How sad is this?

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

While it doesn't offer any answers, it both thrills and makes you think.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

I have a fond recollection of Shirley Temple movies because when I was in grammar school during the Fifties, the classrooms would be brought to the auditorium once or twice a year to watch one of them. I think we had to pay a quarter to see them, one of the ways the school managed to generate a little income back in the day. It's impossible now to remember which ones they might have been, but as I think about it now, the movies would have already been about twenty years old even way back then! Time is a funny thing.This Shirley Temple picture is particularly delightful, with young Barbara 'Ching-Ching' Sherman (Temple) playing matchmaker for co-stars Robert Young and Alice Faye. Their relationship is jeopardized right from the start as Susan Parker (Faye) is engaged to businessman Richard Hope (Allan Lane), as playboy Tommy Randall's (Young) heart and demeanor does flip-flops in his attempt to woo Miss Parker. Ultimately it becomes a no-contest as Richard's domineering mother overshadows the relationship, and Miss Parker sorts out her feelings over the course of the story.Young Shirley's charisma as a child entertainer shines through in a variety of song numbers, particularly in her rendition of 'You Gotta S-M-I-L-E' during a Chinese talent contest. She then does an effective imitation of Al Jolson and Eddie Cantor, right before shuffling into a dance routine with a Shirley-sized mannequin. If you want to be critical, you'd have to wonder why the theater operator would have had one of those around for Ching-Ching's convenience. You know, they never did say if she won the ten yuan prize, but since there were no other performers, I guess it's a safe bet.The picture offers a humorous sequence in which Young's character walks out of a Shanghai shop with a young Chinese boy by accident instead of Shirley. The authorities are brought into the picture and both Randall and Ching-Ching spend the night in jail! Which led me to reflect on one of Ching-Ching's Chinese proverbs from her mentor Sun Lo quoted in my summary line above. If you expand the meaning of prisoners to include someone stuck in an unsuccessful marriage or relationship, you have a pretty good description of why little matchmaker Ching-Ching had to bring her Uncle Tommy and Aunt Susan together.

