Just what I expected

Best movie ever!

A movie that not only functions as a solid scarefest but a razor-sharp satire.

Blistering performances.

Aliens seem to have two things in mind when they drop in on planet Earth, subjugating the natives or enlightening them. In this dull tale its the latter.Every expense is spared so don't expect eight-tentacled, six-eyed, poison-spewing monsters. What you get instead is a human-shaped man who is shot from behind for the first ten minutes of the film in a desperate attempt to generate a little suspense. From behind he resembles one of Kraftwerk. Obviously he has no shocking features otherwise those who see him face on would have emitted screams or fainted. The story plods on taking in a hint of inter-species relations, miracle healing and betrayal until it reaches a "dramatic" finale with an appearance of an alien spaceship borrowing its design from a dinner plate.

Some careful thought and preparation is evident in this production but overall it is made in a non-dynamic manner, very deliberate and you might say too slow. The direction seems primitive. Once this director sets his camera for a scene it is seemingly planted in concrete- it ain't gonna move. In some scenes maybe coffee or caffeine would have helped the director. Military personnel just stand around, and even scenes beside a Monet-esque lily pond are flat and unromantic.The British actors are really good, especially the grey haired doctor and young Willoughby Gray who portrays "Gretchen". Helmut Dantine is very focused and is riveting in the lead role. In contrast, Patricia Neal looks as if she would rather be somewhere else and is not effective in her role. The music is mostly of the orchestrated "English pastoral" style popular in the early to mid 20th century but other than providing a classy sound is not lively enough for a sci-fi film. There is a huge early-50's Packard auto that is loaded with chrome and very noticeable but is thoroughly ugly- its too bad because the earlier post-WWII Packard designs were generally more elegant and graceful. I always enjoy looking for mid-century ambiance and trappings in films from the era such as I found in this movie.Some interesting science can be found here such as a proposed landing in a magnetic field area and concepts of interplanetary gravitation.An advanced being lectures us on how stupid and crude we are in routine fashion that has been done in films numerous times before and since, so this aspect of the theme seems rather redundant.

Stranger from Venus (1954) * (out of 4) An incredibly bad rip off of The Day the Earth Stood Still, this one here also starring Patricia Neal. An alien lands in a small British town where he tries to warn people and show them his healing powers. This British film isn't ashamed in how much it rips from the Robert Wise classic as we get scenes, which appear the same and even some of the dialogue is the same. Even stranger is that the producer's of this got Neal to pretty much play the same part. It's a real shame that they didn't try to do more with the story because it's just too dry to be entertaining. The Wise film had a number of rips but this one here doesn't have the camp value as something like John Carradine's The Cosmic Man. The performances are all rather bland and that includes Neal who must have known this film wasn't offering much.

Basically British variation on The Day Earth Stood Still, which Neal also starred in. It tries to overcome it's low budget limitations but just falls short of the mark. A for effort; C for execution. British sci-fi would take off the following year with the arrival of Professor Bernard Quatermass.