What makes it different from others?

The film may be flawed, but its message is not.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

By the time the dramatic fireworks start popping off, each one feels earned.

This movie was made in 1935. It's amazing how progressive its messages are. Lionel Barrymore is wooden in his role as Temple's grandfather, and the plot is beyond lame; but Shirley Temple still is fully convincing as Lloyd Sherman--a precocious, color-blind, and happiness-inducing five- year-old child of the 1870s. Hattie McDaniel, Bill Robinson, and Avonne Jackson are amazing in their rapport with Temple. There are some pretty clever lines that are really, really funny--many of them about ignorance, stubbornness, and prejudice. This movie is crying out loud for the attention of a rhetorician or a cultural studies theorist!

I always get THE LITTLEST REBEL and THE LITTLE COLONEL mixed up when I think of SHIRLEY TEMPLE films, but while they both have the same sort of background (the Civil War and post-Civil War), the quality of entertainment is vastly different.This one gets off to a painfully dull start, with Shirley's mother (EVELYN VENABLE) running off with a Yankee (JOHN BOLES), and later returning home with her little girl only to find that the grandfather has never forgiven her for marrying a Yank. Naturally, it's up to little Shirley to melt the heart of the crusty grandfather (LIONEL BARRYMORE) and we all know how that's going to turn out.What makes the film interesting are the dance segments with BILL ROBINSON, as the tap dancing servant, most memorably in the staircase dance that is always shown whenever there are film clips from any of Shirley's Fox films. And for an added surprise, there's the finale which is photographed in three strip Technicolor and gave the world its first glimpse of the child star in color.Summing up: Racial elements are plentiful but, hey, this was 1935--a different world then--but the story is so wishy-washy that it's only suitable for die hard Temple fans.

Personally, I think this is Shirley's best movie. It's got a good story (rare in children's movies), my favorite actor (Lionel Barrymore), great acting from a 5-yr-old child (Shirley), great dance numbers with Bojangles, lots of servant put-downs of their masters (as when Bojangles calls his master a fool)and also lots of humor, as when Shirley throws the chess set onto the floor, strikes an angry pose, and tells her Grandpa, "You're a bad man!". I smile every time I see that. The little 5-yr-old girl put the 70-something old guy in his place.If you've not yet seen the Little Colonel, I recommend you buy or rent it now. It's a great introduction to the actress Shirley Temple, and you can see why she was the number one star in 1936, 37, and 38.

I grew up with Shirley Temple. In 1932 she made 12 movies as an adorable baby doll of four years old. In 1933 she made four films; in 1934 eleven films the best was "Stand Up & Cheer" and "Baby, Take A Bow". In 1935 four films; in 1936 Captain January", in 1937 "Heidi"; in 1938 "Rebecca of Sunnybrook Farm" and "The Little Princess". In 1940 two movies, and in 1941 her first flop. 1944 she made a comeback in "Since You Went Away" and "I'll Be Seeing You". 1947 she made three films including "Bachelor & the Bobby Soxer". 1948 "Fort Apache" when she met her first husband John Agar. In 1949 she made four good films the best of which was "A Kiss for Corliss". Nobody wanted little Shirley to grow up, so I must say my favorite film of hers was "The Little Colonel" in which she sang and danced so well with the famed Bill Robinson. In that film she played against the great Lionel Barrymore.