Don't listen to the negative reviews

In truth, there is barely enough story here to make a film.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

A young gay man from the sticks comes to New York City in 1969 hoping for a better life, but finds the homosexual lifestyle just as stifled in the big city under police pressure, corruption and harassment. The legendary gay riots near the Stonewall Inn take up just five minutes of the film's running-time, the final five minutes. This low-budget, brightly-colored film is more interested in the lives that would soon be affected by the riots than in the aftermath of the violence--and so we get stock characters like the naive blond cowboy, the underworld group controlling the club, the straight-seeming activists for a Homosexual Alliance, and lots and lots of drag queens. Director Nigel Finch seems to make a concerted effort to equate homosexuality with drag behavior, and drag behavior with (ultimately) prostitution. Perhaps this was true of the times, but Finch's presentation (though not campy) has cartoonish leanings and nostalgic overtures that don't express anything more than what most people already realize: the cops were corrupt, the gays were not saints, and they clashed. There's a good movie to be made about Stonewall, but this one just scratches the surface. There are some sweet moments (a sing-along on a bus, a dance between a drag queen and a gay conservative), but just as many scenes where the tone intended hasn't a hope in hell of coming through. ** from ****

Frederick Weller is the perfect embodiment of the frustrated gay male who is ready for a change, and a revolution to boot. He arrives in NYC, somewhat naive, and is befriended by a drag queen who introduces him to the city and its many characters. He is discouraged almost immediately but it starts a feeling in him that makes him uneasy about the way things are. At the time bars were getting raided constantly and there were other ridiculous laws, too, none of which sit well with him. He befriends another man who enlightens him about rallies, a peaceful march to Philadelphia, and takes him to Fire Island. But its all still bad, since he knows he's being treated badly because of who he is. Climax of the movie is the riot at the end, which wasn't much of one as far as I'm concerned, but the police finally found they were being stood up to, and they didn't like it.All the actors are excellent, especially Weller, who's inexplicably not a major star, and Guillermo Diaz as La Miranda, a not-as-tough-as-she-pretends-to-be drag queen. Its La Miranda's version of things, and when she says 'we're American as apple pie' as the last line of the movie, you can't help but believe her. Kudos to all involved. 9/10.

While Stonewall hits upon some facts about the Stonewall Riots, it is pretty much based upon fiction. Much of this movie is apocryphal. For example, the who idea that the Stonewall Riots were somehow influenced by Judy Garland's death was suggested by the homophobic police-- as a bigoted joke. New research shows that the Stonewall Riots were started by what most people would classify as sissies from nearby bars after hearing that police were beating up Stonewall patrons. There weren't very many drag queens allowed in the Stonewall.The police who conducted the bust were not from the precinct that was in charge of the area; but a separate group dealing with morals violation. In fact, once barricaded inside the bar, they called for help, but the Sixth Precint wouldn't help, having already been paid off by the mob who owned the bar.

The night they raided the NYC underground bar Stonewall was the night gay pride exploded into the mainstream. This film tells the story of that night through a group of characters who each shine with their own unique story. There's La Miranda and Matty Dean, the central fictional figures of this film, and their struggle to find love, respect and honour in 1969 against numerous odds. But there are many other important stories told in this beautiful film. Dazzling, bright, strong and rousing are just four words but they settle easily into any sentence describing Stonewall - the movie. Its one of the most colourful and well designed films I've seen - so lush and grand in its set design and the musical numbers blaze. This delicious film is an aching, sweet transport into another time and place and provides a jaunty historical summation of the pride and intensity the name Stonewall still retains in the twentieth century history of the gay experience. Its a love story, a political tale, a drag odyssey and a wonderful expression of the powerful bonds that dark times promote and cement. Most of all, its a film to share with people you care about and want to grow through life with - so march to see it now.