In a recent tribute to Shirley Temple by TCM, upon her recent death, this was my favorite of 4 pre-'39 films, including "Heidi". It was also the only one of the 4 I didn't remember seeing in the distant past. I enjoyed it more than the others for several reasons. It has the zaniest story, which some reviewers consider a negative, but I find amusing. Shirley is mostly called by her pet Chinese name Ching-Ching, this story supposedly taking place in several parts of China, or on a ship. Unlike many of her films, there is no real sourpuss(adult or child) that Shirley has to deal with much of the time. The cute and charismatic Alice Faye is often present(as Susan). She gets to sing a couple of Revel-Gordon songs without Shirley.. Then, Shirley is at her most charismatic age as a child star, in my opinion. Non-musical, but personable, Robert Young was borrowed from MGM to serve as the male lead: notorious playboy Tommy Randall. He and Shirley seemed to get along great, the scripted Shirley having a closer relationship with him than with Alice(true in most S.T. films I've seen) Although rotund Eugene Palette is billed high on the player's list, in fact, he had only a small, inconsequential, role. Helen Westley, as the mother of Young's rival(Richard) for the affections of Alice, plays her usual domineering matron role. Arthur Treacher is present at times, in his usual stiff British valet role.The story begins in the apparently mythical Chinese city of Sanchow, situated upstream from Soochow, on the Yangtze. Shirley's foster parent, a missionary, declares that he and Shirley will remain in Sanchow, despite the report that a large bandit army is about to descend on the city. However, Shirley's Chinese friend, sun lo, arranged for a friend, Chang, to take her by sampan, down the Yangtze, to stay with his brother in Shanghai. But upon arrival, Chang steals Shirley's purse so he can participate in a gambling game, and disappears. So, with her Pekinese: Mr. Woo, she wanders around the wharf area, until she spies Young, trying to communicate with a shopkeeper about a purchase, Shirley translates his want and saves him some money. So, they become acquainted, and Shirley gets a ride in his open car, he stopping to visit a friend. While she waits in the car, a shower passes, causing her to transfer to the trunk, which she closes and falls asleep. Soon, the car is loaded onto a ship for Hong Kong and beyond. Thus, she is an accidental stowaway, eventually hiding in the room occupied by Alice and her mother-in-law-to-be. This eventually leads to the meeting of Alice and 'Uncle Tommy'(Young), relating to Shirley. Despite Alice being engaged to another man(Richard Hope),she responds somewhat to Young's romantic overtures, and they dance lightly while she sings the love song "Goodnight My Love", previously sung by Shirley as she is drifting off to sleep.. Richard boards the ship at Hong Kong, and friction between the two men begins when Hope discovers the dalliance with his fiancé, which the duo ascribe to their common interest in the welfare of Shirley.Later, Alice decides to cancel her planned wedding when she discovers what a mama's boy her fiancé is, and that mama plans to live with them. Meanwhile, Young gets news that Shirley's missionary father was killed in the bandit raid. He wants to adopt Shirley to prevent her being sent to a Shanghai orphanage. But, as a bachelor, Young can't legally qualify. Thus, he finally arm-twists Alice into marrying him, so they can adopt Shirley, with the understanding that Alice can then go to Reno for a divorce, if she doesn't want to stay married to the wealthy, but playboy, Young character. Shirley is very happy at this news, as Young and Alice seem like her fantasy new parents.Well, Alice decides to go through with the divorce in Reno, with her old boyfriend, Hope, waiting in the wings, promising to dump his mother, if Alice will take him back. But the judge(played by Edward Bromberg), after taking a look at the duo of Young and Shirley, decides to have a private talk with Shirley, who obviously tells him she doesn't want her new parents to split. The judge has Shirley take the stand, after coaching her what to say in response to his questions. However, at one point, she says 'holy macaroni' for 'holy matrimony', thus clearly exposing her act. Nonetheless, the judge rules against the grounds for divorce, and the threesome have a happy Christmas, with Shirley singing "That's What I Want for Christmas": quite a catchy tune, with its depression-era appropriate lyrics, not always clearly enunciated by Shirley. The gifted lyricist Irving Caesar Irving did the lyrics to this, as well as Shirley's signature song "Animal Crackers in My Soup" While the ship is docked in Hong Kong, Shirley has a stage performance, in which the audience members are invited to go on stage and give a performance. She follows oriental Sammee Tong's imitation of Bing Crosby's singing style, with "You Gotta S-M-I-L-E to be H-A-double P-Y". She does stage impressions of Al Jolson and Eddie Cantor, then danced with a dummy, supposedly representing Fred Astaire.

