Company presided by Michael Carreras , made by American Aldrich and being filmed on location in a destroyed Berlin and with Brits , French , German and American players in the cast . It stars by Jeff Chandler and Jack Palance as bomb disposal experts , both of whom give excellent performances . As Jeff Chandler slowly reveals the strength , confidence , unpredictability and finally badness of his role . Jack Palance enjoys himself throughly in a rare character . This motion picture of mixed origins was well directed , here Robert Aldrich gave a tense and brilliant direction . However , director Aldrich had his name taken off the credits as Producer because the studio cut a half-hour out of the picture without telling him , and he believed that unless they put that footage back in , the film made no sense . Aldrich began writing and directing for TV series in the early 1950s , and made his first feature in 1953 (Big Leaguer , 1953) . Soon thereafter he established his own production company and produced most of his own films , collaborating in the writing of many of them . Directed in a considerable plethora of genres but almost all of his films contained a subversive undertone . Robert shot various different actors in Oscar-nominated performances : Victor Buono , Bette Davis , Agnes Moorehead , Ian Bannen , Jack Palance and John Cassavetes . Two of Aldrich's movies : Veracruz (1954) and Deadly kiss (1955) are now considered to be among the most influential films of the 1950s . He was an expert on warlike genre (Dirty Dozen , The Angry Hills , Attack , Ten seconds to hell) and Western (The Frisko kid , Ulzana's raid , Apache , Veracruz , The last sunset) . Rating : Above average , it's a must see and a standout in its genre .

The answer to that question is, "You can't!" I saw this film when it first came out in 1959, and I recently had the opportunity to see it again after 49 long years on Turner Classic Movies. I think the thing that makes this film so memorable to me is that the two leading actors Jeff Chandler and Jack Palance were given the opportunity to "break the mold" so to speak. Chandler who always played "the good guy" and "Palance" who always played "the bad guy" got the opportunity to switch roles. Earlier in their careers Chandler played a Roman Soldier (good guy) opposite Palance's Attila (bad guy) in "Sign of the Pagan". Chandler appears to be having a ball with the role of Karl Wirtz. His speech about how his Uncle Oscar taught him how to "look out for number ono" is reminiscent of the Burt Lancaster (Joe Erin) speech about the man who raised him (Ace Hannah) and how he double crossed him as well in "Vera Cruz". Interstingly enough, both films "Ten Seconds To Hell" and "Vera Cruz" were both directed by Robert Aldrich. The film's plot is about a German Bomb Disposal Unit working for the British after WWII which make a pact that the survivors will split the spoils of their labor after the job is finished. The texture and mood of the black and white film adds to the suspense of the film. One of both Chandler and Palance's best films.

I watched this in a colorized version (shudder, I know!), but I guess it's better than nothing!! This is yet another war-themed film for Aldrich but a novel one, dealing with a six-man bomb-disposal unit in Germany after the end of World War II.As such, it's much closer in spirit to the stark (and often hysterical) ATTACK! (1956) than the sweeping blockbusters - THE DIRTY DOZEN (1967) and TOO LATE THE HRO (1970; see review above) - of the next decade. Indeed, here, Jack Palance is again given a sympathetic role - while Jeff Chandler, uncharacteristically, essays the villainous type. Interestingly, the film was made by Britain's House of Horror - Hammer Films (in association with United Artists) - with shooting taking place at Germany's celebrated UFA studios! Plot-wise, however, the film is somewhat contrived: Palance and Chandler hate each other's guts but still lodge together and, of course, fall for their attractive - and lonely - French landlady (Martine Carol); by the end, only they have survived their dangerous line of work and the two face-off in a literally explosive climax! While no classic, it's professionally handled and has undeniable moments of power (one of the deaths is filmed in a way that we never see the man's face but, when the remaining members of the group are reconvened, we realize that Wesley Addy is missing; Chandler's story about his uncle teaching him to always look out for himself first and how the latter was the first to suffer for it).

Okay there 's only half-a-dozen in this movie and they are not dirty but there's a strong analogy between "ten seconds to hell" and the 1967 work: a group of men,going for broke ,bound to die one after the other. Jack Palance is impressive in a non-villain part,and his character displays tension,emotion and compassion.Jeff Chandler is also very effective .The defusing scenes have a near-documentary side which makes them very convincing .The main flaw is Martine Carol's part :her character did not seem to appeal to Aldrich and her scenes come at the most awkward moment.This is the umpteenth story of the French girl who loved (and married) a German and now is looked upon as a traitor to her country.This is a man's story which leaves no place for women as "whatever happened to Baby Jane" is an Aldrich woman's film where men have nothing to do with.