STOWAWAY (20th Century-Fox,1936), directed by William A. Seiter, places child star Shirley Temple in shipboard story set in China for her fourth and final 1936 film release. It consists of everything from adventure, romance, music and doses of comedy. The precocious Temple even gets to speak Chinese as well as recite ancient Chinese proverbs. Other than that, she's supported by a strong cast headed by Robert Young (on loan from MGM) and Fox's own songstress Alice Faye, very well on her way in becoming the studio's top attraction.The story begins in Sanchow, China, where orphan Barbara Stewart, better known as "Ching-Ching" (Shirley Temple), is now the ward of a missionary couple (William Stack and Helen Jerome-Eddy). As bandits come to attack the city, Sun Lo (Philip Ahn), loyal friend of Barbara's deceased parents, places her and her dog on a boat with Chang (Willie Fung) as her guide, bound for Shanghai where she is to be left under the care Sun-Lo's brother. After Chang takes off with her money to go gambling, Ching-Ching wanders off in Shanghai looking food and a soup bone for her dog. While there she encounters Tommy Randall (Robert Young), an wealthy American playboy on an extended cruise, wanting to purchase a Dragon's Head in a souvenir shop, and having a difficult time communicating with the proprietor. After helping him with the Chinese-English translations, Tommy decides to take the little girl along with him to see what he can do for her after learning she's a wandering orphan. Afterwards, the two become separated, a rain storm finds Ching Ching seeking shelter in the trunk of Tommy's sports roadster where she and her dog fall asleep. During that time, Tommy's car is transported on board ship. Hours out of port and sailing through the China seas, Ching-Ching awakens, pops out of the roadster and finds herself a stowaway. Afraid of being arrested, she hides out in the state room of Susan Randall (Alice Faye), a young girl traveling with her future mother-in-law, Mrs. Hope (Helen Westley) to meet her childhood sweetheart and fiancé, Richard (Allan Lane) stationed in Bangkak, Siam on an engineering job. After encountering the child, Susan informs the good-natured captain (Robert Greig) she'll be responsible for her. Their union leads to Ching-Ching's reunion with Tommy, and the attraction of the young couple she's befriended, thus causing the meddlesome Mrs. Hope to send for her Richard before things get too involved. Situations do become complex when the captain, learning the child has no living relatives, to do his duty by sending Ching-Ching to an orphanage once the boat docks in Singapore, and having her separated from Tommy and Susan.A very involving yet good-natured story of how fate steps in when a lost child encounters strangers along the way and becoming involved in their lives. In true Temple tradition, songs numbers are cleverly worked into the story as added attractions. With music and lyrics by Mack Gordon and Harry Revel (otherwise noted), the motion picture soundtrack is as follows: "Goodnight, My Love" (Sung by Shirley Temple); "Goodnight, My Love" (sung by Alice Faye); "Please" by Leo Robin and Ralph Rainger (sung by Chinaman imitating Bing Crosby); "You Got to S.M.I.L.E." (sung by Temple); "One Never Knows, Does One? (sung by Faye); and "That's What I Want for Christmas" (sung by Temple) by Irving Caesar and Gerald Marks.Although Temple introduces the film's best song, "Goodnight, My Love," it's Faye's rendition that comes off best. Her only other number, "One Never Knows" finds her memorably standing alone in her stateroom with the moonlight and reflections of the China seas as the backdrop. Faye and Young make a fine pair in what was to become their only collaboration on screen. As for Shirley, she stops the show midway as a participant in a Chinese "Major Bowes" talent contest telling everybody in song they got to "S.M.I.L.E," followed by her imitations of Al Jolson, Eddie Cantor, and doing the Ginger Rogers dancing bit opposite a Fred Astaire look-alike dummy. How convenient to have all those props available and everything else done to perfection without any pre-planning. Yet for Temple movies such as this, entertainment's the key factor. Nothing else matters.Other members in the cast include the familiar faces of Eugene Palette as The Colonel; Arthur Treacher as Randall's butler, Adkins; Astrid Allwyn as Kay Swift; J. Edward Bromberg adding some amusing bits as Judge J.D. Booth in the Reno sequence.When STOWAWAY used to air on local television back in the 1960s and 70s, this 87 minute feature would be placed into a 90 minute time slot. To make room for commercial breaks, certain scenes were either altered or completely cut, notably an extended scene in Hong Kong where Temple and Young find themselves arrested and placed in jail due to a misunderstanding involving a Chinese woman's missing child. Complete prints to STOWAWAY became available in the late 1980s through CBS-Fox Video, as well as in the colorized format on both VHS and DVD. Cable television history consists of the Disney Channel (1980s); American Movie Classics (1996-2001, Turner Classic Movies (TCM premiere: January 3, 2013); both in black and white formats; AMC colorized after 2007); and on the Fox Movie Channel.STOWAWAY is a fun and agreeable film that should still be of interest to viewers of all ages, thanks to the knowhow and ever presence of Temple and company. One never knows, does one? (***)

Well, Shirley Temple is in Shanghai for this feel-good musical-drama-romance. She is an inadvertent stowaway in this story and even speaks in Chinese quite a bit. In addition she relates a few profound and touching Chinese sayings and does a cute song on stage on the boat.Looking after her are the adults leads: Robert Young (who looks very young in here) and Alice Faye. Also fun to see, speaking of young, is Arthur Treacher, who has some funny lines. There is not a lot of funny material in here but it's a nice film and definite good addition to any Shirley Temple collection. I also saw a colorized edition of this, and they it was one of the better jobs in that regard. It hasn't been issued on DVD yet, but I assume it will since most of films are out on that format by now.